I went to Red Gate, looking for Gat. Red Gate is a much smaller house than Clairmont, but it still has four bedrooms up top. It’s where Johnny, Gat, and Will lived with Aunt Carrie—plus Ed, when he was there, which wasn’t often.
I walked to the kitchen door and looked through the screen. Gat didn’t see me at first. He was standing at the counter wearing a worn gray T-shirt and jeans. His shoulders were broader than I remembered.
He untied a dried flower from where it hung upside down on a ribbon in the window over the sink. The flower was a beach rose, deep pink and loosely constructed, the kind that grows on low bushes along the Beechwood perimeter.
Gat, my Gat. He had picked me a rose from our favorite walking place. He had hung it to dry and waited for me to arrive on the island so he could give it to me.
I had kissed an unimportant boy or three by now.
I had lost my dad.
I had come here to this island from a house of tears and falsehood
and I saw Gat,
and I saw that rose in his hand,
and in that one moment, with the sunlight from the window shining in on him,
the apples on the kitchen counter,
the smell of wood and ocean in the air,
I did call it love.
It was love, and it hit me so hard I leaned against the screen door that still stood between us, just to stay vertical. I wanted to touch him like he was a bunny, a kitten, something so special and soft your fingertips can’t leave it alone. The universe was good because he was in it. I loved the hole in his jeans and the dirt on his bare feet and the scab on his elbow and the scar that laced through one eyebrow. Gat, my Gat.
As I stood there, staring, he put the rose in an envelope. He searched for a pen, banging drawers open and shut, found one in his own pocket, and wrote.
I didn’t realize he was writing an address until he pulled a roll of stamps from a kitchen drawer.
Gat stamped the envelope. Wrote a return address.
It wasn’t for me.
I left the Red Gate door before he saw me and ran down to the perimeter. I watched the darkening sky, alone.
I tore all the roses off a single sad bush and threw them, one after the other, into the angry sea.
7
Johnny told me about the New York girlfriend that evening. Her name was Raquel. Johnny had even met her. He lives in New York, like Gat does, but downtown with Carrie and Ed, while Gat lives uptown with his mom. Johnny said Raquel was a modern dancer and wore black clothes.
Mirren’s brother, Taft, told me Raquel had sent Gat a package of homemade brownies. Liberty and Bonnie told me Gat had pictures of her on his phone.
Gat didn’t mention her at all, but he had trouble meeting my eyes.
That first night, I cried and bit my fingers and drank wine I snuck from the Clairmont pantry. I spun violently into the sky, raging and banging stars from their moorings, swirling and vomiting.
I hit my fist into the wall of the shower. I washed off the shame and anger in cold, cold water. Then I shivered in my bed like the abandoned dog that I was, my skin shaking over my bones.
The next morning, and every day thereafter, I acted normal. I tilted my square chin high.
We sailed and made bonfires. I won the tennis tournament.
We made vats of ice cream and lay on the tiny beach in the sun.
One night, the four of us ate a picnic down on the tiny beach. Steamed clams, potatoes, and sweet corn. The staff made it. I didn’t know their names.
Johnny and Mirren carried the food down in metal roasting pans. We ate around the flames of our bonfire, dripping butter onto the sand. Then Gat made triple-decker s’mores for all of us. I looked at his hands in the firelight, sliding marshmallows onto a long stick. Where once he’d had our names written, now he had taken to writing the titles of books he wanted to read.
That night, on the left: Being and. On the right: Nothingness.
I had writing on my hands, too. A quotation I liked. On the left: Live in. On the right: today.
“Want to know what I’m thinking about?” Gat asked.
“Yes,” I said.
“No,” said Johnny.
“I’m wondering how we can say your granddad owns this island. Not legally but actually.”
“Please don’t get started on the evils of the Pilgrims,” moaned Johnny.
“No. I’m asking, how can we say land belongs to anyone?” Gat waved at the sand, the ocean, the sky.
Mirren shrugged. “People buy and sell land all the time.”
“Can’t we talk about sex or murder?” asked Johnny.
Gat ignored him. “Maybe land shouldn’t belong to people at all. Or maybe there should be limits on what they can own.” He leaned forward. “When I went to India this winter, on that volunteer trip, we were building toilets. Building them because people there, in this one village, didn’t have them.”
“We all know you went to India,” said Johnny. “You told us like forty-seven times.”
Here is something I love about Gat: he is so enthusiastic, so relentlessly interested in the world, that he has trouble imagining the possibility that other people will be bored by what he’s saying. Even when they tell him outright. But also, he doesn’t like to let us off easy. He wants to make us think–even when we don’t feel like thinking.
He poked a stick into the embers. “I’m saying we should talk about it. Not everyone has private islands. Some people work on them. Some work in factories. Some don’t have work. Some don’t have food.”
“Stop talking, now,” said Mirren.
“Stop talking, forever,” said Johnny.
“We have a warped view of humanity on Beechwood,” Gat said. “I don’t think you see that.”
“Shut up,” I said. “I’ll give you more chocolate if you shut up.”
And Gat did shut up, but his face contorted. He stood abruptly, picked up a rock from the sand, and threw it with all his force. He pulled off his sweatshirt and kicked off his shoes. Then he walked into the sea in his jeans.
Angry.
I watched the muscles of his shoulders in the moonlight, the spray kicking up as he splashed in. He dove and I thought: If I don’t follow him now, that girl Raquel’s got him. If I don’t follow him now, he’ll go away. From the Liars, from the island, from our family, from me.
I threw off my sweater and followed Gat into the sea in my dress. I crashed into the water, swimming out to where he lay on his back. His wet hair was slicked off his face, showing the thin scar that laced through one eyebrow.
I reached for his arm. “Gat.”
He startled. Stood in the waist-high sea.
“Sorry,” I whispered.
“I don’t tell you to shut up, Cady,” he said. “I don’t ever say that to you.”
“I know.”
He was silent.
“Please don’t shut up,” I said.
I felt his eyes go over my body in my wet dress. “I talk too much,” he said. “I politicize everything.”
“I like it when you talk,” I said, because it was true. When I stopped to listen, I did like it.
“It’s that everything makes me …” He paused. “Things are messed up in the world, that’s all.”
“Yeah.”
“Maybe I should”—Gat took my hands, turned them over to look at the words written on the backs—“I should live for today and not be agitating all the time.”
My hand was in his wet hand.
I shivered. His arms were bare and wet. We used to hold hands all the time , but he hadn’t touched me all summer.
“It’s good that you look at the world the way you do,” I told him.
Gat let go of me and leaned back into the water. “Johnny wants me to shut up. I’m boring you and Mirren.”
I look at his profile. He wasn’t just Gat. He was contemplation and enthusiasm. Ambition and strong coffee. All that was there, in the lids of his brown eyes, his smooth skin, his lower lip pushed out. There was coiled energy inside.
“I’ll tell you a secret,” I whispered.
“What?”
I reached out and touched his arm again. He didn’t pull away. “When we say Shut up, Gat, that isn’t what we mean at all.”
“No?”
“What we mean is, we love you. You remind us that we’re selfish bastards. You’re not one of us, that way.”
He dropped his eyes. Smiled. “Is that what you mean, Cady?”