“I believe it has to do with what Monsieur le duc d’Arcachon has been up to in the south,” said Eliza. “Assuming that you have been discreet, that is.”
Oyonnax laughed. “You and I associate with two entirely different sorts of chymists! Even if I were indiscreet—which I most certainly am not—it is inconceivable that a brewer of poison, working in a cellar in Paris, should have any contact with a noble practitioner of the Art, such as Upnor or de Gex.”
“I did not know that Father édouard was an Alchemist as well!”
“Of course. Indeed, my divine cousin perfectly illustrates the point I am making. Can you phant’sy such a man associating with Satanists?”
“I cannot even phant’sy myself doing so.”
“You aren’t.”
“What are you then, if I may inquire?”
Oyonnax, in a strangely girlish gesture, put a gloved hand to her lips, suppressing a laugh. “You still do not understand. Versailles is like this window.” She swept her arm out, directing Eliza’s eye to a scene in stained glass. “Beautiful, but thin, and brittle.” She opened the casement below to reveal the street beyond: a wood-carrier, looking like a wild man, had dropped his load to have a fist-fight with a young Vagabond who had taken offense because the wood-carrier had bumped into a whore that the Vagabond was escorting into an alley. A man blinded by smallpox was squatting against a wall releasing a bloody phlux from his bowels. “Beneath the lovely glaze, a sea of desperation. When people are desperate, and praying to God has failed, they begin to look elsewhere. The famous Satanists that Maintenon is so worried about wouldn’t recognize the Prince of Darkness if they went down to Hell and held a candle at his levée! Those necromancers are just like the mountebanks on the Pont-Neuf. You can’t make a living as a mountebank by offering to trim people’s fingernails, because the clientele is not desperate enough. But you can make a living as a tooth-puller. Have you ever had a tooth go bad, mademoiselle?”
“I am aware that it hurts.”
“There are people at Court who suffer from aches of heart and spirit that are every bit as intolerable as a toothache. Those who prey on them, are no different from tooth-pullers. The emblems of the devil are no different from the pliers brandished by tooth-pullers: visual proof that these people are equipped to ply their trade, and satisfy their customers.”
“You are so dark! Is there anything you believe in?”
Oyonnax closed the casement. The gruesome images outside were gone. “I believe in beauty,” she said. “I believe in the beauty of Versailles, and in the King who created it. I believe in your beauty, mademoiselle, and in mine. The darkness beyond has power to break through, just as those people out there could throw rocks through this window. But behold, the window has stood for centuries. No one has thrown a rock through it.”
“Why not?”
“Because there is a balance of powers in the world, which can only be perceived by continual attention, and can only be preserved by—”
“By the unceasing and subtile machinations of persons such as you,” Eliza said; and the look in the green eyes of Oyonnax told her that her guess was true. “Is that why you have involved yourself in my vendetta against the Duke?”
“I am certainly not doing so out of any affection for you! Nor out of sympathy. I don’t know, and don’t wish to, why you hate him so, but the stories told about him make it easy to guess. If le duc were a great hero of France—a Jean Bart, for example—I should poison you before suffering you to harm him. But as matters stand, Monsieur le duc is a poltroon, absent for months when he is most needed. Wise was le Roi in subordinating him to Monsieur le marquis de Seignelay. But now that de Seignelay is dying, the duc d’Arcachon will try to reassert his former eminence, which shall prove a disaster to the Navy and to France.”
“So you see yourself as doing the King’s work.”