“Afraid? Of fire and metal? Of shaping one more weapon after thousands, even if it’s to be forged with magic?” Urprox Screl shook his head. “I should sooner be frightened of the air I breathe. What we do here tonight is no different than what I have done all my life. A variation perhaps, but no more. Besides, what is the worst that can befall me? That I fail? That won’t happen.”
“The magic is always unpredictable. Even if you are steady in the application of your smith’s skill, the magic might not prove sufficient.”
The smith studied the old man for a moment, then laughed slowly. “You don’t believe that. You are as much a craftsman as I. You would die before you let the magic fail you.”
There was a long silence as the two faced each other, the heat of the forge washing over them, its light flickering raggedly against their lined faces. “You are taking a final measure of me,” the smith observed quietly. “Don’t bother. It’s not necessary. I am ready for this.”
But the old man shook his head. “The measure I take is of what this will do to you. You cannot work with magic and come away unchanged. Your life will never be the same after tonight. You must sense that.”
Urprox Screl gave the old man a slow, ironic smile. “I depend upon it. Let me confess something. Save for Mina and my children, I am sick of my life. I am tired of what I have become. I didn’t understand that until you came. Now I understand it all too well. I would at this moment welcome any change.”
He felt the other’s eyes probe him for a moment, felt their weight settle somewhere deep within, and he wondered if he had spoken too rashly.
Then the old man nodded. “Very well. Let’s begin.”
There would be stories of what happened that night for years afterward, tales passed from mouth to mouth that would take on the trappings of legend. They would come from various sources, but all would have their genesis in the glimpses caught by passersby who paused for a momentary look at what was taking place within Urprox Screl’s great forge. The doors stood open to the night so that fresh air could be drawn in and stale heat vented out, and those who forced themselves close enough were witnesses to visions they later declared to have been born out of madness.
A sword was forged by Urprox Screl that night, but the manner of its shaping would be forever in dispute.
It was agreed who was present. They passed through the smoky, ash-laden air like wraiths, bent down against the heat and glare of the forge, surging upward momentarily to cany out a task in response to the demands of the casting, then ducking away again. There was the smith, the acknowledged master of his trade, the man who had given up his work for two long years and then, for a single night, without a word to anyone, gone back to it. There was the old man cloaked in his black robes, the one who seemed at times almost ethereal, at times as hard and certain as stone. And there were the Borderman and the young woman. Each had a role to play. The smith and the old man worked shoulder to shoulder in the forging of the weapon. The younger man served as their helper, acting on command to fetch this or carry that, lending his strength and weight where it was needed. The girl stood by the door and made certain that no one tried to enter or linger too long to watch. Strangely enough, she was the one who made the strongest impression. Some said she changed shape to warn off those too curious, becoming for an instant a netherworld beast or a moor cat. Some said she danced naked before the great furnace in a rite that aided in the tempering. Some said that if she but looked at you, your mind was lost. All agreed that she was more than what she appeared.
That there was magic in use that night was unquestioned. The heat of the fire was too intense, its glare too strong, its explosions, when the molten ore spilled, too raw. Some said they saw green light lance from the old man’s hands to feed the fires of the forge, saw it give aid to the winches and pulleys in lifting the casting away from the flames, watched it hone the blade after its molding to smooth and polish its rough surface. While the master smith sent the various metals into the furnace, while he mixed and then stirred the alloy, the old man muttered chants. The metals would go into the fire and come out again. The molten one would be poured into a mold, tempered, and hammered out again. And each time the old man’s magic would flare brightly in support. Oh, yes, there was magic employed in the forging and make no mistake about it, the tale-tellers all agreed.
They spoke as well of an omnipresent image of a hand holding forth a burning torch. No one understood its significance, but it was a specter that seemed to appear everywhere. Some saw it on a medallion the old man took from beneath his robes. Some saw it reflected by the fires of the forge on the walls of the building.
The First King of Shannara
Terry Brooks's books
- Alanna The First Adventure
- Alone The Girl in the Box
- Asgoleth the Warrior
- Awakening the Fire
- Between the Lives
- Black Feathers
- Bless The Beauty
- By the Sword
- In the Arms of Stone Angels
- Knights The Eye of Divinity
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- Knights The Heart of Shadows
- Mind the Gap
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- On the Edge of Humanity
- The Alchemist in the Shadows
- Possessing the Grimstone
- The Steel Remains
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- The Age Atomic
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- The Alchemy of Stone
- The Ambassador's Mission
- The Anvil of the World
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- The Art of Seducing a Naked Werewolf
- The Bible Repairman and Other Stories
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- The Breaking
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- The Science of Discworld IV Judgement Da
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- The Song of Andiene