Voyager(Outlander #3)

21

 

Q.E.D

 

Inverness

 

October 5, 1968

 

“I found the deed of sasine.” Roger’s face was flushed with excitement. He had hardly been able to contain himself, waiting with open impatience at the train station in Inverness while Brianna hugged me and my bags were retrieved. He had barely got us stuffed into his tiny Morris and the car’s ignition started before blurting out his news.

 

“What, for Lallybroch?” I leaned over the seat back between him and Brianna, in order to hear him over the noise of the motor.

 

“Yes, the one Jamie—your Jamie—wrote, deeding the property to his nephew, the younger Jamie.”

 

“It’s at the manse,” Brianna put in, twisting to look at me. “We were afraid to bring it with us; Roger had to sign his name in blood to get it out of the SPA collection.” Her fair skin was pinkened by excitement and the chilly day, raindrops in her ruddy hair. It was always a shock to me to see her again after an absence—mothers always think their children beautiful, but Bree really was.

 

I smiled at her, glowing with affection tinged with panic. Could I really be thinking of leaving her? Mistaking the smile for one of pleasure in the news, she went on, gripping the back of the seat in excitement.

 

“And you’ll never guess what else we found!”

 

“What you found,” Roger corrected, squeezing her knee with one hand as he negotiated the tiny orange car through a roundabout. She gave him a quick glance and a reciprocal touch with an air of intimacy about it that set off my maternal alarm bells on the spot. Like that already, was it?

 

I seemed to feel Frank’s shade glaring accusingly over my shoulder. Well, at least Roger wasn’t black. I coughed and said, “Really? What is it?”

 

They exchanged a glance and grinned widely at each other.

 

“Wait and see, Mama,” said Bree, with irritating smugness.

 

 

 

* * *

 

 

 

“See?” she said, twenty minutes later, as I bent over the desk in the manse’s study. On the battered surface of the late Reverend Wakefield’s desk lay a sheaf of yellowed papers, foxed and browned at the edges. They were carefully enclosed in protective plastic covers now, but obviously had been carelessly used at one time; the edges were tattered, one sheet was torn roughly in half, and all the sheets had notes and annotations scribbled in the margins and inserted in the text. This was obviously someone’s rough draft—of something.

 

“It’s the text of an article,” Roger told me, shuffling through a pile of huge folio volumes that lay on the sofa. “It was published in a sort of journal called Forrester’s, put out by a printer called Alexander Malcolm, in Edinburgh, in 1765.”

 

I swallowed, my shirtwaist dress feeling suddenly too tight under the arms; 1765 was almost twenty years past the time when I had left Jamie.

 

I stared at the scrawling letters, browned with age. They were written by someone of difficult penmanship, here cramped and there sprawling, with exaggerated loops on “g” and “y.” Perhaps the writing of a left-handed man, who wrote most painfully with his right hand.

 

“See, here’s the published version.” Roger brought the opened folio to the desk and laid it before me, pointing. “See the date? It’s 1765, and it matches this handwritten manuscript almost exactly; only a few of the marginal notes aren’t included.”

 

“Yes,” I said. “And the deed of sasine…”

 

“Here it is.” Brianna fumbled hastily in the top drawer and pulled out a much crumpled paper, likewise encased in protective plastic. Protection here was even more after the fact than with the manuscript; the paper was rain-spattered, filthy and torn, many of the words blurred beyond recognition. But the three signatures at the bottom still showed plainly.

 

By my hand, read the difficult writing, here executed with such care that only the exaggerated loop of the “y” showed its kinship with the careless manuscript, James Alexander Malcolm MacKenzie Fraser. And below, the two lines where the witnesses had signed. In a thin, fine script, Murtagh FitzGibbons Fraser, and, below that, in my own large, round hand, Claire Beauchamp Fraser.

 

I sat down quite suddenly, putting my hand over the document instinctively, as though to deny its reality.

 

“That’s it, isn’t it?” said Roger quietly. His outward composure was belied by his hands, trembling slightly as he lifted the stack of manuscript pages to set them next to the deed. “You signed it. Proof positive—if we needed it,” he added, with a quick glance at Bree.

 

She shook her head, letting her hair fall down to hide her face. They didn’t need it, either of them. The vanishing of Geilie Duncan through the stones five months before had been all the evidence anyone could need as to the truth of my story.

 

Still, having it all laid out in black and white was rather staggering. I took my hand away and looked again at the deed, and then at the handwritten manuscript.

 

“Is it the same, Mama?” Bree bent anxiously over the pages, her hair brushing softly against my hand. “The article wasn’t signed—or it was, but with a pseudonym.” She smiled briefly. “The author signed himself ‘Q.E.D.’ It looked the same to us, but we aren’t either of us handwriting experts and we didn’t want to give these to an expert until you’d seen them.”

 

“I think so.” I felt breathless, but quite certain at the same time, with an upwelling of incredulous joy. “Yes, I’m almost sure. Jamie wrote this.” Q.E.D., indeed! I had an absurd urge to tear the manuscript pages out of their plastic shrouds and clutch them in my hands, to feel the ink and paper he had touched; the certain evidence that he had survived.

