Twoflower followed it. It led through still more lofty halls and winding corridors quite big enough for a dragon (and dragons had come this way once, it seemed; there was a room full of rotting harness, dragon-sized, and another room containing plate and chain mail big enough for elephants). They ended in a pair of green bronze doors, each so high that they disappeared into the gloom. In front of Twoflower, at chest height, was a small handle shaped like a brass dragon.
When he touched it the doors swung open instantly and with a disconcerting noiselessness.
Instantly sparks crackled in Twoflower’s hair and there was a sudden gust of hot dry wind that didn’t disturb the dust in the way that ordinary wind should but, instead, whipped it up momentarily into unpleasantly half-living shapes before it settled again. In Twoflower’s ears came the strange shrill twittering of the Things locked in the distant dungeon Dimensions, out beyond the fragile lattice of time and space. Shadows appeared where there was nothing to cause them. The air buzzed like a hive.
In short, there was a vast discharge of magic going on around him.
The chamber beyond the door was lit by a pale green glow. Stacked around the walls, each on its own marble shelf, were tier upon tier of coffins. In the center of the room was a stone chair on a raised dais, and it contained a slumped figure which did not move but said, in a brittle old voice, “Come in, young man.”
Twoflower stepped forward. The figure in the seat was human, as far as he could make out in the murky light, but there was something about the awkward way it was sprawled in the chair that made him glad he couldn’t see it any clearer.
“I’m dead, you know,” came a voice from what Twoflower fervently hoped was a head, in conversational tones. “I expect you can tell.”
“Um,” said Twoflower. “Yes.” He began to back away.
“Obvious, isn’t it?” agreed the voice. “You’d be Twoflower, wouldn’t you? Or is that later?”
“Later?” said Twoflower. “Later than what?” He stopped.
“Well,” said the voice. “You see, one of the advantages of being dead is that one is released as it were from the bonds of time and therefore I can see everything that has happened or will happen, all at the same time except that of course I now know that Time does not, for all practical purposes, exist.”
“That doesn’t sound like a disadvantage,” said Twoflower.
“You don’t think so? Imagine every moment being at one and the same time a distant memory and a nasty surprise and you’ll see what I mean. Anyway, I now recall what it was I am about to tell you. Or have I already done so? That’s a fine-looking dragon, by the way. Or don’t I say that yet?”
“It is rather good. It just turned up,” said Twoflower.
“It turned up?” said the voice. “You summoned it!”
“Yes, well, all I did—”
“You have the Power!”
“All I did was think of it.”
“That’s what the Power is! Have I already told you that I am Greicha the First? Or is that next? I’m sorry, but I haven’t had too much experience of transcendence. Anyway, yes—the Power. It summons dragons, you know.”
“I think you already told me that,” said Twoflower.
“Did I? I certainly intended to,” said the dead man.
“But how does it? I’ve been thinking about dragons all my life, but this is the first time one has turned up.”
“Oh well, you see, the truth of the matter is that dragons have never existed as you (and, until I was poisoned some three months ago, I) understand existence. I’m talking about the true dragon, draconis nobilis, you understand; the swamp dragon, draconis vulgaris, is a base creature and not worth our consideration. The true dragon, on the other hand, is a creature of such refinement of spirit that they can only take on form in this world if they are conceived by the most skilled imagination. And even then the said imagination must be in some place heavily impregnated with magic, which helps to weaken the walls between the world of the seen and unseen. Then the dragons pop through, as it were, and impress their form on this world’s possibility matrix. I was very good at it when I was alive. I could imagine up to, oh, five hundred dragons at a time. Now Liessa, the most skilled of my children, can barely imagine fifty rather nondescript creatures. So much for a progressive education. She doesn’t really believe in them. That’s why her dragons are rather boring—while yours,” said the voice of Greicha, “is almost as good as some of mine used to be. A sight for sore eyes, not that I have any to speak of now.”
Twoflower said hurriedly, “You keep saying you’re dead…”
“Well?”