Swing Time

The night before we were to pick up Aimee I was woken very early, by the call to prayer and the hysterical roosters, and finding that it was not yet insanely hot I got dressed in the darkness and left my compound, alone, without any of the small army of women and children I lived with—as Lamin had insisted I must never do—and went looking for Lamin. I wanted to tell him I was going to the old slave fort today, whether he liked it or not, I was going. As morning broke I found myself followed by many barefoot, curious children—“Good morning, how is your morning?”—like so many shadows, as here and there I paused to say Lamin’s name to the dozens of women I passed, already heading off to work on the communal farm. They nodded and pointed me on, through the scrub, down this path and that, round the bright green concrete mosque half eaten on each side by twelve-foot orange termite hills, past all those dusty front yards that were swept, at this hour, by sullen, half-dressed teenage girls, who rested on their brooms to watch me pass. Everywhere I looked women were working: mothering, digging, carrying, feeding, cleaning, dragging, scrubbing, building, fixing. I didn’t see a man until I found Lamin’s compound, finally, at the outskirts of the village, before the farmland. It was very dark and dank, even by local standards: no front door, only a bed sheet, no huge wooden couch, only a single plastic chair, no floor covering, only earth, and a tin bucket of water with which he must have only recently finished washing himself, for he was on his knees beside it, soaking wet in a pair of football shorts. On the breeze-block wall behind him I could make out the crudely drawn logo of Man United, daubed in red paint. Topless, slender, made only of muscle, skin incandescent with its own youth—flawless. How pale, practically colorless, I looked beside him! It made me think of Tracey, of the many times, as a child, she’d placed her arm next to mine, to check once again that she was still a little paler than me—as she proudly maintained that she was—just in case summer or winter had changed this state of affairs since last she’d checked. I didn’t dare tell her that I lay out on our balcony on any hot day, aiming at exactly the quality she seemed to dread: more color, darkness, for all my freckles to join and merge and leave me with the same deep dark brown of my mother. But Lamin, like most people in the village, was as many times dark as my mother was to me, and looking at him now I found the contrast between his beauty and these surroundings to be—among many other things—surreal. He turned and saw me standing over him. His face was full of hurt—I had broken some unspoken contract. He excused himself. Stood the other side of a rag-curtain that notionally separated one part of the dismal space from the other. But I could still see him, pulling on his pristine white Calvin Klein shirt with the monogram, and his white chinos and white sandals, all of it kept white by a means I couldn’t imagine, covered as I was every day in red dust. His fathers and uncles mostly wore jellabas, his many young cousins and siblings ran around in the ubiquitous threadbare soccer shirts and crumbling denim, barefoot, but Lamin wore his Western whites, almost every time I saw him, and a big silver wristwatch, studded with zirconia, whose hands were perpetually stuck at 10:04. On Sunday, when the whole village gathered for a meeting, he wore a tan, bishop-collared suit, and sat close to me, whispering in my ear like a UN delegate, translating only whatever he chose to translate of whatever was being discussed. All the young male teachers in the village dressed in this way, in traditional bishop-collars or sharp chinos and shirts, with big watches and thin black bags, their flip-phones and huge-screened androids always in hand, even if they didn’t work. It was an attitude I remembered from the old neighborhood, a way of representing, which in the village meant dressing for a certain part: I am one of the serious, modern young men. I am the future of my country. I always felt absurd next to them. Compared to their sense of personal destiny, I looked like I was in the world by mere accident, having given no thought at all to what I represented, dressed in my wrinkled olive cargo pants and my filthy Converse, dragging a battered rucksack around.

Lamin got back on his knees and quietly restarted his first prayer of the day—I had interrupted that, too. Listening to his whispered Arabic, I wondered exactly what form his prayer took. I waited. I looked around me at the poverty Aimee hoped to “reduce.” It was all I could see, and the kinds of questions children ask were the only kind that came to me. What is this? What’s happening? The same mindset had led me, on the very first day I’d arrived, to the headmaster’s office, where I sat sweating under his molten tin roof, frantically trying to get online, although I could, of course, have googled what I wanted to know in New York, far more quickly, with infinitely more ease, at any time in the previous six months. Here it was a laborious process. A page would half load, then crash, the energy from the solar rose and fell and sometimes cut off completely. It took more than an hour. And when the two sums of money I was looking for finally appeared in their adjacent windows all I did was sit and stare at them for a long time. In the comparison, as it turned out, Aimee came out a little ahead. And just like that the GDP of an entire country could fit into a single person, like one Russian doll into another.





