Grit

Finally, interests thrive when there is a crew of encouraging supporters, including parents, teachers, coaches, and peers. Why are other people so important? For one thing, they provide the ongoing stimulation and information that is essential to actually liking something more and more. Also—more obviously—positive feedback makes us feel happy, competent, and secure.

Take Marc Vetri as an example. There are few things I enjoy reading more than his cookbooks and essays about food, but he was a solid-C student throughout school. “I never worked hard at academics,” he told me. “I was always just like, ‘This is kind of boring.’?” In contrast, Marc spent delightful Sunday afternoons at his Sicilian grandmother’s house in South Philly. “She’d make meatballs and lasagna and all that stuff, and I always liked to head down early to help her out. By the time I was eleven or so, I started wanting to make that stuff at home, too.”

As a teenager, Marc had a part-time job washing dishes in a local restaurant. “And I loved that. I worked hard.” Why? Making money was one motivation, but another was the camaraderie of the kitchen. “Around that time I was sort of a social outcast. I was kind of awkward. I had a stutter. Everyone at school thought I was weird. I was like, ‘Oh, here I can wash dishes, and I can watch the guys on the line [cooking] while I’m washing, and I can eat. Everyone is nice, and they like me.’?”

If you read Marc’s cookbooks, you’ll be struck by how many friends and mentors he’s made in the world of food. Page through and look for pictures of Marc alone, and you’ll be hard-pressed to find many. And read the acknowledgments of Il Viaggio Di Vetri. It runs to two pages with the names of people who made his journey possible, including this note: “Mom and Dad, you’ve always let me find my own way and helped guide me through it. You’ll never know how much I appreciate it. I’ll always need you.”

Is it “a drag” that passions don’t come to us all at once, as epiphanies, without the need to actively develop them? Maybe. But the reality is that our early interests are fragile, vaguely defined, and in need of energetic, years-long cultivation and refinement.



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Sometimes, when I talk to anxious parents, I get the impression they’ve misunderstood what I mean by grit. I tell them that half of grit is perseverance—in response, I get appreciative head nods—but I also tell them that nobody works doggedly on something they don’t find intrinsically interesting. Here, heads often stop nodding and, instead, cock to the side.

“Just because you love something doesn’t mean you’ll be great,” says self-proclaimed Tiger Mom Amy Chua. “Not if you don’t work. Most people stink at the things they love.” I couldn’t agree more. Even in the development of your interests, there is work—practicing, studying, learning—to be done. Still, my point is that most people stink even more at what they don’t love.

So, parents, parents-to-be, and non-parents of all ages, I have a message for you: Before hard work comes play. Before those who’ve yet to fix on a passion are ready to spend hours a day diligently honing skills, they must goof around, triggering and retriggering interest. Of course, developing an interest requires time and energy, and yes, some discipline and sacrifice. But at this earliest stage, novices aren’t obsessed with getting better. They’re not thinking years and years into the future. They don’t know what their top-level, life-orienting goal will be. More than anything else, they’re having fun.

In other words, even the most accomplished of experts start out as unserious beginners.

This is also the conclusion of psychologist Benjamin Bloom, who interviewed 120 people who achieved world-class skills in sports, arts, or science—plus their parents, coaches, and teachers. Among Bloom’s important findings is that the development of skill progresses through three different stages, each lasting several years. Interests are discovered and developed in what Bloom called “the early years.”

Encouragement during the early years is crucial because beginners are still figuring out whether they want to commit or cut bait. Accordingly, Bloom and his research team found that the best mentors at this stage were especially warm and supportive: “Perhaps the major quality of these teachers was that they made the initial learning very pleasant and rewarding. Much of the introduction to the field was as playful activity, and the learning at the beginning of this stage was much like a game.”

A degree of autonomy during the early years is also important. Longitudinal studies tracking learners confirm that overbearing parents and teachers erode intrinsic motivation. Kids whose parents let them make their own choices about what they like are more likely to develop interests later identified as a passion. So, while my dad in Shanghai in 1950 didn’t think twice about his father assigning him a career path, most young people today would find it difficult to fully “own” interests decided without their input.

Sports psychologist Jean C?té finds that shortcutting this stage of relaxed, playful interest, discovery, and development has dire consequences. In his research, professional athletes like Rowdy Gaines who, as children, sampled a variety of different sports before committing to one, generally fare much better in the long run. This early breadth of experience helps the young athlete figure out which sport fits better than others. Sampling also provides an opportunity to “cross-train” muscles and skills that will eventually complement more focused training. While athletes who skip this stage often enjoy an early advantage in competition against less specialized peers, C?té finds that they’re more likely to become injured physically and to burn out.

We’ll discuss what Bloom calls “the middle years” in the next chapter, on practice. Finally, we’ll plumb “the later years” in chapter 8 when we discuss purpose.

For now, what I hope to convey is that experts and beginners have different motivational needs. At the start of an endeavor, we need encouragement and freedom to figure out what we enjoy. We need small wins. We need applause. Yes, we can handle a tincture of criticism and corrective feedback. Yes, we need to practice. But not too much and not too soon. Rush a beginner and you’ll bludgeon their budding interest. It’s very, very hard to get that back once you do.



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Let’s return to our commencement speakers. They’re case studies in passion, so there’s something to be learned from how they spent their early years.

New York Times puzzle editor Will Shortz told me that his mother was “a writer and a lover of words,” and that her mother, in turn, had been a crossword fan. An inclination toward language, Shortz speculated, could very well be in his genes.

But the unique path he walked was not just a matter of genetic destiny. Not very long after he learned to read and write, Shortz came across a puzzle book. “I was just entranced by it,” he recalls. “I just wanted to make my own.”

Predictably, that first puzzle book—the initial trigger for his curiosity—was followed by a slew of others. “Word puzzles, math puzzles, you name it. . . .” Soon enough, Shortz knew all of the major puzzle makers by name, acquiring the complete Dover Books collection of his hero Sam Loyd, as well as the works of a half-dozen other puzzle makers whose names are as familiar to Shortz as they are foreign to me.

Who bought all those books?

His mother.

What else did she do?

“I remember when I was very young my mom had a bridge club over, and to keep me quiet for the afternoon she took a piece of paper, ruled it into squares, and showed me how to enter long words across and up and down. And I was happy all afternoon making my little puzzles. When the bridge club left, my mother came in and numbered the grid for me and showed me how to write clues. So that was my first crossword.”

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