“You wanted to make Cracker Jack at home,” Granddad went on, though he knew I knew the story. “And Penny helped you make it. But you cried when there weren’t any red and white boxes to put it in. Do you remember that?”
“Yes, Granddad,” I said, giving in. “You went all the way back to the ballpark that same day and bought two more boxes of Cracker Jack. You ate them on the drive home, just so you could give me the boxes. I remember.”
Satisfied, he stood up and we left the attic together. Granddad was shaky going downstairs, so he put his hand on my shoulder.
I found Gat on the perimeter path and ran to where he stood, looking out at the water. The wind was coming hard and my hair flew in my eyes. When I kissed him, his lips were salty.
11
Granny Tipper died of heart failure eight months before summer fifteen on Beechwood. She was a stunning woman, even when she was old. White hair, pink cheeks; tall and angular. She’s the one who made Mummy love dogs so much. She always had at least two and sometimes four golden retrievers when her girls were little, all the way until she died.
She was quick to judge and played favorites, but she was also warm. If you got up early on Beechwood, back when we were small, you could go to Clairmont and wake Gran. She’d have muffin batter sitting in the fridge, and would pour it into tins and let you eat as many warm muffins as you wanted, before the rest of the island woke up. She’d take us berry picking and help us make pie or something she called a slump that we’d eat that night.
One of her charity projects was a benefit party each year for the Farm Institute on Martha’s Vineyard. We used to all go. It was outdoors, in beautiful white tents. The littles would run around wearing party clothes and no shoes. Johnny, Mirren, Gat, and I snuck glasses of wine and felt giddy and silly. Gran danced with Johnny and then my dad, then with Granddad, holding the edge of her skirt with one hand. I used to have a photograph of Gran from one of those benefit parties. She wore an evening gown and held a piglet.
Summer fifteen on Beechwood, Granny Tipper was gone. Clairmont felt empty.
The house is a three-story gray Victorian. There is a turret up top and a wraparound porch. Inside, it is full of original New Yorker cartoons, family photos, embroidered pillows, small statues, ivory paperweights, taxidermied fish on plaques. Everywhere, everywhere, are beautiful objects collected by Tipper and Granddad. On the lawn is an enormous picnic table, big enough to seat sixteen, and a ways off from that, a tire swing hangs from a massive magnolia tree.
Gran used to bustle in the kitchen and plan outings. She made quilts in her craft room, and the hum of the sewing machine could be heard throughout the downstairs. She bossed the groundskeepers in her gardening gloves and blue jeans.
Now the house was quiet. No cookbooks left open on the counter, no classical music on the kitchen sound system. But it was still Gran’s favorite soap in all the soap dishes. Those were her plants growing in the garden. Her wooden spoons, her cloth napkins.
One day, when no one else was around, I went into the craft room at the back of the ground floor. I touched Gran’s collection of fabrics, the shiny bright buttons, the colored threads.
My head and shoulders melted first, followed by my hips and knees. Before long I was a puddle, soaking into the pretty cotton prints. I drenched the quilt she never finished, rusted the metal parts of her sewing machine. I was pure liquid loss, then, for an hour or two. My grandmother, my grandmother. Gone forever, though I could smell her Chanel perfume on the fabrics.
Mummy found me.
She made me act normal. Because I was. Because I could. She told me to breathe and sit up.
And I did what she asked. Again.
Mummy was worried about Granddad. He was shaky on his feet with Gran gone, holding on to chairs and tables to keep his balance. He was the head of the family. She didn’t want him destabilized. She wanted him to know his children and grandchildren were still around him, strong and merry as ever. It was important, she said; it was kind; it was best. Don’t cause distress, she said. Don’t remind people of a loss. “Do you understand, Cady? Silence is a protective coating over pain.”
I understood, and I managed to erase Granny Tipper from conversation, the same way I had erased my father. Not happily, but thoroughly. At meals with the aunts, on the boat with Granddad, even alone with Mummy—I behaved as if those two critical people had never existed. The rest of the Sinclairs did the same. When we were all together, people kept their smiles wide. We had done the same when Bess left Uncle Brody, the same when Uncle Jonathan left Carrie, the same when Gran’s dog Peppermill died of cancer.
Gat never got it, though. He’d mention my father offhandedly— quite a lot, actually. Dad had found Gat both a decent chess opponent and a willing audience for his boring stories about military history, so they’d spent some time together. “Remember when your father caught that big crab in a bucket?” Gat would say. Or to Mummy: “Last year Sam told me there’s a fly-fishing kit in the boathouse; do you know where it is?”
Dinner conversation stopped sharply when he’d mention Gran. Once Gat said, “I miss the way she’d stand at the foot of the table and serve out dessert, don’t you? It was so Tipper.” Johnny had to start talking loudly about Wimbledon until the dismay faded from our family’s faces.
Every time Gat said these things, so casual and truthful, so oblivious—my veins opened. My wrists split. I bled down my palms. I went light-headed. I’d stagger from the table or collapse in quiet shameful agony, hoping no one in the family would notice. Especially not Mummy.
Gat almost always saw, though. When blood dripped on my bare feet or poured over the book I was reading, he was kind. He wrapped my wrists in soft white gauze and asked me questions about what had happened. He asked about Dad and about Gran—as if talking about something could make it better. As if wounds needed attention.
He was a stranger in our family, even after all those years.
When I wasn’t bleeding, and when Mirren and Johnny were snorkeling or wrangling the littles, or when everyone lay on couches watching movies on the Clairmont flat-screen, Gat and I hid away. We sat on the tire swing at midnight, our arms and legs wrapped around each other, lips warm against cool night skin. In the mornings we’d sneak laughing down to the Clairmont basement, which was lined with wine bottles and encyclopedias. There we kissed and marveled at one another’s existence, feeling secret and lucky. Some days he wrote me notes and left them with small presents under my pillow.
Someone once wrote that a novel should deliver a series of small astonishments. I get the same thing spending an hour with you.
Also, here is a green toothbrush tied in a ribbon.
It expresses my feelings inadequately.
Better than chocolate, being with you last night.
Silly me, I thought that nothing was better than chocolate.
In a profound, symbolic gesture, I am giving you this bar of Vosges I got when we all went to Edgartown. You can eat it, or just sit next to it and feel superior.
I didn’t write back, but I drew Gat silly crayon drawings of the two of us. Stick figures waving from in front of the Colosseum, the Eiffel Tower, on top of a mountain, on the back of a dragon. He stuck them up over his bed.
He touched me whenever he could. Beneath the table at dinner, in the kitchen the moment it was empty. Covertly, hilariously, behind Granddad’s back while he drove the motorboat. I felt no barrier between us. As long as no one was looking, I ran my fingers along Gat’s cheekbones, down his back. I reached for his hand, pressed my thumb against his wrist, and felt the blood going through his veins.
12
One night, late July of summer fifteen, I went swimming at the tiny beach. Alone.
Where were Gat, Johnny, and Mirren?
I don’t really know.