The big U

A Terrorist was in the corner twisting a faucet handle. Sarah stood up. Tiny turned toward her and smashed her across the face. She was on the floor again, and over there a Terrorist groped in the scintillating ocean of red and blue for the sign's power cord. He was screaming like an electric guitar now. He was trying to swim in the shallow lake of blood and bile.

 

Sarah was thrown onto a bed. Her arms and legs flailed, and one heel found a Terrorist's kneecap. The Droog got on top of her, and because he was in slow motion she kicked him in the nuts. He curled up on top of her and she looked through his hair at the ceiling, which sputtered in the failing sign-light. Tiny was unwinding a long piece of rope and its thin tendrils floated around him like black smoke. She rolled half out from under the Droog and curled into a fetal position so he could not take her arms and legs. As she did she peered down through the transparent floor and saw the Airheads, plastered with grotesque makeup, drinking LSD from crystal goblets and cheering. But where was Hyacinth?

 

Hyacinth was standing in the doorway. An extremely loud explosion seeped into her ears. Smoke filled the room, catching the hallway light and forming hundreds of 3-D images from Sarah's past life.

 

Hyacinth's fairy godmother costume was changed, for now she wore heavy leather gloves over her white cloth gloves, and bulky ear protectors under her conical hat, and a pair of goggles beneath her milky-white veil. In her hands she carried a giant revolver. Sarah knew that under her dress, Hyacinth was made of strong young oakwood.

 

Hyacinth took one step into the room and shrugged on the main light switch. Tiny stood in the center, staring. The man who had been swimming on the floor was dead. Another clasped his knee and screamed at the ceiling. Sarah laid her head down restfully and put her hands on her ears.

 

Cones of fire were spurting from the front and back of Hyacinth's gun and her hands were snapping rhythmically up and down. Tiny had his hands on his chest, and as he walked backward toward the window the back of his football jersey bulged and fluttered like a loose sail, darkness splashing away from it. The electrical cord was between his legs. His steps shortened and he fell backward through the picture window. The cord and plug trailed slowly behind him and snapped out room and were gone. The noise was so immense that Sarah heard nothing until much later. The blasts were synchronized with the music's beat:

 

WHAM WHAM WHAM WHAM

 

with each WHAM followed by a high whine that shrieked through until the next WHAM, so that when Tiny was gone there remained a terrible high tone that resonated between the walls of the room, far too loud for Sarah to stand, filling her awareness like the blowing of the Last Trumpet and tormenting the injured Terrorists, who cried out in it and wrapped their arms around their heads. The Droog on, top of Sarah was pulled slowly away and Hyacinth yanked Sarah to her feet. Sarah did not even move her legs as the smoky doorway twisted past her, the corridor walls with their Big Wheels rolled on by, the landings of the fire stair rushed up toward her from blackness and her soft bed drifted up to envelop her face. Hyacinth was above her, probing, rubbing, kissing her. She would not stop until Sarah was well again.

 

Virgil used his master key eight times before attaining a dark, stained sub-sublevel of the Plex, where great water mains from the City entered from the depths and fed the giant pumps that pressurized the plumbing system overhead.

 

In an uncharacteristic flash of foresightedness, the Plex's architects made allowances for the certainty that, once in a while, one group or another would flush hundreds of toilets simultaneously and damage the cold water system. So they installed two parallel, independent systems of main pipes to feed the distribution systems of the wings; to switch between them one need only close one set of valves and open another. This Virgil accomplished by grunting and straining at a few red iron wheels. Satisfied that things were settling back toward normal, he set out for Professor Sharon's old lab to see if Casimir Radon was still there.

 

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Neal Stephenson's books