? THREE ?
THERE WE WERE, THE four of us: me, Miss Fawlthorne, Collingwood, and the corpse, all equally motionless.
It was one of those moments our Victorian ancestors called a tableau: a frozen pose with none of us moving so much as a muscle; a moment when time stood still; a moment when eternity stopped to take a deep breath before rushing on and sweeping us with it into a future that could never be undone.
Then Collingwood began to cry: a long, low, drawn-out sobbing that threatened to become a howl.
Miss Fawlthorne went white in the candlelight. Of the four of us, only the corpse and I were calm.
I could hardly wait to have the electric lights switched on so that I could have a good gander.
I have seen numerous dead bodies in my lifetime, each more interesting than the last, and each more instructive. This corpse, if I was counting correctly, was number seven.
Even by the sparse light of the guttering candle, I had already decided, because of the slight frame and thin wrists, that this one was almost certainly female. The sooty skull and the horribly grinning jaws gave her the look of a freshly unwrapped mummy.
Tarred by time and the chimney into a smoked kipper.
Although that might not seem like an appropriate thought, I must be truthful: It was what I was thinking at the moment.
First reactions are not always ones we can later be proud of, but I knew from personal experience that there would always be time, before I was questioned, to concoct a more charitable version to make myself look good. That’s the way the human mind works.
At least, mine does.
Time had resumed, but still crawled as it tends to do in such circumstances. Miss Fawlthorne seemed to be moving across the room as slowly as a stick insect on a twig in a nature film. After an eternity, she switched on the lights.
“Collingwood!” she demanded, in a voice that was far too quiet to be comforting. “What have you done?”—while Collingwood, black as Old Frizzle, her arms wrapped round her knees, had begun rocking herself back and forth on the hardwood floor, giving out a wail which I believe is called “keening”: a hair-raising howl that arises from some ancient banshee part of our brain.
It was hardly human.
If this were the cinema, someone would slap her face and reduce her to civilized sobbing, but I hadn’t the heart.
I dropped to my knees and cradled her in my arms.
“Fetch some water,” I heard my mouth ordering Miss Fawlthorne. “And brandy. Quickly! She’s going into shock.”
Miss Fawlthorne began to say something, but thought better of it and strode out of the room.
I yanked a quilt from the bed and threw it round Collingwood’s shoulders.
I covered the cadaver and the skull with a sheet—but not before having a jolly good gander at the grisly remains.
With Miss Fawlthorne gone, here was a Heaven-sent opportunity. I knew that I would have no second chance.
The body was, as I have said, smoke-blackened. The flag in which it had been wrapped had acted as a container in the same way—or so it is said—that banana leaves are used by natives of some of the far-flung outposts of the Empire (such as India) to bake fish.
The detached skull was as black as a bowling ball, bizarrely bare of hair and skin. The curled fingers of both hands were pulled up to where the chin should have been, as if Death had caught its victim sleeping. Clutched loosely in one of them was what appeared to be a small, tarnished medallion.
I nestled it in my handkerchief and pocketed the thing immediately—before Miss Fawlthorne could return. All hail to the gods who had sent me to bed fully clothed!
The garments in which the body was clad were too tangled and smoky to identify. They might once have been a pauper’s rags—or the robes of a fairy-tale princess.
Death by cooking is not beautiful.
Or had she met her end by some other means? Or perhaps in some other place?
Like a police photographer, my mind began taking an efficient and methodical series of mental snapshots: close-ups of the skull, the blackened teeth, the hands, the feet (which were bare except for a single scorched woolen sock, half off).
I peeled it back an inch or two from the shrunken ebony ankle, and saw by the inner surface that it had originally been red.
This examination was not made any easier by the fact that Collingwood had now begun howling like an air raid siren, her voice rising and falling unnervingly.
“It’s all right,” I kept telling her, all the while keeping my eyes on the dead body. “Everything is all right. Miss Fawlthorne will be back in a jiffy.”
Did I imagine it, or did Collingwood now begin to ululate—as Daffy would put it—all the louder?
Quite frankly, she was getting on my nerves.
“Put a cork in it!” I said. “You’re drooling.”
As anyone with older sisters will tell you, there’s no quicker way to make a female dry up, no matter her age, than to point out that she has slobber on her face.
So I was not surprised, then, when Collingwood hiccupped to an abrupt halt.
“What … is … that … thing?” she asked, hauling herself on her bottom as quickly as she could across the floor and away from the sheet-draped body.
“It’s a bird. Rather a large one. A stork, I believe. Or perhaps an ibis.”
I’ll admit this was a bit of a stretch—even for me. It had been quite obvious that the blackened skull didn’t have a long curving beak. But then neither had the mummified birds I had seen in the Natural History Museum. Their beaks had been bandaged to their breasts both for neatness and to make things easy for their long-dead embalmers.
“How would a stork get trapped in the chimney?”
“Happens all the time,” I said. “During deliveries. They just don’t report it because it’s too depressing. Some sort of unwritten agreement with the newspapers.”
Collingwood’s mouth fell open, but I will never know what she was about to say, since at that very instant Miss Fawlthorne returned with a glass of water and a decanter of what I assumed was brandy.
“Drink this,” she ordered, and Collingwood obeyed at once with remarkably little fuss, finishing off all of the former and a good slug of the latter.
“I fear she’s awakened the house,” Miss Fawlthorne said, glancing first at her wristwatch and then at me. “No matter, I suppose. The police shall have to be called anyway. Not that—”
There was a knock at the door.
“Who is it?” Miss Fawlthorne demanded.
“Fitzgibbon, miss.”