I look down. “Oh, that. It’s nothing.”
“No it’s not,” she says, climbing to her knees. She takes my forearm in her hands and moves it to catch the sunlight coming in through the slats. “It looks new. It’s going to be a heck of a bruise. Does this hurt?” She takes the back of my arm in one hand and runs the other over the blue patch that’s spreading beneath my skin. Her palm is cool and smooth, and leaves my hair standing on end.
I close my eyes and swallow hard. “No, really, I’m—”
A whistle blows, and she looks toward the door. I take the opportunity to extricate my arm and rise.
“Twen-n-n-n-n-n-n-nty minutes!” bellows a deep voice from somewhere near the front of the train. “Twen-n-n-n-n-n-n-nty minutes to push-off!”
Joe pokes his head through the open doorway. “Come on! We gotta load these animals! Oh, sorry ma’am,” he says, tipping his hat to Marlena. “I didn’t see you there.”
“That’s okay, Joe.”
Joe stands awkwardly in the doorway, waiting. “It’s just that we’ve got to do it now,” he says in desperation.
“Go ahead,” says Marlena. “I’m going to ride this leg with Silver Star.”
“You can’t do that,” I say quickly.
She looks up at me, her throat elongated and pale. “Why ever not?”
“Because once we get the other horses loaded you’ll be trapped back here.”
“That’s all right.”
“What if something happens?”
“Nothing’s going to happen. And if it does, I’ll climb over them.” She settles into the straw, curling her legs back under her.
“I don’t know,” I say doubtfully. But Marlena is gazing at Silver Star with an expression that makes it perfectly clear she’s not budging.
I look back at Joe, who raises his hands in a gesture of exasperation and surrender.
After a final glance at Marlena, I swing the stall divider into place and help load the rest of the horses.
DIAMOND JOE IS RIGHT about the long haul. It’s early evening before we stop again.
Kinko and I haven’t exchanged a word since we left Saratoga Springs. He clearly hates me. Not that I blame him—August set it up that way, although I don’t suppose there’s any point in trying to explain that to him.
I stay up front with the horses to let him have some privacy. That, and I’m still nervous at the thought of Marlena trapped at the end of a row of thousand-pound animals.
When the train stops she climbs nimbly over their backs and drops to the floor. When Kinko emerges from the goat room, his eyes crinkle in momentary alarm. Then they shift from Marlena to the open door with studied indifference.
Pete, Otis, and I unload and water the ring stock, camels, and llamas. Diamond Joe, Clive, and a handful of cage hands head up to the second section of the train to deal with the animals in dens. August is nowhere to be seen.
After we get the animals back on board, I climb into the stock car and poke my head into the room.
Kinko sits cross-legged on the bed. Queenie sniffs a bedroll that has replaced the infested horse blanket. Sitting on top is a neatly folded red plaid blanket and a pillow in a smooth white case. A square sheet of cardboard lies in the center of the pillow. When I lean over to pick it up, Queenie leaps as though I’ve kicked her.
Mr. and Mrs. August Rosenbluth request the pleasure of your immediate presence in stateroom 3, car 48, for cocktails, followed by a late dinner.
I look up in surprise. Kinko is staring daggers at me.
“You wasted no time ingratiating yourself, did you?” he says.
COLLECTION OF THE RINGLING CIRCUS MUSEUM, SARASOTA, FLORIDA
Seven
The cars are not sequentially numbered, and it takes me a while to find car 48. It is painted a deep burgundy and trimmed with foot-tall gold lettering trumpeting BENZINI BROS MOST SPECTACULAR SHOW ON EARTH. Just beneath that, visible only in relief under the shiny fresh paint, is another name: CHRISTY BROS CIRCUS.
“Jacob!” Marlena’s voice floats from a window. A few seconds later she appears on the platform at the end, swinging out from the handrail so that her skirt swirls around her. “Jacob! Oh, I’m so glad you could make it. Please come in!”
“Thanks,” I say, glancing around. I climb up and follow her down the interior passageway and through the second door.
Stateroom 3 is glorious as well as a misnomer—it constitutes half the car, and contains at least one additional room, which is cordoned off with a thick velvet curtain. The main room is paneled in walnut and outfitted with damask furniture, a dinette, and a Pullman kitchen.
“Please make yourself comfortable,” says Marlena, waving me toward one of the chairs. “August will be along in a minute.”
“Thank you,” I say.
She sits opposite me.
“Oh,” she says leaping up again. “Where are my manners? Would you like a beer?”
“Thank you,” I say. “That would be swell.”
She flutters past me to an icebox.