Of course there is. Where they can get Magic cards. That stupid, incomprehensible game they play.
Fred Marshall hurries back downstairs, grabs the phone book, hunts through the Yellow Pages, and calls the 7-Eleven. Like most of French Landing, Fred is in the 7-Eleven four or five times a week — a can of soda here, a carton of orange juice there — and he recognizes the lilt of the Indian day clerk's voice. He comes up with the man's name at once: Rajan Patel. It's that old salesman's trick of keeping as many names as possible in the active file. It sure helps here. When Fred calls the man Mr. Patel, the day clerk immediately becomes friendly, perfectly willing to help. Unfortunately, there isn't much help he can give. Lots of boys in. They are buying Magic cards, also Pokémon and baseball cards. Some are trading these cards outside. He does recall three that came in that morning on bikes, he says. They bought Slurpees as well as cards, and then argued about something outside. (Rajan Patel doesn't mention the cursing, although this is chiefly why he remembers these boys.) After a little while, he says, they went on their way.
Fred is drinking coffee without even remembering when he poured it. Fresh threads of unease are spinning spider-silky webs in his head. Three boys. Three.
It means nothing, you know that, don't you? he tells himself. He does know it, and at the same time he doesn't know it. He can't even believe he's caught a little of Judy's freakiness, like a cold germ. This is just . . . well . . . freakiness for freakiness's sake.
He asks Patel to describe the kids and isn't too surprised when Patel can't. He thinks one of them was a bit of a fat boy, but he's not even sure of that. "Sorry, but I see so many," he says. Fred tells him he understands. He does, too, only all the understanding in the world won't ease his mind.
Three boys. Not four but three.
Lunchtime has come, but Fred is not the least bit hungry. The spooky, sunny silence maintains itself. The spiderwebs continue to spin.
Not four but three.
If it was Ty's bunch that Mr. Patel saw, the fattish boy was certainly Ebbie Wexler. The question is, who were the other two? And which one was missing? Which one had been stupid enough to go off on his own?
Ty's gone. Gorg fascinated him and the abbalah took him.
Crazy talk, no doubt about it . . . but Fred's arms nevertheless break out in a lush of goose bumps. He puts his coffee mug down with a bang. He'll clean up the broken glass, that's what he'll do. That's the next step, no doubt about it.
The actual next step, the logical next step, whispers through his mind as he climbs the stairs, and he immediately pushes it away. He's sure the cops are just lately overwhelmed with queries from hysterical parents who have lost track of their kids for an hour or so. The last time he saw Dale Gilbertson, the poor guy looked careworn and grim. Fred doesn't want to be marked down as part of the problem instead of part of the solution. Still . . .
Not four but three.
He gets the dustpan and broom out of the little utility closet next to the laundry room and begins sweeping up broken glass. When he's done he checks on Judy, sees she's still sleeping (more deeply than ever, from the look of her), and goes down to Ty's room. If Ty saw it like this, he'd be upset. He'd think his mom was a lot more than a Coke short of a Happy Meal.
You don't have to worry about that, his mind whispers. He won't be seeing his room, not tonight, not ever. Gorg fascinated him and the abbalah took him.
"Stop it," Fred tells himself. "Stop being an old woman."
But the house is too empty, too silent, and Fred Marshall is afraid.
Setting Tyler's room to rights takes longer than Fred ever would have expected; his wife went through it like a whirlwind. How can such a little woman have such strength in her? Is it the strength of the mad? Perhaps, but Judy doesn't need the strength of the mad. When she sets her mind to something, she is a formidable engine.
By the time he's finished cleaning up, almost two hours have passed and the only obvious scar is the scratched-out rectangle of wallpaper where the Irish travel poster hung. Sitting on Ty's remade bed, Fred finds that the longer he looks at that spot, the less he can stand the white wallboard, peering through as brazenly as a broken bone through outraged skin. He has washed away the streaks of blood, but can do nothing about the scratch marks she made with her nails.
Yes I can, he thinks. Yes I can, too.