The Confusion

THE DUC D’ARCACHON had disembarked from his gilded river-barge, and was riding towards the Khan el-Khalili on a white horse, accompanied by several aides, a Turkish official or two, and a mixed company of rented Janissaries and crack French dragoons. Behind them rumbled several empty wagons of very heavy construction, such as were used to carry blocks of dressed stone through the streets. This much was known to the Cabal half an hour in advance—word had been brought by the messenger-boys who moved through the streets of Cairo like scirocco winds.

 

Every master jeweler in the city had been hired by the Duc d’Arcachon—or, failing that, had been bribed not to do any work for the Cabal—and were now converging on a certain gate of the Khan el-Khalili to await the Duke. This was common knowledge to every Jew in the city, including Moseh.

 

A flat-bottomed, shallow-draft river-boat waited at the terminus of a canal that wandered through the city and eventually communicated with the Nile. It was only half a mile from the caravanserai, down a certain street, and the people who dwelled along that street had carried their chairs and hookahs indoors and rounded up their chickens and were keeping their doors bolted and windows shuttered today, because of certain rumors that had begun to circulate the night before.

 

It was mid-afternoon before the clatter and rumble of the Investor’s entourage penetrated the still courtyard where Jack stood in the lambent glow of the stretched canvas above. He took a deep whiff of air into his nostrils. It smelt of hay, dust, and camel-dung. He ought to be scared, or at least excited. Instead he felt peace. For this alley was the womb at the center of the Mother of the World, the place where it had all started. The Messe of Linz and the House of the Golden Mercury in Leipzig and the Damplatz of Amsterdam were its young impetuous grandchildren. Like the eye of a hurricane, the alley was dead calm; but around it, he knew, revolved the global maelstrom of liquid silver. Here, there were no Dukes and no Vagabonds; every man was the same, as in the moment before he was born.

 

The challenges and salutations were barely audible through the stable’s haystacks; Jack could not even make out the language. Then he heard horseshoes pocking over the stone floor, coming closer.

 

Jack rested his hand on the pommel of his sword and recited a poem he’d been taught long ago, standing in the bend of a creek in Bohemia:

 

 

 

Watered steel-blade, the world perfection calls,

 

Drunk with the viper poison foes appals.

 

Cuts lively, burns the blood whene’er it falls;

 

And picks up gems from pave of marble halls.

 

 

 

 

 

“That is he!?” said a voice in French. Jack realized his eyes were closed, and opened them to see a man on a white, pink-eyed cheval de parade. His wig was perfect, an Admiral’s hat was perched atop it, and four little black patches were glued to his white face. He was staring in some alarm at Jack, and Jack almost reached for one of the pistols in his waist-sash, fearing he had already been recognized. But another chevalier, riding knee to knee with the Duke to his left side, leaned askew in his saddle and answered, “Yes, your grace, that is the Agha of the Janissaries.” Jack recognized this rider as Pierre de Jonzac.

 

“He must be a Balkan,” remarked the Duke, apparently because of Jack’s European coloration.

 

A third French chevalier rode on the Duke’s right. He cleared his throat significantly as Monsieur Arlanc emerged from the stables and fell in beside Jack, on his left hand. Evidently this was to warn the Duke that they were now in the presence of a man who could understand French. Moseh now emerged and stood on Jack’s right to even the count, three facing three.

 

The Frenchmen—wishing to command the field—rode forward all the way to the center of the alley. Likewise Jack strolled forward until he was drawing uncomfortably close to the Duke. Finally the Duke reined in his white horse and held up one hand in a signal for everyone to halt. De Jonzac and the other chevalier stopped immediately, their horses’ noses even with the Duke’s saddle. But Jack took another step forward, and then another, until de Jonzac reached down and drew a pistol halfway from a saddle-holster, and the other aide spurred his horse forward to cut Jack off.

 

Behind the Duke and his men, it was possible to hear a considerable number of French soldiers and Janissaries infiltrating the caravanserai, and before long Jack began to see musket-barrels gleaming in windows of the uppermost storeys. Likewise, men of Nyazi’s clan had taken up positions on both sides of the alley to Jack’s rear, and the burning punks of their matchlocks glowed in dark archways like demons’ eyes. Jack stopped where he was: perhaps eight feet from the glabrous muzzle of the Duke’s horse. But he chose a place where his sight-line to the Duke’s face was blocked by the aide who had ridden forward. The Duke said something sotto voce and this man backed his mount out of the way, returning to his former position guarding the Duke’s right flank.

 

“I comprehend your plan,” said the Duke, dispensing with formalities altogether—which was probably meant to be some kind of insult. “It is essentially suicidal.”

 

Jack pretended not to understand until Monsieur Arlanc had translated this into Sabir.

 

Stephenson, Neal's books