CHAPTER TWENTY-EIGHT
“I WON’T LET anyone hurt you.” Boater stared at the girl, wondering if she’d ever wake again. “I promise…” She wasn’t moving. She hadn’t moved for what seemed like hours. He was pretty sure it was late – it certainly felt as if they’d been there all night, maybe even a lot longer than that. But the windows were covered with curtains of foliage and very little light was able to get through the dense green drapery.
When he’d followed her into the Needle everything he’d been feeling for the past few days had come into sharp focus. The vague yearning, the newly developed sense of shame, the fact that he no longer felt the urge towards violence… it all coalesced into a big ball of hurt inside him, at his core, and he had realised that he never wanted to hurt anyone again.
Somewhere deep inside the spirit of Francis Boater, a trigger had been pulled. Now all that remained was a delayed detonation: the single gunshot that would signal the completion of his redemption.
He’d had a long time to think about things, here in the seething darkness. He remembered his countless childhood agonies: his mother, the whore, who had made him watch while she entertained her clients; the constant struggle with his weight, and the fights he’d been in because of hurtful schoolmates. Then, after leaving school, there was the amateur boxing and the weight training that made him feel so alive and full of self-worth; the many emotionally-damaged women who’d been drawn to him because of his physical bulk and his capacity for violence, and then been repelled and ran from him for exactly those same reasons. And finally there was his time with Monty Bright, when he’d become a hired hand, a lump of muscle-for-sale: a Bad Man.
His entire life had been a tapestry of pain, an intricate pattern composed of interlinked traumas. Only now could he stand back and take in the full scarred picture. The girl had enabled him to see what had been so f*cking obvious all along.
When he’d walked into the building she had slowed down until he was level with her, and then she’d taken his hand, encouraging him. They’d walked deeper inside, hand in hand, and Boater had felt a connection deeper than any other he’d experienced in his life. This girl, this small, vulnerable victim he had been sent to abduct, was his saviour.
They’d come into this room, and she had lain down on the floor, curling up her legs into a position that made her resemble a resting infant. Then, just as the shadows began to crawl across the walls and the sound of unseen trees creaking and leaves whispering in a wind he couldn’t feel started up all around them, she’d spoken to him:
“Keep me safe,” she said, her small eyes watching him in the darkness. “Watch over me and make sure I’m not harmed.”
“Of course I will,” he replied, his body growing cold but his spirit starting to rise. “I promise.”
“I’m tired.” Then the girl had closed her eyes. And she had not opened them again since.
“I promise,” he said now, hours later. The room had changed around him, becoming outside rather than in, taking on a quality of the external.
Thick fingers of creeping vines had sprouted from the walls, covering them like some kind of blight. The concrete floor had erupted in places, and thick roots had burst through, snaking in loops to return underground. The ceiling was now a dense canopy of leaves. When he looked up, Boater could see distant starlight through the heavy matting. The moon was full, even though outside, in the old world he had left behind, the moon had been a mere crescent.
Boater wasn’t afraid. None of this felt threatening. The real threat came from out there, back in the urban wasteland he’d turned his back on. The feral kids, the clamouring debtors, and Monty Bright’s lust for whatever power lay at the heart of the estate. But in here, sitting under the whispering canopy and held tight within an enclave of ancient trees, there was nothing to fear but the badness inside him – and that was something he was now abandoning, like so much unwanted rubbish.
“I was lost before, Hailey.” He knew that she wouldn’t respond, but had faith that she could at least hear him. “I was stumbling around out there, not even knowing who I was or what I could be if I really tried. But now that you’ve found me, I can see the potential I’ve always had. I can sense another man locked up inside my skin, and he’s fighting to get out.” Tears poured down his cheeks but he didn’t wipe them away. They were good and clean and pure; a baptism in this new world he’d found. Or had the place in fact found him? “He isn’t a Bad Man. Oh, no. He’s a good ’un, this one. He’s the good Francis Boater.” He was smiling. It felt strange, as if he’d never been able to smile before. He supposed that he hadn’t, not really. Not like this.
