The City: A Novel

“Now go change those sheets,” Mom said, “and I’ll be back in a few minutes.”

 

 

She left the front door ajar, and I ran to it and listened to her going down the stairs. When I heard her cross the first landing, I eased the door shut and, just in case Tilton was out there, locked it to prevent him from coming in behind my back. I hurried into my bedroom and tore the sheets off the bed and carried them to the hall closet where the laundry basket was kept and grabbed the spare set of sheets and raced back to my bedroom and made the bed. I returned to the front door and stood on my toes and barely managed to look through the fish-eye lens—nobody out there—and opened the door and stood on the threshold and waited for my mom.

 

She seemed to be taking forever. I didn’t believe there was a ghost in the Lorenzo apartment. And they had taken away the body, so there couldn’t be a zombie like in the voodoo-in-the-city TV movie that I’d had to turn off. But Mrs. Lorenzo, confused and hurting, might have left her door unlocked, and maybe my father had gone in there for God knows what reason, and then my mother had walked in on him. The rest would be total horror movie.

 

Maybe the manly thing would be to grab a butcher knife from the kitchen and go down to the second floor to check on my mother, but I couldn’t imagine what I’d say to Mrs. Lorenzo, who was in the kitchen crying again, when I burst in there and snatched the butcher knife out of the drawer. She might think I’d gone mad and meant to kill her, and that would be one shock too many, and she’d have a stroke, and then they’d haul me off to prison or the nuthatch or wherever they took crazed and dangerous boys.

 

I heard footsteps ascending. They sounded like the footsteps of one person, and they didn’t seem to be those of someone with a gun to her head or a knife to her throat. I stepped inside, eased the door almost shut, as my mother had left it, and hurried to the window.

 

When Mom came through the door, she had a little travel case in which she had packed Mrs. Lorenzo’s things. She closed the door and locked both deadbolts. She said, “You better put on your peejays and brush your teeth, honey. It’s getting late.”

 

“Okay, Mom.”

 

“You’ll need a blanket for the sofa.”

 

“It’s warm enough.”

 

“To protect the upholstery.”

 

“Oh, yeah. Got it.”

 

Minutes later, I was lying on a blanket, on the sofa, in my pajamas, with one of the pillows from my mother’s bed. The front windows remained open because we didn’t have air-conditioning, and traffic noise rose from the street. I could hear my mom and Mrs. Lorenzo talking in the kitchen, but I couldn’t catch enough words to make sense of what they were saying. They were taking a long time, longer than I expected, and I grew anxious about not being able to keep a watch on the street. Later, I would learn that Mom gave Mrs. Lorenzo a few Benadryl and then insisted that they each have a large glass of red wine, which I guess seemed just the right thing to an Italian lady like the widow. When they finally left the kitchen, I pretended to be sleeping, and I pretended all the time that they used the bathroom and dressed for bed. When my mother came to the sofa and whispered good-night and kissed me on the cheek, I lay there with my mouth open, breathing through it, making a soft snoring sound. Before she turned away and switched off the lights and went to her bedroom, she said, “My angel,” which made me feel lowly and deceitful and the very spawn of Tilton Kirk, even though I knew that my motives were good and my heart sincere.

 

Lying there in the dark, with the glow of the city invoking ghostly shapes from the familiar objects in the living room, I waited until I thought Mom and the widow might be asleep before I got off the couch and felt my way to one of the windows. The flow of traffic had diminished, and there were fewer pedestrians, as well. I didn’t see my father, but the longer I knelt at the window, with my arms folded on the sill, the more it seemed to me that of the people who walked past or drove by, every one of them appeared suspicious. More than suspicious. There had been another old movie I’d watched about two-thirds of before turning it off. Instead of zombies, the bad guys had been seed-pod people from another world, and they had duplicated real people and had taken their place; you couldn’t tell them from the people they imitated except that they had no real emotions.

 

 

 

 

 

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