The door to his room—a converted closet, windowless and wide enough for only a cot, at one end of the second story above the dining hall—was always left open, unless one of the brothers or the father were with him, in which case it was usually closed. But even as he rounded the corner from the staircase, he could see the door was shut, and for a while he lingered in the quiet, empty hallway, unsure what might be waiting for him: one of the brothers, probably. Or a monster, perhaps. After the stream incident, he occasionally daydreamed that the shadows thickening the corners were giant leeches, swaying upright, their glossy segmented skins dark and greasy, waiting to smother him with their wet, soundless weight. Finally he was brave enough and ran straight at the door, opening it with a slam, only to find his bed, with its mud-brown wool blanket, and the box of tissues, and his schoolbooks on their shelf. And then he saw it in the corner, near the head of the bed: a glass jar with a bouquet of daffodils, their bright funnels frilled at their tops.
He sat on the floor near the jar and rubbed one of the flowers’ velvet heads between his fingers, and in that moment his sadness was so great, so overpowering, that he wanted to tear at himself, to rip the scar from the back of his hand, to shred himself into bits as he had done to Luke’s flowers.
But why had he done such a thing to Brother Luke? It wasn’t as if Luke was the only one who was kind to him—when he wasn’t being made to punish him, Brother David always praised him and told him how quick he was, and even Brother Peter regularly brought him books from the library in town to read and discussed them with him afterward, listening to his opinions as if he were a real person—but not only had Luke never beaten him, he had made efforts to reassure him, to express his allegiance with him. The previous Sunday, he was to recite aloud the pre-supper prayer, and as he stood at the foot of Father Gabriel’s table, he was suddenly seized by an impulse to misbehave, to grab a handful of the cubed potatoes from the dish before him and fling them around the room. He could already feel the scrape in his throat from the screaming he would do, the singe of the belt as it slapped across his back, the darkness he would sink into, the giddy bright of day he would wake to. He watched his arm lift itself from his side, watched his fingers open, petal-like, and float toward the bowl. And just then he had raised his head and had seen Brother Luke, who gave him a wink, so solemn and brief, like a camera’s shutter-click, that he was at first unaware he had seen anything at all. And then Luke winked at him again, and for some reason this calmed him, and he came back to himself, and said his lines and sat down, and dinner passed without incident.
And now there were these flowers. But before he could think about what they might mean, the door opened, and there was Brother Peter, and he stood, waiting in that terrible moment that he could never prepare for, in which anything might happen, and anything might come.
The next day, he had left directly after his classes for the greenhouse, determined that he should say something to Luke. But as he drew closer, his resolve deserted him, and he dawdled, kicking at small stones and kneeling to pick up and then discard twigs, throwing them toward the forest that bordered the property. What, really, did he mean to say? He was about to turn back, to retreat toward a particular tree on the north edge of the grounds in whose cleft of roots he had dug a hole and begun a new collection of things—though these things were only objects he had discovered in the woods and were safely nobody’s: little rocks; a branch that was shaped a bit like a lean dog in mid-leap—and where he spent most of his free time, unearthing his possessions and holding them in his hands, when he heard someone say his name and turned and saw it was Luke, holding his hand up in greeting and walking toward him.
“I thought it was you,” Brother Luke said as he neared him (disingenuously, it would occur to him much later, for who else would it have been? He was the only child at the monastery), and although he tried, he was unable to find the words to apologize to Luke, unable in truth to find the words for anything, and instead he found himself crying. He was never embarrassed when he cried, but in this moment he was, and he turned away from Brother Luke and held the back of his scarred hand before his eyes. He was suddenly aware of how hungry he was, and how it was only Thursday afternoon, and he wouldn’t have anything to eat until the next day.
“Well,” said Luke, and he could feel the brother kneeling, very close to him. “Don’t cry; don’t cry.” But his voice was so gentle, and he cried harder.
Then Brother Luke stood, and when he spoke next, his voice was jollier. “Jude, listen,” he said. “I have something to show you. Come with me,” and he started walking toward the greenhouse, turning around to make sure he was following. “Jude,” he called again, “come with me,” and he, curious despite himself, began to follow him, walking toward the greenhouse he knew so well with the beginnings of an unfamiliar eagerness, as if he had never seen it before.
As an adult, he became obsessed in spells with trying to identify the exact moment in which things had started going so wrong, as if he could freeze it, preserve it in agar, hold it up and teach it before a class: This is when it happened. This is where it started. He’d think: Was it when I stole the crackers? Was it when I ruined Luke’s daffodils? Was it when I had my first tantrum? And, more impossibly, was it when I did whatever I did that made her leave me behind that drugstore? And what had that been?
But really, he would know: it was when he walked into the greenhouse that afternoon. It was when he allowed himself to be escorted in, when he gave up everything to follow Brother Luke. That had been the moment. And after that, it had never been right again.