When they paddled the Columbia, when they followed the final artery of water that would lead them to Astoria, she hoped that she would return in more ways than one—to her home and to her original frame of mind, indifferent to her cargo. She didn’t want to care about Lewis anymore. It was too hard.
The current pulled them and their paddles pulled them and Burr pulled them, and at one point she almost yelled at them to stop, turn back, but by then it was too late. The lights of Astoria glowed in the distance. She could call a snake up from its burrow or a bird down from a branch, but she could not control the guilt and the doubt twisting inside her, and on the beach she decided she could not face Lewis any longer. Before she stole off into the night, she told herself that he would be fine. If he gave in and did as he was told, if he became the old man’s instrument, he would be rewarded. She would not consider the alternative.
Burr made her a promise. If she delivered Lewis to Astoria, he would give her what she has pined for all these years. Family. Her mother. This, she thought, was what she wanted. This would give her the sense of wholeness that has escaped her all her life.
When dawn comes, when she presents herself to Burr, he pets her hair and thanks her and feeds her and questions her and makes good on his promise and directs her up the bald-sculpted hill where clouds pattern the grass with fast-moving shadows. Here the Astoria column rises, with pioneers and trappers painted in a swirling mural along its length, memorializing all those who braved the way west in the hope of a better life.
Its long shadow points to a gazebo. In it she finds her mother waiting on a bench. She forgets all about Lewis then. Her feet whisper in the grass when she approaches and stands a little off to the side until her mother turns to look at her. The last time Gawea saw her, seven years ago, she clutched a baby to her breast and contorted her face in fear when a storm of wasps came pouring in the window. She looks calm now—sad but calm—acknowledging Gawea and then returning her gaze to the ocean. The salt wind blows and knocks her hair—streaked gray—around her head like tentacles. “I never thought I’d see the ocean,” she says. “I’ve never seen anything like it.”
Gawea takes a step closer. “Do you remember me?”
Her mother blinks hard, as if something bothers her eye. “I remember.”
Gawea takes another step closer and another still. “They told you why you’re here? They’ve treated you well? You look well.”
She does. She is deeply tanned and furrowed with wrinkles—and her hands are so callused they appear hooved—but she is freshly bathed, wearing a pine-green dress that matches her eyes. Which makes it all the more unsettling when she takes a deep breath and asks Gawea in a calm, cool voice, “Why won’t you leave me alone?”
It takes her a minute to find any words, and when she does, they’re the obvious ones. “Because I want to be with you. I want us to be a family.”
“I’m sorry, but I have another family now.”
“You were a slave. Now you’re free. I made that happen.”
“They stole me away once. Now they’ve stolen me away again. If I’m free, then let me go back. I have children. I have a home.”
“I’m your child too.”
“Maybe.” Her mother’s eyes, her green eyes, regard her, so different from Gawea’s. She is different. They are different. “But that was a long time ago. And I was another woman. I just want to forget all that. Don’t you understand that it’s easier to forget? It’s harder to remember.” She reaches out a hand for Gawea to take. Its fingernails short, its calluses rough. “You must have people who care for you. Go to them.”
Her mother was different, but Lewis was like her. Gawea was like him. All this time she kept yearning for her mother, when he was more family to her, a brother beyond blood, fused by their abilities. She needed him, and right now—maybe more than ever—he needed her.
*
The knob and then the deadbolt lock behind Lewis and Clark, but the footsteps do not retreat. The man waits outside, guarding them, his feet shadowing the light under the door.
This is the tower of the Flavel house, an octagonal sitting room with cushioned benches. At its center, a narrow metal staircase spirals upward into another windowed peak, four stories high. Lewis goes to one of the benches and looks out across the bay, all that open space rolling off to the horizon. No fences, no walls. No fear.
Because these people are the ones to fear. He understands that now.
“I’m sorry,” Clark says behind him.
“Are you?”
He has come here looking for an answer. But it is not the answer he is looking for. The present is constructed from the past. The future is predicted by the past. Virgins are hurled into volcanoes. Children are stabbed on altars. Women are burned at the stake. Natives are gifted with blankets smeared with smallpox. Africans are hunted down and chained and stuffed into the bellies of ships. Jews are marched into gas chambers, their bodies wheelbarrowed to furnaces that pump black clouds from tall chimneys. A bomb whistles from the sky and flattens a city. Planes become weapons and rip down buildings. Serbs are killed. Tutsis are killed. Hmong are killed. Homosexuals are killed. Muslims are killed. Christians are killed. The wheel of time turns. People kill people. People enslave people.
Burr is wrong. The world is not evolving. The world stays the same. The circumstances change but not the matter. The world has not destroyed itself. The world has always been destroying itself, a perpetual apocalypse. What hope is there?