“Not any more,” Moseh put in, “he was run off by William of Orange.”
“Well, there’s a bit of good news at least,” Jack muttered.
“From that point my story’s unremarkable,” Dappa said. “I was traded from fort to fort up the coast. Bonny slaves fetch a low price because, since we grew up in paradise, we are unaccustomed to agricultural labor. Otherwise I would’ve been shipped straight to Brazil or the Caribbean. I ended up in the hold of a Portuguese ship bound for Madeira, which was captured by the same Rabat corsairs who’d earlier taken your ship.”
“We must hurry,” Moseh said, bending his neck to stare straight up. Down here it had been night for hours, but fifty feet above them, the corner of a wall was washed in the red light of the sunset. The little slave-column doubled its pace, trotted around several more corners, and came out into a street that was relatively wide (i.e., Jack could no longer touch both sides of it at the same time). Onion-skins and vegetable-trimmings were strewn about, and Jack reckoned it to be some sort of a market, though all of the tables had been cleared and the stalls shuttered. A young, dark-haired man, oddly familiar-looking, was standing there waiting for them, and fell in stride as they passed. His Sabir was infused with an accent that Jack recognized, from his last Paris sojourn, as Armenian.
But before he’d had time to think on this, they’d spilled out into an open space: some sort of public square, difficult to make out in the dusky light, with a public fountain in the center and a few large, but very plain, buildings around the sides. One of these was all lit up, with hundreds of men trying to get in the doors. Quite a few of them were slaves, but there were many members of the ocak, too, as well as the usual Algerine assortment of Berbers, Jews, and Christians. As they came up against the fringes of this crowd, Moseh de la Cruz stepped aside and allowed the Spaniard to lunge past him, suddenly bellowing every vile insult Jack had ever heard, as well as diverse new-made ones, and jabbing various large, heavily armed Turks in the ribs, treading on the curly toes of their slippers, and kicking them in the shins to clear a path towards the building’s entrance. Jack expected to have his head scimitared off merely for being in the general vicinity of this uncivil Spaniard, but all the victims of his jabs and insults grinned and laughed the moment they recognized him, and then derived all manner of entertainment from watching him assail whomever stood in his path next. Moseh and the others, meanwhile, followed along in his wake, so that they arrived at the front door quickly—yet apparently none too soon. For the Turks standing guard there spoke angrily to Moseh and the others, pointing at the western sky, which had faded to a deep and nearly invisible blue now, like candle-light trying to penetrate a porcelain saucer. One of the guards slugged Dappa and the Nipponese Jesuit as they went by, and aimed a blow at Jack, which he dodged.
Moseh had mentioned to him earlier that they lived in something called a banyolar and Jack reckoned this must be it: a courtyard surrounded by galleries divided into many small cells, one ring of galleries piled upon the next to a height of several storeys. To Jack, the overall design was much like certain old-fashioned theatres that stood along Maid Lane between the marshes of Southwark and the right bank of the Thames, viz. the Rose, the Hope, and the Swan. The big difference, of course, was that those Bankside theatres had armed men trying to keep Jack out whereas here they were abusing him for not having entered soon enough.
This, of course, was no theatre, but a slave-quarters. And yet the galleries, up to and including the flat roof of the banyolar, were crowded (at the moment anyway) with free Algerines, and so was most of the courtyard. But one part of that yard, off to one side of its central cistern, had been roped off to form a stage, or ring; and any number of torchères had been planted around it, so close to one another that their flames practically merged into a square window-frame of fire that shed fair illumination on the empty plot in the center.