The Silver Linings Playbook

Just before the Eagles’ players are announced, clips from the Rocky movies are shown on the huge screens at each end of the field—Rocky running by the old Navy Yard, Rocky punching sides of beef in the meat locker, Rocky running up the steps of the art museum—and Jake and Scott keep saying, “That’s you. That’s you,” until I worry that someone will hear them, understand that I just fought the Giants fan in the parking lot, and tell the police to take me back to the bad place.

When the Eagles’ starting lineup is announced, fireworks explode and cheerleaders kick and everyone is standing and Jake keeps on pounding my back with his hand and strangers are high-fiving me, and suddenly I stop thinking about my fight in the parking lot. I begin to think about my dad watching the game in our family room—my mother serving him buffalo wings and pizza and beers, hoping the Eagles win just so her husband will be in a good mood for a week. I again wonder if my dad will start talking to me at night if the Eagles pull out a victory today, and suddenly it’s kickoff and I am cheering as if my life depends on the outcome of the game.

The Giants score first, but the Eagles answer with a touchdown of their own, after which the whole stadium sings the fight song—punctuated by the Eagles chant—with deafening pride.

Late in the first quarter, Hank Baskett gets his first catch of his NFL career—a twenty-five-yarder. Everyone in our section high-fives me and pats me on the back because I am wearing my official Hank Baskett jersey, and I smile at my brother because he gave me such a great present.

The game is all Eagles after that, and at the start of the fourth quarter the Eagles are up 24–7. Jake and Scott are so happy, and I am beginning to imagine the conversation I am going to have with my father when I get home—how proud he will be of my yelling whenever Eli Manning was trying to call a play.

But then the Giants score seventeen unanswered points in the fourth quarter, and the Philadelphia fans are shocked.

In overtime, Plaxico Burress goes up and over Sheldon Brown in the end zone, and the Giants leave Philadelphia with a win.

It is awful to watch.

Outside of the Linc, Scott says, “Better not come back to the tent. That asshole will be there waiting, for sure.”

So we say goodbye to Scott and follow the masses to the subway entrance.

Jake has tokens. We go through the turnstiles, descend underground, and push our way onto an already packed subway car. People yell, “No room!” but Jake mashes his body in between the other bodies and then pulls me in too. My brother’s chest is against my back; strangers are smashed against my arms. The doors finally close, and my nose is almost touching the glass window.

The smell of beer resurfacing through everyone’s sweat glands is pungent.

I don’t like being this close to so many strangers, but I don’t say anything, and soon we are at City Hall.

After we exit the train, we spin another turnstile, climb up into center city, and begin walking down Market Street, past the old department stores and the new hotels and The Gallery.

“You wanna see my apartment?” Jake asks when we get to the Eighth and Market PATCO stop, which is where I can hop a train over the Ben Franklin Bridge to Collingswood.

I do want to see Jake’s apartment, but I am tired and anxious to get home so I can do a little lifting before bed. I ask if I might see it some other time.

“Sure,” he says. “It’s good to have you back, brother. You were a true Eagles fan today.”

I nod.

“Tell Dad the Birds will bounce back next week against San Fran.”

I nod again.

My brother surprises me by giving me a two-armed hug and saying, “I love you, bro. Thanks for getting my back in the parking lot.”

I tell him that I love him too, and then he is walking down Market Street singing “Fly, Eagles, Fly” at the top of his lungs.

I descend underground, insert the five my mother gave me into the change machine, buy a ticket, stick it into the turnstile, descend more stairs, hit the waiting platform, and begin to think about that little kid in the Giants jersey. How hard did he cry when he realized his father had been knocked out? Did the kid even get to see the game? A few other men in Eagles jerseys are sitting on the chrome benches. Each nods sympathetically at me when they see my Hank Baskett jersey. One man at the far end of the platform yells, “Goddamn fucking Birds!” and then kicks a metal trash can. Another man standing next to me shakes his head and whispers, “Goddamn fucking Birds.”

When the train comes, I choose to stand just inside the doors, and as the train slides across the dusk sky, over the Delaware River, across the Ben Franklin Bridge, I look at the city skyline, and—again—I start to think about that kid crying. I feel so awful when I think about that little kid.

I get off the train at Collingswood, walk across the open-air platform and down the steps, stick my card into the turnstile machine, and then jog home.

My mother is sitting in the family room, sipping tea. “How’s Dad?” I ask.

She shakes her head and points at the TV.

The screen is cracked so that it looks like a spiderweb. “What happened?”

“Your father smashed the screen with the reading lamp.”