“This is all I want,” he’d said, and he meant it. It felt silly to compare his experience of such a depleting, brutal two years to Jude’s own experience, and yet he felt transformed by them. It was as if his despair had given rise to a sense of invincibility; he felt that everything extraneous and soft had been burned off of him and he was left as an exposed steel core, indestructible and yet pliant, able to withstand anything.
They spent his birthday in Garrison, just the two of them, and that night, after dinner, they went down to the lake, and he took off his clothes and jumped off the dock into the water, which smelled and looked like a great pool of tea. “Come in,” he told Jude, and then, when he hesitated, “As the birthday boy, I command it.” And Jude had slowly undressed, and taken off his prostheses, and then had finally pushed off the edge of the dock with his hands, and Willem had caught him. As Jude had gotten physically healthier, he had also grown more and more self-conscious about his body, and Willem knew, from how withdrawn Jude would become at times, from how carefully he shielded himself when he was taking off or putting on his legs, how much he struggled with accepting how he now appeared. When he had been weaker, he had let Willem help undress him, but now that he was stronger, Willem saw him unclothed only in glimpses, only by accident. But he had decided to view Jude’s self-consciousness as a certain kind of healthiness, for it was at least proof of his physical strength, proof that he was able to get in and out of the shower by himself, to climb in and out of bed by himself—things he’d had to relearn how to do, things he once hadn’t had the energy to do on his own.
Now they drifted through the lake, swimming or clinging to each other in silence, and after Willem got out, Jude did as well, heaving himself onto the deck with his arms, and they sat there for a while in the soft summer air, both of them naked, both of them staring at the tapered ends of Jude’s legs. It was the first time he had seen Jude naked in months, and he hadn’t known what to say, and in the end had simply put his arm around him and pulled him close, and that had (he thought) been the right thing to say after all.
He was still frightened, intermittently. In September, a few weeks before he left for his first project in more than a year, Jude had woken again with a fever, and this time, he didn’t ask Willem not to call Andy, and Willem didn’t ask him for permission to do so. They had gone directly to Andy’s office, and Andy had ordered X-rays, blood work, everything, and they had waited there, each of them lying on the bed in a different examining room, until the radiologist had called and said that there was no sign of any bone infection, and the lab had called and said that there was nothing wrong.
“Rhinopharyngitis,” Andy had said to them, smiling. “The common cold.” But he had rested his hand on the back of Jude’s head, and they had all been relieved. How fast, how distressingly fast, had their instinct for fear been reawakened, the fear itself a virus that lay dormant but that they would never be able to permanently dispel. Joyfulness, abandon: they had had to relearn those, they had had to re-earn them. But they would never have to relearn fear; it would live within the three of them, a shared disease, a shimmery strand that had woven itself through their DNA.
And so off he went to Spain, to Galicia, to film. For as long as he had known him, Jude had wanted to someday walk the Camino de Santiago, the medieval pilgrimage route that ended in Galicia. “We’ll start at the Aspe Pass in the Pyrenees,” Jude had said (this was before either of them had ever even been to France), “and we’ll walk west. It’ll take weeks! Every night we’ll stay in these communal pilgrim hostels I’ve read about and we’ll survive on black bread with caraway seeds and yogurt and cucumbers.”
“I don’t know,” he said, although back then he had thought less of Jude’s limitations—he was too young at the time, they both were, to truly believe that Jude might have limitations—and more of himself. “That sounds kind of exhausting, Judy.”
“Then I’ll carry you,” Jude had said promptly, and Willem had smiled. “Or we’ll get a donkey, and he’ll carry you. But really, Willem, the point is to walk the road, not ride it.”
As they grew older, as it became clearer and clearer that this dream of Jude’s would forever remain simply that, their fantasies of the Camino became more elaborate. “Here’s the pitch,” Jude would say. “Four strangers—a Chinese Daoist nun coming to terms with her sexuality; a recently released British convict who writes poetry; a Kazakhstani former arms dealer grieving his wife’s death; and a handsome and sensitive but troubled American college dropout—that’s you, Willem—meet along the Camino and develop friendships of a lifetime. You’ll shoot in real time, so the shoot will only last as long as the walk does. And you’ll have to walk the entire time.”
By this time, he would always be laughing. “What happens in the end?” he asked.
“The Daoist nun ends up falling in love with an ex–Israeli Army officer she meets along the way, and the two of them return to Tel Aviv to open a lesbian bar called Radclyffe’s. The convict and the arms dealer end up together. And your character will meet some virginal but, it turns out, secretly slutty Swedish girl along the route and open a high-end B&B in the Pyrenees, and every year, the original group will gather there for a reunion.”
“What’s the movie called?” he asked, grinning.
Jude thought. “Santiago Blues,” he said, and Willem laughed again.