Rosemary and Rue

And when the hell did it go back to being “we”?

I walked toward the building, grateful for the lack of security guards. Considering my stained and increasingly grimy gown, no one was going to believe I had a good reason to be entering an upscale office building in the middle of the night. There’s pushing the bounds of credibility, and then there’s just getting silly.

The taste of roses faded as I walked. It was like playing a game of Hot or Cold with the rules reversed: the closer I got to my goal, the harder it got to know where I was going. If I caught Evening’s killer, the curse would snap and the roses would fade altogether, leaving me free to live or die as I chose. My fingers continued tracing the outline of the key cupped in my palm, trying to puzzle out its secrets. Evening had been more worried about it than she was about her own life. Why? Borrowed memories moved in the back of my mind, hissing, The key will open the way in Goldengreen, in her voice. I stopped where I was, almost stumbling.

Riding the blood isn’t an exact art: bits and pieces of the person you travel with can linger for days afterward, their secrets shaking loose like sand through a sieve. I hadn’t thought of the key in conjunction with Goldengreen before. It made perfect sense. I didn’t want it to.

Goldengreen was Evening’s knowe, and the gateway to her small holdings in the Summerlands. It was locked and sealed to her desires, and the idea of going in didn’t appeal. Once I set foot inside the boundaries of Goldengreen, the odds of being caught would go through the roof. I hadn’t considered that. What would someone who’d been able to kill Evening do to me? Probably nothing I’d enjoy. Not that I had any choice—not with Evening’s curse egging me on. If the key unlocked something in Goldengreen, Goldengreen was my next destination.

The front door wasn’t locked, despite the lateness of the hour. I hesitated with my hand on the handle, then walked inside and crossed to the elevator. There were no security guards. I still didn’t relax until the elevator doors closed between me and the lobby, and I was headed upward, toward the administrative offices on the ninth floor. The last thing I wanted was to be questioned about what I was doing there, but my luck was holding.

It couldn’t last. The door from the elevator lobby on the ninth floor was locked. Worse, it was one of those new keycard locks, which meant I couldn’t even try picking it. I rattled the handle a few times before I gave up, scowling. “Great,” I said, “now what am I supposed to do?”

Sometimes reality stops being subtle in favor of smacking you upside the head. Standing in front of a locked door with a magic key in your hand probably counts. I lifted the key. Somehow, not even the dimly flickering safety lights could make it look like the tacky stage prop it should have been.

“Will you let me in?” Hoping that I wasn’t completely insane, I pressed it against the lock, and said, “I’m here by leave of the Countess of Goldengreen.”

Nothing happened. I hit the door with the heel of my hand, saying, “Open sesame, damn it.”

The key flared, and the door swung open.

I gaped. Then, recovering my senses, I stepped through the door before it could change its mind. It made sense, in a twisted sort of way: most people would assume that Evening had her locks set to the more florid formal patterns. She could keep almost everyone out just by keeping things simple.