The Assassination of Margaret Thatcher

WE WERE BACK on the ground floor. The child produced from a pocket a big bunch of keys. Again, that bilious laughter washed out, from some unseen source. The door she opened was too near this laughter, far too near for my equanimity. The room itself was identical, except that a kitchen smell was in it, deceptively sweet, as if there were a corpse in the wardrobe. She put down my bag on the threshold.

I felt I had come a long way that day, since I had crept out of my double bed, the other side occupied by a light sleeper who still seemed, sometimes, a stranger to me. I had crossed London, I had traveled east, I had been up the stairs and down. I felt myself too proximate, now, to the gusty, beery laughter of unknown men. “I’d rather…” I said. I wanted to ask her to try for an intermediate floor. Perhaps not all the rooms were empty, though? It was the other occupants I didn’t like, the thought of them, and I realized that here on the ground floor I was close to the bar, to the slamming outer door letting in the rain and the twilight, to the snarled-up traffic … She picked up my bag. “No…” I said. “Please. Please don’t. Let me…”

But she was off again, swaying at speed toward the stairs, dragging her leg after her, like an old rebuff. I heard her draw breath above me. She said, as if just to herself, “She thought it was worse.”

I caught up with her inside the first choice of room. She leaned against the door. She showed no sign of discomfort, except that one eyelid jerked in spasm; the corner of her lip lifted in time with it, pulling away from her teeth. “I’ll be all right here,” I said. My ribs were heaving with effort. “Let’s not do any more rooms.”

I felt a sudden wash of nausea. The migraine angel leaned hard on my shoulder and belched into my face. I wanted to sit down on the bed. But courtesy demanded something. The child had put down my bag, and without it she looked even more unbalanced, her vast hands hanging, her foot scuffling the floor. What should I do? Ask her to stay for a cup of tea? I wanted to offer her money but I couldn’t think what would be enough for such a feat of porterage, and besides I thought that I might be further in debt to her before I left the place, and perhaps it was best to run up a tab.

* * *

I FELT SAD, as I stood in the doorway, waiting for Mr. Simister. My nose ran a little. When Mr. Simister arrived I said, “I have hay fever.”

“We are actually close,” he said; then, after a long pause: “To the venue.” We could walk, he was saying. I shrank back into the doorway. “Perhaps in view of your ailments,” he said. I shrank inside: how did he know my ailments? “Though, a night like this,” he said. “Damps the pollen down. I’d have thought. Somewhat.”

The lecture was to be given at what I can only describe as a disused school. There were school corridors, and those polished shields on the wall that say things like “JK Rowling, Cantab 1963.” There was a smell of school, residual—polish and feet. But there were no signs of actual, present-day pupils. Perhaps they had all fled into the hills, and left it to the Book Group.

Despite the rain, the members had come out in heroic numbers: twenty, at least. They were widely dispersed through the long rows, with tactful gaps between: in case the dead ones rolled in late. Some few had squints and others sticks, many had beards including the women, and the younger members—even those who appeared sound at first glance—had a glazed unfocused eye, and bulging parcels under their seats, which I knew at once would be the manuscripts of sci-fantasy novels, which they would like me to take away and read and comment on and post back to them—“In your own time, of course.”

There is a way of looking, and then there is a professional, impersonal, way of looking. I settled myself behind a table, took a sip of water, flicked through my notes, checked the location of my handkerchief, raised my head, scanned the room, attempted a theoretical sort of eye contact, and swept a smile from side to side of the audience: looking, I am sure, like one of those nodding dogs you used to see in the back of Austin Maestros. Mr. Simister got to his feet; to say “he stood up” would give you no notion of the impressive performance it really was. “Our guest has not been well in the last week, you will be as sorry as I am to learn, hay fever, so will deliver her lecture sitting down.”

Hilary Mantel's books