Rosemary and Rue

The binding spell released with a gust of snow-cold air and the smell of roses, and the drawer slid open easily when I tried again. The key’s light went out at the same time, leaving me blinking in the sudden darkness. “Crap.”


I’ve done worse things than navigating my way out of an office building by feel. I tucked the key into the front of my bodice, where it would hopefully recharge—that sort of magic item usually does if you give it enough time—before I reached into the drawer. The thought of booby traps crossed my mind, and I quashed it as firmly as I could. Still, doubt lingered, and it was a relief when my questing fingers hit only hanging files.

I let my hands slide past the folders, guiding myself by feel. There was something hard at the back of the drawer, half buried under a pile of loose papers. Brushing the papers aside, I felt for the edges of the object. It felt like a box, a wooden box, about the size of a thick paperback book. My fingers tingled as they brushed against it, and the tingling became a burn, spreading up my arms as I lifted the box and removed it from the drawer. The burning wasn’t painful. It was almost pleasant in a way, like rubbing hot oil on sore muscles.

My eyes must have adjusted while I was fumbling in the file cabinet, because I could clearly see what I was holding. I stared, the steadily increasing burning in my arms forgotten.

It was a hope chest.

A real, genuine, hope chest, carved by Oberon’s own hand from the four sacred woods of Faerie—oak and ash for bracing and balance, rowan and thorn for pattern and protection. I knew what it was. Any child of Faerie, no matter how thin their blood, would have known what it was. And it couldn’t be what I knew it to be, because it was an impossible thing, a bedtime story. It didn’t exist. And I was holding it, and it was the reason Evening had been killed. There was nothing else that it could be.

The stories say there are twelve hope chests, that Oberon made them when mankind was still nothing but an interesting diversion. Some people say the chests hold secrets, or stars, or nothing at all; that the Heart of Faerie is hidden in one and the others are decoys, or that they hold a map that would lead us to our missing King and Queens. Some say the chests hold the keys to the deeper lands of Faerie, the places on the other side of the Summerlands. And behind closed doors, they say the hope chests hold a different sort of key: the key to immortality. That they can change the balance of a changeling’s blood, making them pureblooded . . . or human.

If anyone had asked me whether the hope chests were real, I would have laughed. But at that moment, with the weight of the wood solid against my fingers and the burning spreading through me, I believed, and I understood why Evening chose to protect the key before she protected herself. There’s not a pureblood in Faerie who wouldn’t die to keep a hope chest safe.

My hands pulled the box to my chest without consulting my brain, thumbs caressing the lid. For the first time since I woke up, Evening’s death was the furthest thing from my mind. There was nothing in the world but the hope chest and me. I almost thought I heard it whispering to me, offering the world if I’d lift the lid and see what the stories didn’t tell us. I could play Pandora, if I wanted to. I could remake the world.

Pandora was an idiot. I dropped the box, shuddering from cold as much as from temptation; as soon as the hope chest left my fingers, the burning died. Whatever it was selling, I wasn’t in the market. I had enough to deal with without being pushed around by magical items that shouldn’t exist.