“The rest of the Germans!?”
“No, no, the rest of the silver—the remaining four-fifths of it.”
An observer standing without the carriage would have seen it buck and rock. Some sort of nervous catastrophe had caused all of the Marquis of Ravenscar’s muscles to contract at once. He was a few moments getting his faculties back. When he spoke again, it was from a sprawling, semi-prone position. “What the hell are you going to do with so much silver?”
“Most likely, convert it into Bills of Exchange that can be taken back to France.”
“Where the money came from in the first place. Why bother at all?”
“Now it is you who asks impertinent questions,” Eliza said. “All that need concern you for now is that the Hacklhebers believe the invasion has been launched. They are probably trying to buy silver on the London market now. Which shall lead all to believe in the invasion, until positive news arrives to the contrary. Your silver has only gone up in value.”
“In truth there is one other matter that doth concern me,” said Ravenscar, “which is that we are sitting out in the street with a king’s ransom in silver; pray, could we get it now behind walls, locks, and guns?”
“Wherever you consider it shall be safest, monsieur.”
“The Tower of London!” commanded Ravenscar, and the carriage moved, setting off small tinkly avalanches in all the strong-boxes.
“Ah,” said Eliza with evident satisfaction, “no want of walls and guns there, I suppose; and I shall have an opportunity to pay a call on my lord Marlborough.”
“I exist to please you, madame.”
Gresham’s College
10/20 JUNE 1692
Even Solomon had wanted Gold to adorn the Temple, unless he had been supply’d by Miracles.
—DANIEL DEFOE,
A Plan of the English Commerce
“MY DELIGHT AT seeing Monsieur Fatio again is joined by wonder at the company he keeps!” Feeble as it was, this was the best that Eliza could muster when Fatio walked into the library accompanied by a man with long silver hair—a man who could not be anyone but Isaac Newton.
Even by the standards of savants, this had been a socially awkward morning. Eliza had been in London for a fortnight. The first few days had gone to buying clothes, finding lodgings, sleeping, and vomiting; for obviously she was pregnant. Then she had sent notes out to a few London acquaintances. Most had responded within a day. Fatio’s message had not arrived until this morning—it had been shot under her door as she knelt over a chamber-pot. Given the lengthy delay, she might have expected it to be a flawlessly composed letter, the utmost of many drafts; but it had been scratched out in haste on a page torn from a waste-book, and it had asked that Eliza come to Gresham’s right away. This Eliza had done, not without much discomfort and inconvenience; then she had waited in the library for an hour. Now Fatio was at last here, looking flushed and wild, as if he had just galloped in from some battlefield. And he had this silver-haired gentleman in tow.
For a few moments he had stood between them, calculating the etiquette; then he remembered his manners, and bowed to Eliza, and spoke in French: “My lady. Our exploit at Scheveningen is never far from my mind. I think of it every day. Which may give some measure of my joy in seeing you again.” This had been rehearsed, and he delivered it in too much haste for it to seem perfectly sincere; but the situation was, after all, complicated. Before Eliza could respond, Fatio stepped aside and thrust a hand at his companion. “I present to you Isaac Newton,” he announced. Then, switching to English: “Isaac, it is my honor to give you Eliza de Lavardac, Duchess of Arcachon and of Qwghlm.”
Fatio scarcely took his eyes from Eliza’s face as he spoke these words, and as Eliza and Isaac curtseyed or bowed and said polite things to each other.
Eliza liked Fatio but remembered, now, why the man had always made her a bit uneasy. Nicolas Fatio de Duillier was forever an Actor in an Italian Opera that existed in his own mind. Today’s scene at the Library of Gresham’s was meant to be some kind of a set-piece. The Duchess, summoned in haste by a mysterious note, fumes impatiently for an hour—dramatick tension mounts—finally, just when she is about to storm out, Fatio saves the day by rushing in, aglow from superhuman efforts, and turns disaster to triumph by bringing in the Master himself. And it was dramatick, after a fashion; but whatever genuine emotions Eliza might have had she kept to herself, for no reason other than that Fatio was studying her as a starving man studies a closed oyster.