Jack turned round again to look at Gabriel Goto, who had planted himself just on this side of the needle’s eye and was standing in a prayerful attitude as the Frenchmen came towards him. The samurai waited until they were no more than two yards away. Then he reached under his cloak and drew out his two-handed saber, gliding forward in the same movement, like a snake over grass, and tracing a compound diagram in the air with his sword-tip. Then he drew back, and Jack noticed that the head, neck, and right arm of one Frenchman were missing—removed by a single diagonal cut.
As Gabriel Goto seemed to have matters well in hand at the needle’s eye, Jack went the other way, slowing as he approached the corpse that lay in the street. It was the Turk from Monsieur Arlanc’s oar. He had been shot in the head with a musket, which was a polite way of saying that a lead ball three-quarters of an inch in diameter had hit him between the eyes traveling at several hundred miles an hour and turned much of his skull into a steaming crater. This gave Jack the idea of looking up, which was fortunate, as he saw a French musketeer kneeling on a rooftop above, aiming a musket directly at him. Smoke squirted from the pan. Jack darted sideways. A musket-ball slammed into a stone corner just above him, driving a shower of flakes into his face but not doing any real harm. Jack jumped back out and looked up to see Nasr al-Ghuráb up on that rooftop, lunging at the musketeer with a dagger. The ra?s won that struggle in a few moments. But then he was struck in the leg by a musket-ball fired, from only a few yards’ distance, by a Janissary posted directly across the way. He fell, clutching his leg, and looking in astonishment and horror at the fellow who’d shot him, and shouted a few words in Turkish.
Jack meanwhile ran ahead, rounded a curve, and was confronted by a Y. The left fork led to a point in the main street, directly in front of the musketeers’ position; anyone who did so much as poke his head out of there would get it blown off in an instant. The right fork led to a point behind the musketeers, and so that was the one they wanted; but the French had had the good sense to throw up a barricade consisting of a wagon rolled over onto its side. Two muskets were immediately fired at Jack, who without thinking dove headlong into the deep gutter that ran down the center of the street. This had no more than a trickle of sewage in the bottom; it was lined with stone and (because of the slight curve in the street) protected him from musket-fire.
He rolled onto his back and looked straight up to see the sniper who had shot al-Ghuráb having his throat cut by Nyazi, who had somehow gotten to the roof. But rather than advancing, Nyazi was obliged to throw himself down to avoid fire from a few other Janissaries who were on the adjoining rooftop. Though he could not understand much Turkish or Arabic, Jack could tell the two languages apart by their sounds, and he was certain that several other Arabic-speaking men—Nyazi’s clansmen—were up there, too. So it was going to be camel-traders versus Janissaries on the rooftops.
Levering himself up on his elbows and surveying the street, Jack could now see Yevgeny, Padraig, and the Nubian backed into doorways, safe for now, but unable to advance toward the musketeers’ barricade.
Jack retreated up the gutter, squirming like an eel, until he was out of the line of fire, then got to his feet and ran back to the front of the stables, where the wagon-train was pinned down. There he could see into the stable-yard, where Jeronimo was saddling an Arab horse, apparently getting ready to do something.
From one of their supply-wagons Jack secured a powder-keg and an earthenware jar of lamp-oil. Then he turned round and went back, at first crawling on his belly and pushing these items before him, later hugging the keg to his belly and running. A rightward glance at the T intersection told him that Gabriel Goto was still embroiled at the needle’s eye, French body parts continuing to thud down every few seconds. The sword whirling through the air tracing Barock figures, like the pen of a royal calligrapher.