He got up and walked towards the door. It was closed, but it no longer resembled a normal door set within a fabricated frame. This door was a solid slab of living wood: a natural barrier. There was no handle, no keyhole. He reached out and pushed it open. The door swung on hinges of fibrous vines, helped on its way by the weight of Boater’s body as he leaned against it.
Beyond the door there was a crumbling section of concrete wall. Where before there had been a long grey corridor filled with dumped trash, there was now a shadowy landscape of trees and bushes and uneven ground that bled into a thick, syrupy blackness. The broken concrete wall looked like ancient ruins against this dark backdrop. Rotten teeth of brickwork poked up through the ground here and there, like reminders of another forgotten time in history.
A series of oak trees stood proud and massive and implacable, forming a tight circle around him. Darkness bulged in the gaps between their trunks. It looked as if the trees were protecting the small, ruined room in which Hailey Fraser now slept…
“The Grove,” whispered Boater.
He turned around and saw that the door was shut. The concrete wall was covered in a layer of plants; leaves and stalks criss-crossed to form a natural skin over the man-made shelter.
The landscape was gradually smothering the unnatural structure.
There were sounds of movement in the undergrowth. Nocturnal creatures hunted for food, made their way between entrance holes to their sets and burrows and led their young on secretive night-time journeys, exploring the limits of their world. Boater looked around, at the strange florae which hid so many scurrying scavengers. Huge hand-like leaves twitched beneath his gaze, exotic flowers closed their petals over bulging stigmas and stamens, and the tall stems of large plants shuddered like eager lovers in the night.
Boater fell to his knees, raising his hands in a mockery of prayer. The trees creaked; their language was splintered, unknowable. A chorus of plant life created a kind of song with nothing but their excited, jittery motion.
The vast, eternal woodland stretched away into a primeval forest of forever outside the circular grove of ancient oaks. The borders swelled fractionally, increasing in size as the landscape fed from the dreams of a broken man with nowhere left to go. He could almost feel the place breathing.
Somewhere out there, at the edge of his imagination, Boater knew that there was a better place, an alternative to the world he had always known. But he couldn’t enter that place – he didn’t have permission to stray past its invisible boundaries.
Yet still, he felt that he was being allowed to know a little of its history.
Whatever power he had stumbled across here was neutral and existed in a realm where human terms like good or bad meant nothing. Tattered and flyblown, the energy stored here responded only to human emotion – until then, it lay dormant, a battery awaiting a charge. But the Concrete Grove estate was a receptacle for negativity: only failure and regret could be produced in such a misbegotten location.
So the power here had mutated, becoming a reflection of the stew of fear and desire upon which it fed. Boater sensed that over time things had altered here, and once-ambivalent creatures had evolved into ravenous beasts, taking on grotesque faces. New shapes had formed amid the dregs of muddy magic, and they brought with them brand new hungers.
This place – Monty Bright’s so-called ‘splinter of Creation’ – had eventually been polluted by the world inside which it was hidden. And toxins had leaked back out through rips and fissures, slowly returning to the world outside the Grove, but in other forms entirely.
This realisation hit Boater like a blow to the stomach. He felt unmoored from his life for a moment, as if his entire body had been shaken off the planet by a violent force.
“If this is a dream, or if I’m lying dead somewhere and I’ve come here on my way to someplace else, please let it never end. Let me stay here forever.” He clenched his fists and held them high, making a promise that he could never put into words. This vow came from deep inside, beyond blood and tissue and bone: this was the promise of the man who was imprisoned in the hidden chambers of his own heart, the fabled Good Man that he had never been allowed to become.
“I promise,” he said, not even knowing what he meant by those words. But the Good Man knew. He understood everything, even the things which lay beyond words, behind the mask of language.
The Good Man knew it all.
“I promise.”
And the Grove responded as it always did: with infinite patience.
After a while Boater felt calmed. His tension slipped away, lifted from him by the tranquillity which had returned to the Grove. The undergrowth was still and silent. The night felt empty and airless. The stars flickered in the vast black sky, providing just enough light so that he could see.
He stood and returned to the room, going back through the hewn timber door and closing it firmly behind him. When he looked, it was a normal door once more. Cheap plywood panels, a plastic handle, steel hinges.
