Janice is wrong; I’ve been here twelve years, not ten. Twelve years of solitary work—stacking, sorting, scanning, cataloging, researching, letter and grant writing, fund begging, and book repairing. I’ve become part of the papers. They were mine, twelve years of pages and volumes. Now I have a single book.
Alice walks toward me. We’ve been trying to stay apart at work. Libraries are hotbeds of gossip—everyone knew about Marci’s husband’s drinking almost before Marci did. We’ve been carefully professional, talking to each other only when we need things, when I want the schedule for a room, or when she wants visuals for a speaker, or has to reach something. How will anyone reach things when I’m gone? She rounds the 300s, her sensible brown pants brushing against an oversized volume. I see it: pity. It’s in the tight set of the mouth. It’s in the slightly lowered eyelids, which on Alice makes her eyelashes catch the light. It’s a look that pairs with I’m so, so sorry. The second so is the kicker. The potential for a second so is horrible. She catches my eye. Mouths an Are you okay? I shrug, because what else can I do? She’s by the photocopy machines when an older man taps her on the shoulder. Comfortable shoes, white socks, tissue-thin button-down, shorts, old man knees. Old men love Alice. Thank God for that. I can’t talk to her just now, not until I’ve tried to do something. I pick up the phone and dial Millerston Library.
“Leslie? Hi. It’s Simon Watson at Grainger.”
Forty-five minutes later and I’ve spoken with or left messages for the directors at nearly every library from Babylon to Mattituck. Gina at Comsewogue was kind enough to tell me that Janice had called on my behalf.
“She’s heartbroken. You’d think you were her son. We’d take you on if we could, but we’re in the same crunch. The best I could offer would be volunteering until you could transition into part-time once the summer kids head back to school. It would be an insult.”
Pinching the skin at the top of my nose may not change the situation, but the pain makes the conversation easier. It’s worse with Laura at Outer Harbor.
“Wish I could help, but I’m looking for me. I talked to Janice two weeks ago hoping you guys had wiggle room. Don’t you get funds for the whaling collection?”
“Not enough.”
When I hang up, nothing’s changed but the hour. A book club meets in the armchairs by the front windows and a group of kids climb the stairs. Books need lending, shelving, mending. I still need to finish the grant application for the digital catalog funds. That will continue without me. I start working through the website Liz Reed sent, sifting through links. The New York section is filled with jobs in the city—digital archivists, information system architects, whatever that means. Even if I knew what it meant, there’s no way I could handle the commute. The Long Island jobs are slim, most calling for interns or budget wizards, of which I’m neither. At the bottom of the page is a small green box advertising a manuscript curator position with the Sanders-Beecher Archive, a specialty library in Savannah, Georgia. Clicking around takes me to the archive’s website, which reveals a beautiful old columned building. Photos of the inside show gorgeous dark wood shelves—walnut or cherry?—and rooms filled floor to ceiling with leather-bound books. A brief paragraph describes Sanders-Beecher as an archive with “a personal approach to broader history.” They lay claim to volumes from Georgia’s first printing press, diaries from early settlers, and a museum affiliation. I glance up at the whaling collection—a static snapshot of Philip Grainger’s obsession crammed into two sterile rooms. Something about Sanders-Beecher feels warm and alive. Maybe it’s the romance of distance causing rose-tinted longing. The miles between here and Savannah make the position more wish than reality, particularly when I’ve got the house to think of. And Enola coming home.
“Hey.” Alice drops a stack of broken-backed books on my desk. She leans on them, petting the spines. Her nails are short and carefully filed; mine are chewed to the point of no longer being fingernails. Her pity comes with a sigh, and it’s all right. I want a little pity.
“Hey,” I answer.
“I’m sorry it wasn’t me.”
“Nice of you to say, but you don’t have to lie.”
“Okay,” she says. “I’m glad it wasn’t me but I’m sorry it was you. Better?”
“Better.”
“Tonight’s my treat, okay? As much as you want to drink, whatever. You can get sloppy, crash at my place, and I won’t tell anyone.”
I don’t even know what I’d drink. “What do you drink when you’re let go?”
“Rye, I think?”
“That sounds awful.”
She smiles. “Sounds about right.” We stay like this. Printers whir, copiers whine, fingers tap at keyboards. “You bring that book everywhere. Why?”
The Book of Speculation: A Novel
Erika Swyler's books
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