Daughter of Smoke & Bone

6





THE ANGEL OF EXTINCTION



Fun?

“Oh, yes,” Karou muttered to herself later that night as she dragged three hundred pounds of illegal elephant ivory down the steps of the Paris Metro. “This is just so much fun.”

When she’d left Brimstone’s shop, Issa had let her out through the same door by which she’d entered, but when she stepped onto the street she was not back in Prague. She was in Paris, just like that.

No matter how many times she went through the portal, the thrill never wore off. It opened onto dozens of cities, and Karou had been to them all, on errands like this one and sometimes for pleasure. Brimstone let her go out and draw anywhere in the world where there wasn’t a war, and when she had a craving for mangoes he opened the door to India, on the condition that she bring some back for him, too. She had even wheedled her way into shopping expeditions to exotic bazaars, and right here, to the Paris flea markets, to furnish her flat.

Wherever she went, when the door closed behind her, its connection to the shop was severed. Whatever magic was at work, it existed in that other place—Elsewhere, as she thought of it—and could not be conjured from this side. No one would ever force his way into the shop. One would only succeed in breaking through an earthly door that didn’t lead where he hoped to go.

Even Karou was dependent on the whim of Brimstone to admit her. Sometimes he didn’t, however much she knocked, though he had never yet stranded her on the far side of an errand, and she hoped he never would.

This errand turned out to be a black-market auction in a warehouse on the outskirts of Paris. Karou had attended several such, and they were always the same. Cash only, of course, and attended by sundry underworld types like exiled dictators and crime lords with pretensions to culture. The auction items were a mixed salad of stolen museum pieces—a Chagall drawing, the dried uvula of some beheaded saint, a matched set of tusks from a mature African bull elephant.

Yes. A matched set of tusks from a mature African bull elephant.

Karou sighed when she saw them. Brimstone hadn’t told her what she was after, only that she would know it when she saw it, and she did. Oh, and wouldn’t they be a delight to wrangle on public transportation?

Unlike the other bidders, she didn’t have a long black car waiting, or a pair of thug bodyguards to do her heavy lifting. She had only a string of scuppies and her charm, neither of which proved sufficient to persuade a cab driver to hang seven-foot-long elephant tusks out the back of his taxi. So, grumbling, Karou had to drag them six blocks to the nearest Metro station, down the stairs, and through the turnstile. They were wrapped in canvas and duct-taped, and when a street musician lowered his violin to inquire, “Hey lovely, what you got there?” she said, “Musicians who asked questions,” and kept on dragging.

It could have been worse, certainly, and often was. Brimstone sent her to some god-awful places in pursuit of teeth. After the incident in St. Petersburg, when she was recovering from being shot, she’d demanded, “Is my life really worth so little to you?”

As soon as the question was out of her mouth, she’d regretted it. If her life was worth so little to him, she didn’t want him to admit it. Brimstone had his faults, but he was all she had for a family, along with Issa and Twiga and Yasri. If she was just some kind of expendable slave girl, she didn’t want to know.

His answer had neither confirmed nor denied her fear. “Your life? You mean, your body? Your body is nothing but an envelope, Karou. Your soul is another matter, and is not, as far as I know, in any immediate danger.”

“An envelope?” She didn’t like to think of her body as an envelope—something others might be able to open up and rifle through, remove things from like so many clipped coupons.

“I assumed you felt the same way,” he’d said. “The way you scribble on it.”

Brimstone didn’t approve of her tattoos, which was funny, since he was responsible for her first, the eyes on her palms. At least Karou suspected he was, though she didn’t know for sure, since he was incapable of answering even the most basic questions.

“Whatever,” she’d said with a pained sigh. Really: pained. Getting shot hurt, no surprise there. Of course, she couldn’t argue that Brimstone shoved her unprepared into danger. He’d seen to it that she was trained from a young age in martial arts. She never mentioned it to her friends—it was not, her sensei had taught her early, a bragging matter—and they would have been surprised to learn that Karou’s gliding, straight-spined grace went hand in hand with deadly skill. Deadly or not, she’d had the misfortune to discover that karate went only so far against guns.

