The Laughterhouse A Thriller

CHAPTER FIFTEEN

From out of nowhere the rain comes back. I have to increase the speed of the window wiper that works. It makes a strange grinding sound, making me worry it’s going to fly off the window and get lost in somebody’s front lawn, but then, just as quickly, the rain disappears again, just a thirty-second assault on the city. I have to drive carefully even though I have the urge to speed, scared that if I take my car over thirty miles per hour the engine will turn into a jigsaw puzzle. There are patrol cars and lots of vans with sleepy looking reporters beside them at the nursing home, and even though I managed to leave before Schroder he’s beaten me out here.

Schroder is standing in the foyer next to Nurse Hamilton who, for the moment, looks nothing like Nurse Hamilton, but more like a woman wearing a Nurse Hamilton suit that’s been stuffed under a couch for the last twenty years. She starts to come over, then thinks better of it. Schroder leads me up the stairs to the second floor and in the opposite direction of Bridget, but I can’t follow him, not straightaway, not until I check on my wife. I head to her room and there is enough light from the hallway to see her sleeping peacefully.

“She’s okay,” Schroder tells me. “What happened here has nothing to do with her.”

I’m not sure what to tell him. I try to grab hold of my thoughts to calm them down—I want to move Bridget to another home. I want to hunt down the man who violated this place.

“Come on, Theo, we’ve got work to do,” he says, holding up a thin file in front of me. “Look, I know you’re pissed off, but you need to focus on what’s relevant here, and what’s relevant is that Bridget hasn’t been hurt but somebody else has been, and we need to make it as right as we can for that person because that’s what we do.”

I take a few seconds to listen to what he’s saying. I try to absorb it. I realize he’s right.

“Theo, are we on the same page here?”

“We are,” I tell him.

“Good.” He turns around and I follow him into a part of the nursing home I haven’t been in before, but it looks the same as the rest of it—rubber plants potted along the corridors, landscape paintings, views from the windows out over the gardens. We pass rooms along the way, other patients in similar states to my wife, some in better shape as they turn and look toward us as we walk, others in worse shape, hoses and tubes connecting them to a form of artificial life.

“Victoria Brown,” Schroder says. “She’s forty-nine years old, married, no children. She’s been here for seven years after being assaulted in a shopping mall bathroom. She had her head smacked into a sink and never woke up,” he says. “Never got the person who did it,” he adds.

“There’s a lot of blood,” I say, stopping outside the room and looking in.

“He stabbed her like he stabbed the first two.”

“So whatever pissed our guy off happened at least seven years ago,” I say.

“Has to be. I don’t see her making anybody angry since being here. And he must have been angry,” he says. “She put up no fight and he just kept stabbing her all the same.”

“What did she do? Before the attack?”

“Here’s the thing. She was a criminal lawyer.”

A small chill rushes down my spine as a connection is made. “So that gives us two lawyers and one teacher and one accountant. He leave a message?”

“It’s on her forehead. Same as the others. You were complicit.”

“In what?”

“In whatever made victim one not care enough and was or wasn’t worth it for victim two.”

I look up and down the corridor. “And nobody heard or saw anything?”

“No, and it’s not like the victim was making a sound.”

“You talk to the husband?”

“He’s dead. He killed himself a couple of years ago. Hung himself.”

Does every story in this city have a bad ending? Does everybody have a sad tale?

There are forensic experts inside and outside the room. There are plastic markers next to blood drops on the floor and bloody shoe tread prints that are dark near the body but lighten with every step until they disappear near the stairs. The dead woman’s arms are still by her side and there is no expression of horror on her face. Her eyes are closed, her face perfectly relaxed. It’s the first time either Schroder or myself have ever seen a murdered coma victim. Maybe it’s the first time anybody has. We’ve seen them get pregnant and contract diseases, but not this.

“You okay?” Schroder asks.

“I’m not sure,” I tell him.

“You look like you could do with some air.”

The handwriting across the dead woman’s forehead is a match for the others.

“Two lawyers and one teacher and one accountant,” Schroder repeats.

“Doesn’t seem like the setup to a joke anymore,” I tell him.

“No. But it never did.” He pushes his hands into his back and stretches it out, his spine popping softly. I once saw a guy do that and throw out his back. “The staff say you were here earlier,” he says. “You didn’t see anything?”

“I did see somebody walking with a bloody knife but didn’t think it was worth mentioning.”

“Hey, look, I’m just asking.”

“I’d have told you. Who found her?”

“One of the nurses was doing a routine check. She saw the bloody footprints and just figured one of the patients had had an accident. Followed them into here and started screaming. Woke up the other patients and brought the rest of the staff running. It’s pretty obvious these aren’t random victims,” he says. “Random doesn’t bring you into two retirement homes and one nursing home. Our killer is working from a list. Question is, how many people are on it?”

It’s a good question. The room has a similar view over the grounds as my wife’s does, and the two women enjoyed it about the same. The layout is the same too, the bed in the center with walking room all the way around it for the nurses. There’s a vase full of flowers so fake they wouldn’t even have fooled the coma patients. There is not much emotion in this room, not until a madman came in here and filled it with rage.

