“I am an Aleut.”
“Oh, I’ve never heard of that.”
“That’s because we’ve been fucked over,” the big scary Aleut says, “worse than any other people in history.”
“Sorry to hear that,” Y.T. says. “So, uh, do you want me to serve up some fish, or are you gonna stay hungry?”
The big Aleut stares at her for a while. Then he jerks his head sideways and says, “Come on. Let’s get the fuck out of here.”
“What, and skip out on this cool job?”
He grins ridiculously. “I can find you a better job.”
“In this job, do I get to leave my clothes on?”
“Come on. We’re going now,” he says, those eyes burning into her. She tries to ignore a sudden warm tense feeling down between her legs.
She starts following him down the cafeteria line, heading for a gap where she can exit into the dining area. The head babushka bitch comes stomping out from in back, hollers at her in some incomprehensible language.
Y.T. turns to look back. She feels a pair of big hands sliding up her sides, coming up into her armpits, and she pulls her arms to her sides, trying to stop it. But it’s no good, the hands come all the way up and keep lifting, keep rising into the air, bringing her with them. The big guy hoists her right up over the counter like she’s a three-year-old and sets her down next to him.
Y.T. turns back around to see the head babushka bitch, but she is frozen in a mixture of surprise, fear, and sexual outrage. But in the end, fear wins out, she averts her eyes, turns away, and goes to replace Y.T. at vat position number nine.
“Thanks for the lift,” Y.T. says, her voice wowing and fluttering ridiculously. “Uh, didn’t you want to eat something?”
“I was thinking of going out anyway,” he says.
“Going out? Where do you go out on the Raft?”
“Come on, I’ll show you.”
He leads her down passageways and up steep steel stairways and out onto the deck. It’s getting close to twilight, the control tower of the Enterprise looms hard and black against a deep gray sky that’s getting dark and gloomy so fast that it seems darker, now, than it will at midnight. But for now, none of the lights are on and that’s all there is, black steel and slate sky.
She follows him down the deck of the ship to the stern. From here it’s a thirty-foot drop to the water, they are looking out across the prosperous, clean white neighborhood of the Russian people, separated from the squalid dark tangle of the Raft per se by a wide canal patrolled by gun-toting blackrobes. There’s no stairway or rope ladder here, but there is a thick rope hanging from the railing. The big Aleut guy hauls up a chunk of rope and drapes it under one arm and over one leg in a quick motion. Then he throws one arm around Y.T.’s waist, gathering her in the crook of his arm, leans back, and falls off the ship.
She absolutely refuses to scream. She feels the rope stop his body, feels his arm squeeze her so tight she chokes for a moment, and then she’s hanging there, hanging in the crook of his arm.
She’s got her arms down to her side, defiant. But just for the hell of it, she leans into him, wraps her arms around his neck, puts her head on his shoulder, and hangs on tight. He rappels them down the rope, and soon they are standing on the sanitized, prosperous Russian version of the Raft.
“What’s your name anyway?” she says.
“Dmitri Ravinoff,” he says. “Better known as Raven.”
Oh, shit.
The connections between boats are tangled and unpredictable. To get from point A to point B, you have to wander all over the place. But Raven knows where he’s going. Occasionally, he reaches out, grabs her hand, but he doesn’t yank her around even though she’s going a lot slower than he is. Every so often, he looks back at her with a grin, like, I could hurt you, but I won’t.
They come to a place where the Russian neighborhood is joined to the rest of the Raft by a wide plank bridge guarded by Uzi dudes. Raven ignores them, takes Y.T.’s hand again, and walks right across the bridge with her. Y.T. hardly has time to think through the implications of this before it hits her, she looks around, sees all these gaunt Asians, staring back at her like she’s a five-course meal, and realizes: I’m on the Raft. Actually on the Raft.
“These are Hong Kong Vietnamese,” Raven says. “Started out in Vietnam, came to Hong Kong as boat people after the war there—so they’ve been living on sampans for a couple of generations now. Don’t be scared, this isn’t dangerous for you.”
“I don’t think I can find my way back here,” Y.T. says.
“Relax,” he says. “I’ve never lost a girlfriend.”
“Have you ever had a girlfriend?”
Raven throws back his head and laughs. “A lot, in the old days. Not as many in the past few years.”
“Oh, yeah? The old days? Is that when you got your tattoo?”
“Yeah. I’m an alcoholic. Used to get in a lot of trouble. Been sober for eight years.”
“Then how come everyone’s scared of you?”
Raven turns to her, smiles broadly, shrugs. “Oh, because I’m an incredibly ruthless, efficient, cold-blooded killer, you know.”
Y.T. laughs. So does Raven.
“What’s your job?” Y.T. asks.
“I’m a harpooner,” he says.
“Like in Moby Dick?” Y.T. likes this idea. She read that book in school. Most of the people in her class, even the power tools, thought that the book was totally entrenched. But she liked all the stuff about harpooning.
“Nah. Compared to me, those Moby Dicksters were faggots.”
“What kind of stuff do you harpoon?”
“You name it.”