Life Times Stories

For Dear Life


Swaying along in the howdah of her belly I make procession up steep streets. The drumming of her heart exalts me; I do not know the multitudes. With my thumb-hookah I pass among them unseen and unseeing behind the dancing scarlet brocades of her blood. From time to time I am lurched to rest. Habituation to the motion causes me to move: as if the hidden presence raps testy impatience. They place their hands to read a sign from where there is no cognition of their existence.





A wall-eyed twenty-five-year-old Arab with a knitted cap jumps back into the trench in a cheerful bound. Others clamber stockily, with the dazed open mouth of labourers and the scowl of sweat. Their work clothes are cast-off pinstripe pants brought in rumpled bundles from Tunis and Algiers. Closely modelled to their heads and growing low, straight across their foreheads, their kind of hair is a foreign headgear by which they see themselves known even if they do not speak their soft, guttural, prophet’s tongue. One has gold in his mouth, the family fortune crammed into crooked teeth. Another is emaciated as a beggar or wise man, big feet in earth-sculpted boots the only horizontal as his arms fly up with the pick. Eyes starred like clowns’ with floury dust look up from the ditch just at the level where the distortion of the female body lifts a tent of skirt to show the female thighs. She’s a young one. Mending roads and laying sewage pipes through the French resort over more than a year, they have seen her walking with the man who wanted her, in pursuit, hunting her even while he and she walked side by side, with his gilt-buckled waist, his handbag manacled to his wrist, his snakeskin-snug shirt showing sportsman shoulders, his satyr’s curly red hair, thin on top, creeping down the back of his neck and breast-bone, glinting after her along with his eyes and smile.

Like the other women in this country, she was not for them. She did not nod at them then and the mouth parted now as she’s approaching is not the beginning of the greeting she has for the postman or any village crone. She’s simply panting under her eight-month burden: in there, another foreman, overseer, patron like the one who will come by any minute to make sure they are not idling.





Here – feel it?

Concentrate on the drained cappuccino cups spittled with chocolate-flecked foam. The boom of the juke box someone’s set in motion seems to be preventing . . . as if it were a matter of hearing, through the palm!

Give me your hand—

A small-change clink as silver bracelets on the older woman’s wrist move with volition surrendered.

There. There. Lower down, that’s it – now you must be able to.

But was it not always something impossible to detect from outside . . . So long ago: tapping, plucking (yes, that was much more the way it was) – plucking at one’s flesh from within as fingers fidget pleating cloth. If I were the one, now, you were inside, I should feel you. You would be unmistakable. You would be unlike the children he had or the children I had. You are a girl because he had no girl. His daughter with his stiff-legged walk (heron-legs, I used to say) and my bottom (bobtail, he used to say) and his oval nails and fine white skin behind the ears. You can crack your knee and ankle joints. Tea leaves tinsel the grey of your irises. Like him, like me. You have our face; when we used to see ourselves as a couple in the mirror of a lift that was carrying us clandestinely.





The doctor says they suck their thumbs in the womb. Sucks its thumb!

As if the doctor were a colleague the young husband confirms with a nod, gazing assessingly at the majestic mound that rises out of the level of water in the bath. Like many people without a profession he has a magazine-article amateur’s claim to knowledge in many.

My boy’s been shown what life is all about from when he wasn’t more than an infant in arms. No sweets, look at the state my teeth are in. You’ll finish school whatever happens. That’s all very fine, earning enough to buy yourself a third-hand Porsche ‘C’ ’59 at nineteen but at thirty-four you find yourself selling TV sets on commission, during a recession. No running around the summer streets, twelve years old and ought to be asleep at night. No chasing girls, catching them, squeezing their little breasts on the dark porch of the old church before it was pulled down. Steer clear of married women who keep you in bed, spoilt bitches, while their husbands get on in the world and buy the Panther Westwinds de Ville, modelled after the Bugatti Royal, best car ever made, Onassis had one, and Purdey guns, gold cigarette lighters, camera equipment, boats with every comfort (bar, sauna) – you could even live on board, for instance if you couldn’t get a rent-controlled flat. Great lover, but the silk shirts and real kid boots from Italy don’t last long when you’re hanging around bars looking for work and all you get offered is the dirty jobs the Arabs are here to do. No smoking, either; bad enough that your mother and I mess up our lungs, 20 per cent reduction of life expectancy, they say. You’ll have more sense or I’ll know why. You’ll be lucky. Women love red hair, a well-known sign of virility. You’ll fly first class with free champagne. You’ll fill in forms: ‘Company Director’. You’ll do as I say. If you aren’t given Coca-Cola to taste, you won’t miss it.

