The Van Alen Legacy

Memories were tricky things, Mimi thought as she entered the twilight world of the glom. They weren’t stable.

They changed with perception over time. She saw how they shifted, understood how the passage of time affected them. A hardworking striver might recall his childhood as one filled with misery and hardship, marred by the catcalls and name-calling of playground bullies, but later have a much more forgiving understanding of past injustices. The handmade clothes he had been forced to wear became a testament to his mother’s love, each patch and stitch a sign of her diligence instead of a brand of poverty. He would remember Father staying up late to help with the homework, the old man’s patience and dedication, instead of the sharpness of his temper when he returned home, late, from the factory.

It went the other way as well. Mimi had scanned thousands of memories of spurned women whose handsome lovers turned ugly and rude, Roman noses perhaps too pointed, eyes growing small and mean, while the ordinary-looking boys who had become their husbands grew in attractiveness as the years passed, so that when asked if it was love at first sight, the women cheerfully answered yes.

Memories were moving pictures in which meaning was constantly in flux. They were stories people told themselves. Using the glom—the netherworld of memory and shadow, a space the vampires could access at will in order to read and control minds—was like stepping into a darkroom, into a lab where photographers developed their prints, submerging them in shallow pans of chemicals, drying them on nylon racks. Mimi remembered the darkroom at Duchesne, how she used to hide there with her familiars. Spinning through the revolving door, leaving the Technicolor world of school behind to enter a small, cramped space that was so dark she’d wonder for a second if she had gone blind. But vampires could see in the dark, of course.

Did they even have darkrooms anymore, other than in movies where they had to track down the serial killer? Mimi wondered. Everyone had digital cameras now. Darkrooms were prehistoric. Like handwritten letters and proper first dates.

Darkrooms, Force? You don’t strike me as a photographer.

But I will strike you, Mimi sent back.

Har-har.

Go back to your patient. You’re going to wake mine.

It was against protocol for Kingsley to pop into her head space. The four Venators could sense each other, but they were supposed to be on separate channels, watching different dreams. They had entered a women’s dormitory, a place in the city where girls from the outlying provinces paid a pittance for a bed.

Mimi was in a girl’s mind. The girl was the same age as her, roughly, for this cycle: seventeen.

The girl worked as a chambermaid in one of the hotels. Mimi scanned the last three months of her life. Saw her making the beds and clearing out the trash, vacuuming rugs and pocketing the small tips the guests left on the bedside tables. Saw her waiting for her boyfriend, a bike messenger, after work at a small café. Work, boyfriend, work, boyfriend. What’s this? The hotel manager was forcing the girl into his office and making her take off her clothes. Interesting. But was it real?

Venator training meant Mimi had learned how to distinguish fiction from reality, expectation from realization. Was the girl really being abused by her boss or was she just fearful that it would happen? It looked like a fear-dream. Mimi placed a compulsion: she imagined the girl pushing her boss away, kicking him right where it hurt. There. If it ever happened, the girl would know what to do now.

“Call it. Lennox One?” Kingsley’s voice echoed through the darkness.

“Clear.”

“Two?”

“Clear.”

“Force?”

Mimi sighed. There was no sign of the Watcher in any of the girl’s thoughts. “Clear.” She blinked her eyes open. She was standing over the girl, who was sleeping soundly under the covers. Mimi thought she had a small smile on her lips. There is no need to be afraid, Mimi sent. A girl can do anything she wants to do.

“Right. Move out.” Kingsley led them into the night, through the unpaved roads and rickety steps leading farther into the tumbledown, jigsaw row of makeshift houses and apartment buildings cut into the mountains.