 

“There’s more. Internal evidence.” Roger’s voice betrayed his pride. “See there? It’s an article against the Excise Act of 1764, advocating the repeal of the restrictions on export of liquor from the Scottish Highlands to England. Here it is”—his racing finger stopped suddenly on a phrase—“‘for as has been known for ages past, “Freedom and Whisky gang tegither.” ’ See how he’s put that Scottish dialect phrase in quotes? He got it from somewhere else.”

 

 

“He got it from me,” I said softly. “I told him that—when he was setting out to steal Prince Charles’s port.”

 

“I remembered.” Roger nodded, eyes shining with excitement. “But it’s a quote from Burns,” I said, frowning suddenly. “Perhaps the writer got it there—wasn’t Burns alive then?”

 

“He was,” said Bree smugly, forestalling Roger. “But Robert Burns was six years old in 1765.”

 

“And Jamie would be forty-four.” Suddenly, it all seemed real. He was alive—had been alive, I corrected myself, trying to keep my emotions in check. I laid my fingers flat against the manuscript pages, trembling.

 

“And if—” I said, and had to stop to swallow again.

 

“And if time goes on in parallel, as we think it does—” Roger stopped, too, looking at me. Then his eyes shifted to Brianna.

 

She had gone quite pale, but both lips and eyes were steady, and her fingers were warm when she touched my hand.

 

“Then you can go back, Mama,” she said softly. “You can find him.”

 

 

 

* * *

 

 

 

The plastic hangers rattled against the steel tubing of the dress rack as I thumbed my way slowly through the available selection.

 

“Can I be helpin’ ye at all, miss?” The salesgirl peered up at me like a helpful Pekingese, blue-ringed eyes barely visible through bangs that brushed the top of her nose.

 

“Have you got any more of these old-fashioned sorts of dresses?” I gestured at the rack before me, thick with examples of the current craze—laced-bodiced, long-skirted dresses in gingham cotton and velveteen.

 

The salesgirl’s mouth was caked so thickly that I expected the white lipstick to crack when she smiled, but it didn’t.

 

“Oh, aye,” she said. “Got a new lot o’ the Jessica Gutenburgs in just today. Aren’t they the grooviest, these old-style gowns?” She ran an admiring finger over a brown velvet sleeve, then whirled on her ballet flats and pointed toward the center of the store. “Just there, aye? Where it says, on the sign.”

 

The sign, stuck on the top of a circular rack, said CAPTURE THE CHARM OF THE EIGHTEENTH CENTURY in large white letters across the top. Just below, in curlicue script, was the signature, Jessica Gutenburg.

 

Reflecting on the basic improbability of anyone actually being named Jessica Gutenburg, I waded through the contents of the rack, pausing at a truly stunning number in cream velvet, with satin inserts and a good deal of lace.

 

“Look lovely on, that would.” The Pekingese was back, pug nose sniffing hopefully for a sale.

 

“Maybe so,” I said, “but not very practical. You’d get filthy just walking out of the store.” I pushed the white dress away with some regret, proceeding to the next size ten.

 

“Oh, I just love the red ones!” The girl clasped her hands in ecstasy at the brilliant garnet fabric.

 

“So do I,” I murmured, “but we don’t want to look too garish. Wouldn’t do to be taken for a prostitute, would it?” The Peke gave me a startled look through the thickets, then decided I was joking, and giggled appreciatively.

 

“Now, that one,” she said decisively, reaching past me, “that’s perfect, that is. That’s your color, here.”

 

Actually, it was almost perfect. Floor-length, with three-quarter sleeves edged with lace. A deep, tawny gold, with shimmers of brown and amber and sherry in the heavy silk.

 

I lifted it carefully off the rack and held it up to examine it. A trifle fancy, but it might do. The construction seemed halfway decent; no loose threads or unraveling seams. The machine-made lace on the bodice was just tacked on, but that would be easy enough to reinforce.

 

“Want to try it on? The dressing rooms are just over there.” The Peke was frisking about near my elbow, encouraged by my interest. Taking a quick look at the price tag, I could see why; she must work on commission. I took a deep breath at the figure, which would cover a month’s rent on a London flat, but then shrugged. After all, what did I need money for?

 

Still, I hesitated.

 

“I don’t know…” I said doubtfully, “it is lovely. But…”

 

“Oh, don’t worry a bit about it’s being too young for you,” the Pekingese reassured me earnestly. “You don’t look a day over twenty-five! Well…maybe thirty,” she concluded lamely, after a quick glance at my face.

 

“Thanks,” I said dryly. “I wasn’t worried about that, though. I don’t suppose you have any without zippers, do you?”

 

“Zippers?” Her small round face went quite blank beneath the makeup. “Erm…no. Don’t think we do.”

 

“Well, not to worry,” I said, taking the dress over my arm and turning toward the dressing room. “If I go through with this, zippers will be the least of it.”

 

 

 

 

 

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