Feel – my belly’s so hard. I’m like a rock.

She does not know the name, but she is thinking of a geode halved, in a shop window; a cave of crystals, a star cracked open. In there, curved as a bean, the wonder of her body blindly gazes.





How long to go?

It is an old woman’s form of greeting. Her stiff dog stands with his front paws on the kitchen window and watches the heads below that come into view and pass. He lifts his nose slightly, as at a recollection, when a boy clatters from the baker’s to the hotel with a headdress of loaves. Beside the dog the crone looks down at a dome under which sandalled feet show, like the cardboard feet of one of those anthropomorphic balloon toys, and above which a bright, smooth face smiles up at her with the kindly patronage of the young.

It can’t be long: for her. Every day, when she and the dog manage to get as far as the front step to sit down in a series of very slow movements in the sun at noon, you can count the breaths left.





He will stand behind a desk in his Immigration Officer’s uniform and stamp how long they can stay and when they must go. He will drive up in his big car that rises and sinks on its soft springs in the dust as a bird settles upon water, and not bother to get out, giving orders through the window to the one among them who understands the language a little better than the others.





No one will know who you are; not even you.

Only we, who are forgetting each other, will know who you never were.

Even possibilities pass.

I don’t cry and I don’t bleed.





My daughter wanted for nothing. I bought a Hammond organ on instalments because she’s so musical. (Since she was a little thing.) She could have gone to a good convent although we’re not religious. Right, she wanted a car, I got her a car and she drove around without a licence: I warned her. The boys were crazy for her; her mother talked to her. She looked like eighteen at fourteen with that figure and that beautiful curly red hair. You don’t see anything like it, usually it all comes out of a bottle. I won’t have her making herself cheap. She could go to study at the university or take up beauty culture. There’s money in that. If anyone lays a finger on her—





The emaciated ditch-digger weeps sometimes as he digs. It is on Mondays that the sight occurs among them, when he is suffering from the drink their religion forbids. His brother has committed suicide in Marseilles knowing the sickness of the genitals he had was punishment for offending Allah by going with a white whore.





It is summer round the empty house in the fields the family left two generations ago. They can’t go back, except to picnic like tourists who bring their cheese and wine and ashamed little caches of toilet paper on to anyone’s property. There’s no electricity and there’s water only in a well. They spray the old vines once a year, and once a year come for the grapes. Cows from neighbouring farms stare from the grass with their calves.

I lean in the solid shadow of the mother’s body, against her flanks.

To those who have already lived, an empty house is unimaginable. They build it only out of what has been placed by the hands of man: from the bricks that enclose space to the rugs put down and curtains drawn there, once – how can there be nobody? The ornamental wooden valance that is breaking away from the eaves is the blows of the grandfather who nailed it. The Virgin with a cake-doily gilt lace halo under glass is the bedroom faith of a grandmother. An old newspaper is the eyes of one who read it.

When I vacate this first place I’ll leave behind the place that was all places. I’ll leave behind nothing. There will be nothing – for I’m taking all with me, I’m taking it on . . . all, all, everything. In my swollen sex, obscene for my size, in my newly pressed-into-shape cranium containing the seed pearls of my brain cells, in my minute hands creased as bank notes or immigration papers. Head down, shoving, driven, meeting violence with violence, casting myself out like Jonah from the heaving host whale, bursting lungs that haven’t breathed yet, swimming for dear life . . .

I don’t see them covering their eyes in secret, I don’t hear them wailing: it will all be gone through again!

Behind me, the torn membranes of my moorings.

Hauled from the deep where there is no light for sight I find eyes. The ancient Mediterranean sun smithereens against me like a joyous glass dashed to the ground.

Ta mère fit un pet foireux et tu naquis de sa colique.

I begin again.





Nadine Gordimer's books