Colorless Tsukuru Tazaki and His Years of Pilgrimage: A novel



The next morning, a Monday, at ten thirty, Tsukuru visited Aka’s office. The company was located about five kilometers from the Lexus showroom in a modern, glass-enclosed commercial building, where it occupied half of the eighth floor. The other half was taken up by the offices of a well-known German pharmaceutical company. Tsukuru wore the same suit as on the previous day, and the blue tie Sara had given him.

At the entrance was a huge, smartly designed logo that announced BEYOND. The office was clean, open, and bright. On the wall behind the reception desk hung a large abstract painting, a splash of primary colors. What it was supposed to be was unclear, though it was not terribly puzzling. Aside from that one painting, the office was devoid of decorations. No flowers, no vases. From the entrance alone it was hard to know what sort of business the company was in.

At the reception desk he was greeted by a young woman in her early twenties, with hair perfectly curled at the ends. She had on a light blue short-sleeved dress and a pearl brooch. The sort of healthy girl lovingly raised in a well-off, optimistic sort of family. She took Tsukuru’s business card, her whole face lighting up in a smile, then pushed an extension number on her phone as if pressing the soft nose of an oversized dog.

A short while later the inner door opened and a sturdy-looking woman in her mid-forties emerged, dressed in a dark suit with wide shoulders and thick-heeled black pumps. Her features were oddly flawless. Her hair was cut short, her jaw firm, and she looked extremely competent. There are certain middle-aged women who look like they are outstanding at whatever they do, and this woman was one of them. If she were an actress she would play a veteran chief nurse, or the madam of an exclusive escort service.

She looked at the business card Tsukuru proffered, a hint of doubt crossing her face. What possible business could the deputy section chief of the construction section of the facilities department of a Tokyo-based railroad company have with the CEO of a creative business seminar company in Nagoya? Not to mention showing up without an appointment. But she did not question him about his reasons for visiting.

“I’m sorry, but I wonder if I could have you wait here for a little while?” she said, mustering the barest minimalist smile. She motioned Tsukuru to take a seat and then vanished through the same door. The chair was a simple Scandinavian design of chrome and white leather. Beautiful, clean, and silent, with not an ounce of warmth, like a fine rain falling under the midnight sun. Tsukuru sat down and waited. The young woman at the reception desk was busy with some sort of task on her laptop. She glanced in his direction from time to time, shooting him an encouraging smile.

Like the woman at the Lexus dealership, she was a type Tsukuru often saw in Nagoya. Beautiful features, always immaculately dressed, the kind of woman that makes a great impression. Their hair is always nicely curled. They major in French literature at expensive private women’s colleges, and after graduation find jobs as receptionists or secretaries. They work for a few years, visit Paris for shopping once a year with their girlfriends. They finally catch the eye of a promising young man in the company, or else are formally introduced to one, and quit work to get married. They then devote themselves to getting their children into famous private schools. As he sat there, Tsukuru pondered the kind of lives they led.

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