Four


That last June of primary school Tracey’s father got out and we met for the first time. He stood on the communal grass, looking up at us, smiling. Suave, modern, full of a kind of kinetic joy, but also somehow classic, elegant, Bojangles himself. He stood in fifth position, legs apart, in an electric-blue bomber jacket with a Chinese dragon on the back and tight white jeans. A thick, rakish mustache, and an Afro in the old style, with no fades or lines cut into it and no high-top. Tracey’s happiness was intense, she reached over the balcony, as if to pull her father up to her, yelling at him to come, come up here, Dad, come up, but he winked at us and said: “I’ve got a better idea, let’s go down the high road.” We ran down and each took a hand.

The first thing I noticed was that he had the body of a dancer, and moved like a dancer, rhythmically, with force but also with lightness, so that we three didn’t just walk along the high road, we promenaded. Everybody looked at us, we strutted in the sunshine, and several people stopped what they were doing and came to hail us—to hail Louie—from across the street, from a grotty window above a hairdresser’s, from the doorways of the pubs. As we approached the betting shop, an old Caribbean gentleman, in a flat cap and thick woolen vest, despite the heat, stepped in front of us, blocking our way, and asked: “Dem your daughters?” Louie held up our hands like we were two prizefighters. “No,” he said, letting my hand drop, “just this one.” Tracey lit up with the glory of it all. “I hear dem say tirteen months all you do,” said the old man, chuckling. “Lucky, lucky Louie.” He nudged Louie in his neat waist, it was cinched by a thin gold belt, like a superhero. But Louie was insulted, he stepped back from the old man—a deep sliding plié—and loudly sucked his teeth. He corrected the record: didn’t even do seven.

The old man drew out a newspaper he’d had tucked into his armpit, unrolled it and showed Louie a certain page, which he studied before bending down to show it to us. We were told to close our eyes and stick our fingers wherever the mood took us, and when we opened our eyes we each had a horse under a finger, I can still remember the name of mine, Theory Test, because five minutes later Louie ran back out through the bookie’s doors, scooped me up off the floor and threw me into the air. A hundred and fifty quid won on a five-pound stake. We were diverted to Woolworths, and each told to choose whatever we wanted. I left Tracey at the videos intended for kids like us—the suburban comedies, action films, space sagas—walking on and bending over the big wire bin, the “bargain bin,” set aside for those who had little money or choice. There were always a lot of musicals in there, nobody wanted them, not even the old ladies, and I was scavenging through, happily enough, when I heard Tracey, who had not moved on from the modern section, asking Louie: “So how many can we have?” The answer was four, though we were to hurry up about it, he was hungry. I snatched four musicals in a blissful panic:

Ali Baba Goes to Town

Broadway Melody of 1936

Swing Time

It’s Always Fair Weather

The only one of Tracey’s purchases I remember is Back to the Future, more expensive than all mine put together. She pressed it to her chest, giving it up only for a moment so that it might be passed to the cashier, and snatching it back again afterward, like an animal snapping at its food.

When we got to the restaurant we sat at the best table, just by the window. Louie showed us a funny way to eat a Big Mac, dismantling its layers and placing fries above and below each burger and then putting it all together again.

“You coming to live with us, then?” Tracey asked.

“Hmmm. Don’t know about that. What she say?”

Tracey stuck her piggy nose in the air: “Don’t care what she says.”

Both her little hands were screwed into tight fists.

“Don’t disrespect your mum. Your mum’s got her own problems.”

He went back up to the counter to get milkshakes. When he returned he looked burdened, and without introducing the topic in any formal way, he began to talk to us about the inside, about how you found, when you were inside, that it wasn’t like the neighborhood, no, not at all, it was very different, because when you were inside everybody understood that people had better keep to their own kind, and that’s how it was, “like stayed with like,” there was hardly any mixing, not like up at the flats, and it wasn’t the guards or anyone telling you to do it, that’s just the way it was, tribes stick together, and it even goes by shade, he explained, pulling up his sleeve and pointing at his arm, so all of us that was dark like me, well, we’re over here, tight with each other, always—he drew a line on the Formica tabletop—and brown like you two is somewhere over here, and Paki is somewhere else, and Indian is somewhere else. White is split, too: Irish, Scottish, English. And in the English some of them are BNP and some are all right. Everybody goes with their own is the point, and it’s natural. Makes you think.

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