She’d healed quickly with the help of a pungent salve and, she suspected, magic, but her youthful fearlessness had been shaken, and she went on errands with more trepidation now.

Her train came, and she wrestled her burden through the doors, trying not to think too much about what was in it, or the magnificent life that had been ended somewhere in Africa, though probably not recently. These tusks were massive, and Karou happened to know that elephant tusks rarely grew so big anymore—poachers had seen to that. By killing all the biggest bulls, they’d altered the elephant gene pool. It was sickening, and here she was, part of that blood trade, hauling endangered species contraband on the freaking Paris Metro.

She shut the thought away in a dark room in her mind and stared out the window as the train sped through its black tunnels. She couldn’t let herself think about it. Whenever she did, her life felt gore-streaked and nasty.

Last semester, when she’d made her wings, she’d dubbed herself “the Angel of Extinction,” and it was entirely appropriate. The wings were made of real feathers she’d “borrowed” from Brimstone—hundreds of them, brought to him over the years by traders. She used to play with them when she was little, before she understood that birds had been killed for them, whole species driven extinct.

She had been innocent once, a little girl playing with feathers on the floor of a devil’s lair. She wasn’t innocent now, but she didn’t know what to do about it. This was her life: magic and shame and secrets and teeth and a deep, nagging hollow at the center of herself where something was most certainly missing.

Karou was plagued by the notion that she wasn’t whole. She didn’t know what this meant, but it was a lifelong feeling, a sensation akin to having forgotten something. She’d tried describing it to Issa once, when she was a girl. “It’s like you’re standing in the kitchen, and you know you went in there for a reason, but you can’t think of what that reason is, no matter what.”

“And that’s how you feel?” asked Issa, frowning.

“All the time.”

Issa had only drawn her close and stroked her hair—then its natural near-black—and said, unconvincingly, “I’m sure it’s nothing, lovely. Try not to worry.”

Right.

Well. Getting the tusks up the Metro steps at her destination was a lot harder than dragging them down had been, and by the top Karou was exhausted, sweating under her winter coat, and extremely peevish. The portal was a couple more blocks away, linked to the doorway of a synagogue’s small storage outbuilding, and when she finally reached it she found two Orthodox rabbis in deep conversation right in front of it.

“Perfect,” she muttered. She continued past them and leaned against an iron gate, just out of sight, to wait while they discussed some act of vandalism in mystified tones. At last they left, and Karou wrangled the tusks to the little door and knocked. As she always did while waiting at a portal in some back alley of the world, she imagined being stranded. Sometimes it took long minutes for Issa to open the door, and each and every time, Karou considered the possibility that it might not open. There was always a twinge of fear of being locked out, not just for the night, but forever. The scenario made her hyperaware of her powerlessness. If, some day, the door didn’t open, she would be alone.

The moment stretched, and Karou, leaning wearily against the doorframe, noticed something. She straightened. On the surface of the door was a large black handprint. That wouldn’t have been so very strange, except that it gave every appearance of having been burned into the wood. Burned, but in the perfect contours of a hand. This must be what the rabbis were talking about. She traced it with her fingertips, finding that it was actually scored into the wood, so that her own hand fit inside it, though dwarfed by it, and came away dusted with fine ash. She brushed off her fingers, puzzled.

What had made the print? A cleverly shaped brand? It sometimes happened that Brimstone’s traders left a mark by which to find portals on their next visit, but that was usually just a smear of paint or a knife-gouged X-marks-the-spot. This was a bit sophisticated for them.

The door creaked open, to Karou’s deep relief.

“Did everything go all right?” Issa asked.

Karou heaved the tusks into the vestibule, having to wedge them at an angle to fit them inside. “Sure.” She slumped against the wall. “I’d drag tusks across Paris every night if I could, it was such a treat.”