Pop: I just emailed you an article about the Pennsylvania Dutch.
Mae: Great, thanks!
Pop: Are you still there?
Mae: Like…on the phone?
Pop: No, in Pennsylvania.
Mae: We’re actually in Ohio now.
Pop: Okay, then I have another article for you, about the steel industry in Cleveland.
Mae: Can’t wait.
But now that she’s in Chicago, Mae knows she owes them a call.
Eventually, she and Hugo get tired of wandering and find a narrow pizza restaurant with steamy windows. Inside, there’s a line to be seated, and they wait behind a family of three—a mom, a dad, and a girl of about twelve, all of them black. When they step up to the hostess, who is white, she grabs four menus.
“Actually,” the father says, “we’re just three.”
The hostess glances around him at Hugo, then at Mae, and it takes a long moment for her to register the kind of mistake she’s just made. A look of embarrassment passes over her face, and she hastily returns one of the menus.
“Sorry,” she says quickly. “Right this way.”
The mother gives Hugo a rueful look before following her husband and daughter, and he smiles back at her, but the moment they’re gone, it falls away.
“I’m sure she didn’t mean anything by it,” Mae says, trying to catch his eye. But he won’t look at her.
“Yeah,” he says, his jaw tight. “I’m sure.”
At the table, they both study their menus, but Mae finds she can’t concentrate on food, not when Hugo is so clearly out of sorts.
“Hey,” she says, her voice gentle. “Does that kind of thing happen a lot?”
He shrugs. “Sometimes.”
“I’m sorry,” she says, thinking about all the waiters and flight attendants and hotel clerks who have looked from her to Pop to Dad over the years, their foreheads wrinkled like they’re trying to work out a particularly hard puzzle. This is different, of course. But she can still recognize the oddly blank expression on his face, a calm surface to hide all that’s churning underneath. “I should’ve been more—”
“Don’t worry about it,” he says, snapping the menu shut. But when he looks up at Mae, his face softens a little. “It’s just…I’m used to having people around who get it. You should see Alfie when stuff like that happens. Even Margaret. So without them…I don’t know. I guess it just made me feel a bit lonely.”
Mae’s heart twists at this, and she feels such a pang of regret that she wishes she could reach across the table and take his hand. But instead, she just nods. “I get that,” she says, her throat a little tight, and they both sit there quietly for a moment, watching each other across the table. Then Hugo’s stomach lets out a loud growl.
“And hungry,” he says with a sheepish smile. “Apparently.”
“Apparently,” she says, and they pick up the menus again.
When they get to the hotel later, the storm has picked up, and they stand at the window and watch as scribbles of lightning flash over the lake. Every few minutes, thunder rattles the glass, but neither of them moves, mesmerized by the fireworks.
Mae looks sideways at Hugo, realizing just how aware of him she is: the dimples when he smiles and the shape of his nose and the way his shirt rises slightly as he stretches, revealing a stripe of brown skin above his jeans. They’re standing only inches apart, and the space between them feels important right now, like it’s the only thing that might keep this whole situation afloat.
“It’s like magic, isn’t it?” he says, his eyes still on the window.
“The lightning?”
“Just…all of it.”
Mae isn’t entirely sure what he means, but she likes watching his face, the way his eyes flicker in the light, the way every inch of him seems so alive right now.
“We hardly ever get storms like this at home,” he says as a flare of lightning splits the darkness wide open. For a second, it looks like the world has been turned inside out, then it rights itself again. “Do you ever feel like what’s happening at this moment will never happen again? Like you could never repeat it, no matter how hard you tried?”
Mae smiles, but the question doesn’t seem to require a response. There’s another crack of thunder, and the space between them mysteriously shrinks until his arm brushes against hers.
Her stomach does a little jig, and the reminders go ticking through her head: He just broke up with someone, and technically so did she.
They won’t see each other again after this week.
He lives on the other side of an ocean.
This whole thing is strictly business.
She has more important things to think about.
(It’s just that right now it’s hard to remember what they are.) “So,” she says, trying and failing to sound casual, “any word about your wallet?”
Hugo slips his phone from his back pocket, tearing his gaze from the window to look. His shoulders sag. “Nothing.”
They went back to the station earlier, but nobody had turned in a missing wallet. Afterward Hugo had emailed his parents to borrow money. “The only good thing,” he said grimly, “is that it’s late there. So there’s very little chance of them ringing back till tomorrow.”
Mae thinks again of her own parents and her promise to call them. But she hadn’t been counting on sharing a room with Hugo, and she feels a wave of exhaustion at the thought of lying to them. Again. So instead she sends another text, promising to try them in the morning.
It’s still early, not even nine-thirty, but as soon as she sits down on the bed, Mae realizes she wants nothing more than to put on her pajamas and curl up under the covers. She’s just not exactly sure how to get from here to there. A bellhop has brought up a cot for Hugo, but it’s still sitting near the door, folded in half like an oversized taco. Their backpacks are leaning against each other outside the bathroom.
Hugo walks toward the bed, and Mae sits up straighter. He stops on the other side of it, leaning over the ocean of white sheets between them, and smiles at her in a way that only makes her heart beat faster.
“So,” he says, “what do you reckon we should do now?”
The question hangs in the air for a few seconds while Mae tries to think of an appropriate response.
“?’Cause I was thinking,” he continues, “that maybe we get into pajamas and put on a film.”
“Yeah?” she says, still unsure about the logistics of all this. But then he walks over to the cot and starts to wheel it into the space between the foot of the bed and the dresser, and Mae—grateful for something tangible to do—hurries over to help him set it up.
When they’re done, they take turns changing in the bathroom, and it’s less weird than Mae thinks it will be, walking back out into the room in her pajama bottoms and a T-shirt that says The Future Is Female. Hugo gives her a friendly smile, then heads in to put on his same gray shirt and rubber-ducky pajamas from last night. He shuts the lights off before crawling onto the cot, and from where she’s propped against several pillows in the bed, Mae points the remote at the screen behind him.
“Let’s watch something frightening,” Hugo says as the thunder crashes again. “It feels like that sort of night, doesn’t it?”
“I’m not really a scary-movie kind of person.”
“But you’re a film buff.”
“A film buff who also happens to be a giant chicken.”
“Maybe a comedy, then,” he says. “Just not anything sad. We haven’t known each other long enough for you to see me cry.”
He’s only joking, of course. But still, Mae tries to remember the last time she cried during a movie. Whenever she watches something with Nana or Priyanka or even her parents, she’s the one passing the box of tissues, and she can’t help wondering what that says about her.
She flips through the channels, stopping when it lands on an old film.
“Murder on the Orient Express?” Hugo says, half laughing. “I thought we already established that nobody was murdering anyone on the train this week.”
“That’s fine with me, but Sidney Lumet would probably find your version a little boring.”
“Who’s Sidney Lumet?”