“Victim three doesn’t fit the list,” I say. “The killer went to a lot of effort to sneak in here and stab this woman lots of times and leave a message, he could have made the same effort for Brad Hayward. He could have waited for him in town by his car, or pulled up to him at a set of lights, or waited till the wife was asleep. He could even have tried to sneak into his workplace.”

Tracey Walter steps into the room behind us. The medical examiner looks tired. She’s spent a long day examining the dead, and now she has to spend a long night cutting them open.

“Let’s get this done,” she says in the way of a greeting. She puts her case on the floor and pulls out a thermometer with a skewer on it. I look away as she stabs it into the woman somewhere around the liver, then look back to see her checking the temperature. She takes another look around the room as if figuring out how hot it is in here. She takes down some notes, seems to do some sums, then comes over.

“Preliminary guess is death was ninety minutes ago,” she says, looking at her watch, “which puts death around two-thirty.”

“I was here around eleven thirty, maybe quarter to twelve,” I say, thinking that things could easily have been different if I’d come here later, or if the killer had come here earlier. I could have been pulling in as he was leaving, or pulling out as he was arriving. I could have seen him, maybe I’d have gotten a sense of what was going on, maybe what was left of Victoria Brown could still be alive.

“Body is fine to move,” Tracey says, and heads back down the corridor toward the stairs.

“We’ve been running background checks on the victims,” Schroder says.

“And?”

“And speeding tickets are as bad as these people ever got.”

Forensics takes over the scene. It’s time to go and see John Morgan, Brad Hayward’s boss. It’s already four o’clock. Schroder hands me a slip of paper with Morgan’s address. His handwriting was bad when I met him back at the academy, but it’s gotten worse over the years. The letters blend into a mess and he has to point out what he’s told me.

“If it helps,” he says, walking with me past the bloody footprints that peter out the closer they get to the stairs, “I’m feeling the same thing you are.”

“Which is?”

“Helpless,” he says.

“Not hopeless?”

He shrugs. “Take your pick,” he says,

I go to say goodbye to my wife before leaving. I enter her room and Bridget is standing by the window and the curtains are open. I flinch at the sight of her there, so much in fact that I have to take a step back to balance myself. “Bridget?” I say, and I wait for her to turn around and smile at me, only she doesn’t. I quickly cross the room, I take her hand and look into her face but she doesn’t see me, doesn’t react to my touch, she’s just staring out at the police cars in the parking lot, the red and blue lights reflecting off her skin.

“Bridget?”

I turn her toward me, expecting her to focus on me, praying for it, but it doesn’t happen. Other than standing up, she doesn’t look any different for all the excitement that’s been going on. She hasn’t noticed my recent absence of four months in jail, nor my return. Outside the window the media are gathering to report the story of a woman who died, a woman Bridget never knew even though they were only a hallway apart. Maybe Bridget saw the killer leave. Maybe she watched him climb into his car and drive away. Nurse Hamilton has told me sometimes they’ll find Bridget has gotten up during the night to sit in her chair. Sometimes they’ll find her standing in the hallway clutching a photograph of our daughter. I take those moments and turn them into hope.

“Bridget,” I say, and I take her hand and lead her back into her bed. I sit down with her, I need to because seeing her standing filled me with so much shock and excitement that my legs can’t seem to handle the weight of it all. I spend fifteen minutes with her, I close the curtains before going downstairs, and when I leave I tell Nurse Hamilton what I saw. She nods slowly, a sad smile on her face, a real one on mine. “The first time I saw her standing outside her room I almost had a heart attack,” she says. “I’ve never seen her standing by her window, though.”

“Maybe she wanted to see what was happening,” I say.

The sad smile is still there, and I can feel mine slipping away. “Maybe,” she says. “With brain injuries, you just never know.”

Only she does know, and I know too, and when I walk out of the nursing home I keep running what could have been through my head, the could-have-been of Bridget turning toward me and smiling, the could-have-been of her coming home with me, of the doctors scratching their heads and saying it must have been a miracle, the “you never know” of brain injuries making an appearance.

When I reach my car I look back up at the window, a small part of me expecting to see my wife there, the bigger part knowing I won’t, so when I see her face staring out and the curtains drawn I almost jump. Her pale features and white pajamas are lit up by the red and blues of the patrol cars as she stares down at them. I stop with my hand on the car door and I watch her, hoping to see movement. Nurse Hamilton appears next to her, she puts her arm around Bridget’s shoulders and looks out at the scene below but doesn’t see me. She leads my wife away.

My hands shake on the way to see John Morgan, and I’m not sure what from. The excitement of hope, or that spooky feeling I got when I saw Bridget staring out the window like a ghost, or because I need a coffee fix, or because of the case. It’s five o’clock when I finally get to John Morgan’s house. I can’t stop thinking of Bridget’s face as she stared down at the cars. I could swear it looked like she was focusing on them and not through them.

Or maybe that’s just what I’m hoping I saw.