He turned to face the gloomy interior of the room. The rate of growth across walls and floor had intensified, making the mulch beneath his feet seem thicker and the covering on the walls even denser than before.
Hailey’s sleeping body was obscured by what he at first thought was a dark cloud, or a mass of shadows. But as he moved further into the room, drawing closer to the girl, he saw that she was being shielded by scores of tiny, coloured birds. There was no sound; they didn’t move. The entire tableau was like a painting, a still-life image.
Then, just as the birds noticed him, movement returned to the scene: their wings beat faster than his eyes could discern, creating a Technicolor blur; the sound of humming filled the air.
“Don’t hurt her…” But he knew that the birds were not here to cause the girl harm. The birds, like Boater himself, were intent on protecting Hailey. They would see that she was safe.
“Safe and sound,” he said, sitting down on the floor nearby. He was too afraid to move any closer, in case the birds mistook him for a potential enemy, yet he wanted to remain at her side until the birds took her from him and set her free in this world. So he sat there on the soft forest ground – no concrete now; just damp earth and rotting vegetation – and stared at the hummingbirds in wonder.
Whatever happened next, he knew that he had a role to play. For once in his life, Francis Boater felt like he might just make a difference.
The Concrete Grove
Gary McMahon's books
- Alanna The First Adventure
- Alone The Girl in the Box
- Asgoleth the Warrior
- Awakening the Fire
- Between the Lives
- Black Feathers
- Bless The Beauty
- By the Sword
- In the Arms of Stone Angels
- Knights The Eye of Divinity
- Knights The Hand of Tharnin
- Knights The Heart of Shadows
- Mind the Gap
- Omega The Girl in the Box
- On the Edge of Humanity
- The Alchemist in the Shadows
- Possessing the Grimstone
- The Steel Remains
- The 13th Horseman
- The Age Atomic
- The Alchemaster's Apprentice
- The Alchemy of Stone
- The Ambassador's Mission
- The Anvil of the World
- The Apothecary
- The Art of Seducing a Naked Werewolf
- The Bible Repairman and Other Stories
- The Black Lung Captain
- The Black Prism
- The Blue Door
- The Bone House
- The Book of Doom
- The Breaking
- The Cadet of Tildor
- The Cavalier
- The Circle (Hammer)
- The Claws of Evil
- The Conduit The Gryphon Series
- The Cry of the Icemark
- The Dark
- The Dark Rider
- The Dark Thorn
- The Dead of Winter
- The Devil's Kiss
- The Devil's Looking-Glass
- The Devil's Pay (Dogs of War)
- The Door to Lost Pages
- The Dress
- The Emperor of All Things
- The Emperors Knife
- The End of the World
- The Eternal War
- The Executioness
- The Exiled Blade (The Assassini)
- The Fate of the Dwarves
- The Fate of the Muse
- The Frozen Moon
- The Garden of Stones
- The Gate Thief
- The Gates
- The Ghoul Next Door
- The Gilded Age
- The Godling Chronicles The Shadow of God
- The Guest & The Change
- The Guidance
- The High-Wizard's Hunt
- The Holders
- The Honey Witch
- The House of Yeel
- The Lies of Locke Lamora
- The Living Curse
- The Living End
- The Magic Shop
- The Magicians of Night
- The Magnolia League
- The Marenon Chronicles Collection
- The Marquis (The 13th Floor)
- The Mermaid's Mirror
- The Merman and the Moon Forgotten
- The Original Sin
- The Pearl of the Soul of the World
- The People's Will
- The Prophecy (The Guardians)
- The Reaping
- The Rebel Prince
- The Reunited
- The Rithmatist
- The_River_Kings_Road
- The Rush (The Siren Series)
- The Savage Blue
- The Scar-Crow Men
- The Science of Discworld IV Judgement Da
- The Scourge (A.G. Henley)
- The Sentinel Mage
- The Serpent in the Stone
- The Serpent Sea
- The Shadow Cats
- The Slither Sisters
- The Song of Andiene
- The Steele Wolf