HE RETURNED TO the army camp and a life of order and discipline. But that life, for Dorrigo, no longer had substance. It hardly seemed real. People came, people talked, people said many things, and not one was interesting. They talked of Hitler, Stalin, North Africa, the Blitz. Not one talked of Amy. They talked of matériel, strategy, maps, timetables, morale, Mussolini, Churchill, Himmler. He longed to cry out Amy! Amie! Amour! He wished to scruff them and tell them what had happened, how he longed for her, how she made him feel.
But much as he wanted everyone to hear, he could afford to have none know. Their dreary conversation, their ignorance of Amy and the passion she had for him and he had for her, was his insurance against his indiscretion. The day their talk turned to him and Amy was the day their private passion would have transformed into public tragedy.
He read books. He liked none of them. He searched their pages for Amy. She was not there. He went to parties. They bored him. He walked the streets, gazing into strangers’ faces. Amy was not there. The world, in all its infinite wonder, bored him. He searched every room of his life for Amy. But Amy was not anywhere to be found. And he realised Amy was married to his uncle, that his passion was a madness, that it had no future, that whatever it was must end, and that he must end it. He reasoned that, as there was nothing he could do about his feelings, he must avoid acting on them. If he did not see her, he could not do anything wrong. And so he resolved never to visit Amy again.
When his next leave—a six-day furlough—arose, he did not return to his uncle’s hotel but took the overnight train to Melbourne, where he spent all his money on outings and presents for Ella, trying to lose himself in her, seeking to exorcise all memory of his strange encounter with Amy. Ella, for her part, would look greedily into his face, his eyes, and—with a growing concern in his heart which at moments approached terror—he could see her face straining to discover in his face and his eyes the same hunger. And what had been a beautiful, exotic face to Dorrigo Evans now simply seemed dull beyond imagining. Her dark eyes—which at first he had found bewitching—now appeared to him as credulous, even cow-like in their trust, though he tried very hard not to think it, and loathed himself all the more for thinking it anyway. And so he poured himself with renewed determination into her arms, into her conversations, into her fears and jokes and stories, hoping that this intimacy would finally smother all memory of Amy Mulvaney.
On his last night they went for dinner at her father’s club. A RAAF major whom they met there made Ella laugh over and over with his jokes and stories. When the major announced he was leaving to go to a nearby nightclub, Ella begged Dorrigo that they go with him because he was such a hoot. Dorrigo felt a strange emotion that was neither jealousy nor gratitude but a strange mingling of both.
I love being with people, Ella said.
The more people I am with, Dorrigo thought, the more alone I feel.
14
NOW THE DAY began before the prisoners were awake, before the main body of guards and engineers were up, some hours before even the sun had risen; now, as Nakamura strode through the mud, breathing the wet night air, as his nightmares dissolved, as the methamphetamines cranked his heart and mind, he felt a pleasant anticipation. This day, this camp, this world, was his to shape. He found Colonel Kota, as Fukuhara had said, in an empty mess, sitting at a bamboo bench table eating tinned fish.
The colonel was a well-built man almost the height of an Australian, his physique belying a face that seemed to Nakamura to sag and fall away from either side of a shark-fin nose to ripples that trailed down his wrinkled cheeks.
Kota did not bother with small talk but got straight to business, saying he would be leaving in the morning as soon as transport could be arranged. From a soggy leather satchel the colonel produced an oiled japara folder, out of which he took a single sheet of typewritten orders and several pages of technical drawings so damp that they wrapped around Nakamura’s fingers as he read them. The orders were no more complex than they were welcome.
The first order was technical: even though the major railway cutting was already half-completed, the Railway Command Group had altered Nakamura’s original plans. They now wanted the cutting enlarged by a third to help with gradient issues in the next sector. The new cutting would entail a further three-thousand cubic metres of rock to be cut and carried away.