The Dead Lands

The Gulf Stream, the northward current that followed the East Coast of North America and crossed to Europe and dropped to Africa, was one of the principal ways the world regulated its temperature. When the northern ice caps suddenly melted, the rush of frigid water shut down the circulatory cycle. At the same time, holes opened in the ozone layer, holes big enough for the moon to roll through. This created permanently unbalanced temperatures, unbalanced pressure systems, some sections of the globe hardening into permafrost, others furnacing so that anything green began to wither and crumble to dust.

 

Some people headed north; some people headed for the woods. Some hid in caves, where they gathered their rifles and sleeping bags and filled their backpacks with matches and food and clothes for all seasons. They chose the caves because they were isolated, easily defended, and maybe they chose them, too, because people felt already as though they were slipping back in history, to a simpler time dedicated to the gathering of food, the warding off of danger. They made fires and with the cinders drew upon the basalt walls pictures of bodies lying all about with Xs for eyes, a cipher for future generations to behold and puzzle over.

 

And some, like the citizens of St. Louis, made their last stand. They used bulldozers and cranes from construction sites to help fortify a perimeter, and then they killed any who approached it. Several National Guard units, outfitted in hazmat suits, disposed with a shot to the head any who exhibited the slightest symptoms. The bodies they hurled daily over the wall became part of their defense, a warning against any who might trespass. Some buildings, such as the hospital, they painstakingly drenched with alcohol and bleach. There were a million ways their plan could have gone wrong, but somehow it went right, and a year later, long after the observable world perished, they continued to thrive, and many believed the Sanctuary sterilized.

 

They were wrong.

 

This is why Danica descends the staircase with a lantern held before her. Her blond-white hair matches the cobwebs that cling to the walls and singe in her passing. Spiders scuttle from the light. She curls her lip but does not fear them. Even when they drop onto her arm or dash across her feet, she merely shakes them away. Maybe like isn’t the right word, but she has always admired spiders, their deadly elegance. As a child she would sometimes pluck gently at their webs, as if they were a harp’s strings, to draw their fat black bodies into the light. And she made a game out of hunting grasshoppers to tangle in their webs so that she could watch them feed.

 

This was once a basement, now a crypt. By law the dead are delivered to the morgue, where their remains are harvested. But the ruling class made an exception for itself, their bodies entombed beneath the Dome. The coffins are wood—it is dry enough that they will never rot—the name and likeness of the deceased carved elaborately into each lid. When they were married, Thomas took her down here and led her among the coffins and asked where she might like to be interred. He seemed taken by the place. She knows he comes down here often to lay his hands upon the coffins.

 

She is not here to commune with boxes of skeletons. She seeks something else. After Thomas toured her through the rows and rows of coffins, he said, “You’ll like this,” and led her to a metal door with a combination dial. He spun it one way, then the other, and back again—as she spied over his shoulder and committed the numbers to memory—before dragging open the vault. She was not sure of its original purpose, whether for money or safety, but it had since become a place where the Dome’s occupants store valuables, relics. There were stacked pyramids of red wine that long ago had turned to vinegar, canned food that no one had bothered or dared to open, velvet-lined jewelry boxes, stacks of crisp, worthless green paper money, a short-wave radio, a diamond-studded watch, satellite phones, memory drives, slick black tablets with fingerprints still streaked across them, all the useless valuables of another time. Among them she spotted some things that might still serve a purpose: city plans, the blueprints of buildings, vials of medicine with yellowed labels, vaccines that might have gone stale. Everything looked new. Nothing aboveground looked new. She marveled at it all, touching everything, until she came upon a polished black box in the far corner. Thomas grabbed her by the wrist when she reached for it. “No,” he said, and when she asked why, he told her.

 

She stands before it now. It is rectangular, like a miniature coffin, small enough to cup in one hand. She reaches for it, the first time without success, withdrawing her hand as if burned. She checks the doorway behind her. Her hand trembles when she reaches again, when she seizes it, and on the shelf leaves behind a dustless space.

 

There are many things that can kill a virus. Detergents can melt through their lipid envelopes. High temperatures can cook their proteins. Enzymes can damage their nucleic acids. And time. Most viruses, when exposed to air, will survive no more than forty-eight hours.

 

But there are ways to keep a virus, too. They are made of DNA or RNA, enclosed by proteins. So long as the proteins are maintained, the virus is preserved. Their small size, simple structure, and lack of water allow this. Scientists have discovered the DNA of Paleolithic men, even of velociraptors and megalodons, crushed into stone or ice. Chemicals can sustain them, as can low temperature, as can air-locked pressure, as can freeze-drying. This basement is full of coffins meant to preserve the remains of the elite—and she holds in her hand a miniature version of the same. The greatest of viruses.

 

When she asked Thomas why, why keep such a thing, he gave her a small smile and said, for the same reason we keep bears in cages, for the same reason this country stored fatal missiles in underground silos. “Because we like feeling we own death.”

 

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