“You liar!” I say, realizing that I am now crying again. “Ronnie told me that I shouldn’t trust you. That you were nothing but a—”
“Please, just listen to me. I know this is a shock. But you need to face reality, Pat. You’ve been lying to yourself for years! I needed to do something drastic to help you. But I never thought—”
“Why?” I say, feeling as if I might vomit, feeling as though my hands might find Tiffany’s throat at any moment. “Why did you do this to me?”
Tiffany looks into my eyes for what seems like a long time, and then her voice sort of quivers like my mom’s does when she is saying something she really truly means. Tiffany says, “Because, I’m in love with you.”
And then I am up and running.
At first Tiffany follows me, but—even though I am in my leather loafers and it is raining pretty steadily now—I am able to find the man speed she does not have, running faster than I ever have before, and after taking enough turns and weaving through enough traffic, I look back and Tiffany is gone, so I slow my running a bit and jog aimlessly for what seems like hours. I sweat through the rain, and my father’s overcoat becomes very heavy. I can’t even begin to think about what this all means. Betrayed by Tiffany. Betrayed by God. Betrayed by my own movie. I’m still crying. I’m still jogging. And then I’m praying again, but not in a nice way.
God, I didn’t ask for a million dollars. I didn’t ask to be famous and powerful. I didn’t even ask for Nikki to take me back. I only asked for a meeting. A single face-to-face conversation. All I’ve done since I left the bad place was try to improve myself—to become exactly what You tell everyone to be: a good person. And here I am running through North Philly on a rainy Christmas Day—all alone. Why did You give us so many stories about miracles? Why did You send Your Son down from heaven? Why did You give us movies if life doesn’t ever end well? What kind of fucking God are You? Do You want me to be miserable for the rest of my life? Do You—
Something hits my shin hard, and then my palms are sliding across the wet concrete. I feel kicks landing on my back, my legs, my arms. I curl up into a ball, trying to protect myself, but the kicking continues. When it feels as though my kidneys have exploded, I look up to see who is doing this to me, but I only see the bottom of a sneaker just before it strikes my face.
Mad Nipper
When I wake, the rain has stopped, but I am shivering. I sit up, and my whole body hurts. My overcoat is gone. My leather loafers are gone. All the money I had in my pocket is gone. My leather belt is gone. The new watch my mother gave me for Christmas is gone. I touch my fingers to my face, and they turn red.
Looking around, I see that I am on a narrow street full of parked cars. Row houses on either side. Some are boarded up, many of the porches and steps attached to the fronts are in need of repair, and the streetlights above are not on—maybe smashed by rocks—making the whole world look dark. I am not in a good neighborhood, with no money, shoes, or any idea where I am. Part of me wants to lie on the sidewalk forever, but I’m afraid those bad people might come back to finish me off, and before I can really think about anything, I’m on my feet, limping down the block.
My right thigh muscle feels locked in place, and I cannot bend my right knee very well.
One house on the block is decorated for Christmas. On the porch is a manger scene with a plastic Mary and Joseph—both black. I limp toward Baby Jesus, thinking that people celebrating the holiday are more likely to help me than people without Christmas decorations, because—in the Bible—Jesus says we should help shoeless people who have been mugged.
When I finally get to the decorated row house, a funny thing happens. Instead of knocking on the door, I limp over to the black Mary and Joseph because I want to look into the manger and see if Baby Jesus is black too. My cramped leg screams with pain and gives out just as I reach the Nativity scene. On my hands and one knee, between His parents, I see that Baby Jesus is really black and plugged in—his dark face glows like amber, and a stream of white light blasts up through His little baby chest.
Squinting, taking in the light of Baby Jesus, I instantly realize that I was mugged because I cursed God, so I pray and say I’m sorry and I understand what God is telling me—that I need to work on my character some more before I will be allowed to find apart time’s end.
My pulse is pounding so hard in my ears that I do not even hear the front door open, nor do I hear a man walk out onto the porch.
“What you doin’ to Aunt Jasmine’s Nativity scene?” the man says.