* * *
THE NIGHT, PREDICTABLY, was shot through with car alarms, snatches of radio playing from other rooms, and the distant roaring of chained animals. I dreamed of Rosemount, its walls fading around me, its bay windows melting into air. Once, half-awake, tossing under the fungoid counterpane, I thought I smelled gas. I tumbled into sleep again and smelled gas in my dream: and here were the members of the Book Group rolling from beneath my bed, sniggering as they plugged the chinks round the windows and door with the torn pages of their manuscripts. Gasping, I woke. A question hovered in the fetid air. Just what did prompt your foray into biography, Miss Er? Come to that, what prompted your foray into foraying? What prompted anything at all?
I was downstairs by six-thirty. The day was fine. I was hollow at my center, and in a vicious temper. The door stood open, and a wash of light ran over the carpet like sun-warmed margarine.
My taxi—prebooked, as always, for a quick getaway—was at the curb. I looked around, cautious, for Mr. Webley. Already a haze was beginning to overlay Eccles House. Smokers’ coughs rattled down the passages, and the sound of hawking, and the flushing of lavatories.
Something touched my elbow. Louise had arrived beside me, noiseless. She wrested the bag from my hand. “You came down by yourself,” she whispered. Her face was amazed. “You should have called me. I’d have come. Are you not having your breakfast?”
She sounded shocked, that anyone should refuse food. Did Webley feed her, or did she scavenge? She raised her eyes to my face, then cast them down. “If I hadn’t just come now,” she said, “you’d have gone. And never said bye-bye.”
We stood at the curb together. The air was mild. The driver was reading his Star. He didn’t look up.
“Might you come back?” Louise whispered.
“I don’t think so.”
“I mean, one of these days?”
I never doubted this: if I told her to get into the taxi, she would do it. Away we’d go: me rattled, afraid of the future; her trusting and yellow, her mad eyes shining into mine. But what then? I asked myself. What would we do then? And have I the right? She is an adult, however short. She has a family somewhere. I stared down at her. Her face, in full daylight, was patchily jaundiced as if dyed with cold tea; her broad smooth forehead was mottled with deeper blotches, the size and color of old copper coins. I could have wept. Instead, I took my purse out of my bag, peered inside it, took out a twenty-pound note, and squeezed it into her hand. “Louise, will you buy yourself something nice?”
I didn’t look into her face. I just got into the taxi. My migraine aura was now so severe that the world on the left had ceased to exist, except as an intermittent yellow flash. I was nauseated, by inanition and my own moral vacuity. But by the time the cab crawled up to the station approach, I was getting a bit satirical, faute de mieux, and thinking, well, for sure A. S. Byatt would have managed it better: only I can’t quite think how.
When I got to the station, and paid the driver, I found I had only £1.50 left. The cash machine was out of order. Of course, I had a credit card, and if there had been a dining service I could have paid for my breakfast on board. But there was, the announcement said, “a buffet car, situated toward the rear of the train,” and five minutes after we pulled out a boy came to sit beside me on my right: one of the sons of the town, eating from a cardboard box a grayish pad of meat which shined his fingers with fat.
* * *
WHEN I ARRIVED home, I threw my bag into a corner as if I hated it, and standing in the kitchen—last night’s washing up not done, and two wineglasses, I noticed—I ate a single cheese cracker dry out of the tin. Back to work, I thought. Sit down and type. Or you might just die of a surfeit.
In the next few weeks, my biography took some unexpected turns. Aunt Virginie and the Mexican got into the text quite a lot. I began to make versions in which Aunt Virginie and the Mexican ran off together, and in which (therefore) my subject had never been born. I could see them speeding across Europe on an adulterous spree, accompanied by the sound of shattering glass: drinking spa towns dry of champagne and breaking the bank at Monte Carlo. I made up that the Mexican went home with the proceeds and led a successful revolution, with Aunt Virginie featuring in it as a sort of La Pasionaria figure: but with dancing, as if Isadora Duncan had got into it somehow. It was all very different from my previous work.
* * *
The Assassination of Margaret Thatcher
Hilary Mantel's books
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