"So I move we cut SUB funding to the bare minimum, say, twenty bucks per capita, and give Neutrino its full request for a scientific research project, $1500.00."
The rest of the evening, anyway, was bonkers, and I'll not go into detail. It was insignificant anyway, since the administration had the final say; the Student Government would have to keep passing budgets until they passed one that S. S. Krupp would sign, and the only question was how long it would take them to knuckle under. Time was against the SUB. As the members of the government got more bored, they became more interested in passing a budget that would go through the first time around. Eventually it became obvious that the SUB had lost out, and the only thing wanting was the final vote. The highlight of the evening came just before that vote: the speech of Yllas Freedperson.
Yllas, the very substantial and brilliant leader of the SUB, was a heavy black woman in her early thirties, in her fifth year of study at the Modern Political Art Workshop. She had a knack for turning out woodblock prints portraying anguished faces, burning tenements, and thick tortured hands reaching for the sky. Even her pottery was inspired by the work of wretched Central American peasants. She was also editor and illustrator of the People's Truth Publication, but her real talent was for public speaking, where she had the power of a gospel preacher and the fire of a revolutionary. She waited dignified for the TV lights, then launched into a speech that lasted at least a quarter of an hour. At just the right times she moaned, she chanted, she sang, she reasoned, she whispered, she bellowed, she just plain spoke in a fluid and hypnotically rhythmic voice. She talked about S. S. Krupp and the evil of the System, how the System turned good into bad, how this society was just like the one that caused the Holocaust, which was no excuse for Israel, about conservatism in Washington and how our environment, economic security, personal freedom, and safety from nuclear war were all threatened by the greedy action of cutting the SUB's budget. Finally out came the names of Martin Luther King, Jr., Marx, Gandhi, Che, Jesus Christ, Ronald Reagan, Hitler, S. S. Krupp, the KKK, Bob Avakian, Elijah Mohammed and Abraham Lincoln. Through it all, the bat was active, dipping and diving crazily through the auditorium, divebombing toward walls or lights or people but veering away at the last moment, flitting through the dense network of beams and cables and catwalks and light fixtures and hanging speakers and exposed pipes above us at great smooth speed, tracing a marvelously complicated path that never brushed against any solid object. All of it was absorbing and breathtaking, and when Yllas Freedperson was finished and the bat, perhaps no longer attracted by her voice. slipped up and disappeared into a corner, there was a long silence before the applause broke out.
"Thank you, Yllas," said Sarah respectfully. "Is there any particular motion you wanted to make or did you just want to inject your comments?"
"I move," shouted Yllas Freedperson, "that we put the budget the way it was."
The vote was close. The SUB lost. Recounting was no help. They took the dignified approach, forming into a sad line behind Yllas and singing "We Shall Overcome" in slow tones as they marched out. Above their heads they carried their big black-on-red posters of S. S. Krupp with a target drawn over his face, and they marched so slowly that it took two repetitions of the song before they made it out into the hallway to distribute leaflets and posters.
Sarah, three members of her cabinet and I gathered later in my suite for wine. Alter the frenzy of the meeting we were torpid, and hardly said anything for the first fifteen minutes or so. Then, as it commonly did those days, the conversation came around to the Terrorists.
"What's the story on those Terrorist guys?" asked Willy, a business major who acted as Treasurer. "Are they genuine Terrorists?"
"Not on my floor," said Sarah, "since they subjugated us. We're living in... the Pax Thirteenica."
"I've heard a number of stories," I said. Everyone looked at me and I shifted into my professor mode and lit my pipe. "Their major activity is the toll booth concept. They station Terrorists in the E13 elevator lobby who continually push the up and down buttons so that every passing elevator stops and opens automatically. If it doesn't contain any non-students or dangerous-looking people, they hold the door open until everyone gives them a quarter. They have also claimed a section of the Cafeteria, and there have been fights over it. But nothing I'd call true terrorism."