The answer isn’t entirely straightforward. Without a doubt, friendship can be a facet of another type of relationship, such as a romance or a sibling bond. But it’s just as telling that it isn’t always present. We all know people whose familial relationships definitely don’t come with the kind of easy closeness and unstated trust that characterizes the best friendships. The phrase “close as sisters” may be used to describe friends, but we all know sisters who aren’t close at all. Can friendship be separated from a romance in the same way? Of course it can. Anyone who’s ever broken up with someone only to never see or speak to them again can vouch for that. For the purposes of this essay, I’m defining friendship as a specific form of closeness that may be the sole basis of a relationship—as with Clary and Simon—or may be an additional element of a relationship—as with Alec and Jace. Friendships aren’t forced into existence by bonds of blood or sexual history and chemistry. On some level, a friendship always requires a choice. And, as the Mortal Instruments clearly demonstrates, that choice can be one of the most important ones we ever make.
Notably, in City of Bones, the first relationship we’re introduced to is one that will be among the most significant of the series. When we meet Clary and Simon heading into Pandemonium, everything about the way they are with each other signals that they have a long-established friendship. The ease with which they banter and the way they so clearly know each other’s preferences (Clary informing Simon that he hates trance music) shows off their common friend shorthand. Simon immediately trusts what Clary says and goes for help when she reveals she’s seen two strange boys with knives, even if he didn’t see them. All of this lets us know that this isn’t going to be one of those books where the protagonist’s so-called best friend disappears the moment the sexier members of the “other” world make an appearance. Simon is important. And Clary and Simon’s friendship will be tested, as much as any other relationship in the series.
Just as Simon and Clary always describe each other as “best friend,” so Jace describes Alec. In addition to having grown up together and being close friends, Jace and Alec are also parabatai. They fight together, and they have each other’s backs, but the parabatai bond means more than that. Parabatai are described as being “closer than brothers,” and, of course, they are also forbidden from falling in love with each other. In a very real sense, the parabatai bond is a pledge that formalizes friendship between warriors in the same way marriage does love. Parabatai know each other in a way no one else is able to. Alec is able to fake out everyone—even Isabelle—when Jace is imprisoned by the Inquisitor in City of Ashes by pretending to sell out his friend. But if they had the same bond with him that Jace does, they’d have instantly seen through his fakery, and known that his only intention is to help Jace get free. Alec doesn’t flinch when Jace says Valentine asked him to join Team Evil; he knows, without a doubt, that Jace would never have agreed and he understands that Jace needs reassurance that Alec would never believe he would. Jace is someone who needs other people’s good opinion of him, because he’s so quick to turn on himself. Alec knows this, because he knows his best friend.
But what about when it isn’t so clear whether a pair is meant to be or meant to be just friends? The Mortal Instruments proves more than once that the boundary between platonic friend and lover often appears more porous than it is…at least to the one who wants to make it across.
Unrequited Never Felt So Good
Both Alec and Jace’s and Simon and Clary’s friendships start the series with a one-sided crush destined to be crushed. Believing you are in love with your best friend is an entirely understandable thing. In real life, the best romances are either built on friendship or quickly grow to include one; otherwise it’s all chemistry, no trust and camaraderie. But who hasn’t been confused thinking that this person they share so much with might be able to love them in that way too? And is there anything worse than someone forcing the issue?
Take Simon and Clary’s relationship at the beginning of City of Bones, before they meet the Shadowhunters. This earliest incarnation of their friendship almost seems thin and strained—but only because of how strong it later becomes. Yes, they are best friends with a history stretching back to childhood, with great knowledge of each other’s quirks and with great affection for one another. But there’s also a wall between them, with one side made up of Simon’s desire for their relationship to become romantic and the other by Clary’s obliviousness at first and then tolerance of that desire. Their friend shorthand is compromised by the fact that one side—Simon—often indicates or says something to the other—Clary—that she isn’t fully reading, understanding, or seeing. Until, that is, the issue of Simon’s one-sided romantic feelings for Clary is forced.
Shadowhunters and Downworlders
Cassandra Clare's books
- A Highland Werewolf Wedding
- Dreams and Shadows
- First And Last
- Hope and Undead Elvis
- Landed Wings
- Serafina and the Silent Vampire
- Serafina and the Virtual Man
- Spirit and Dust
- Stands a Shadow
- The Magic Kingdom of Landover Volume 1
- Thraxas and the Ice Dragon
- Undead and Undermined
- Faelan: A Highland Warrior Brief
- Highland Master
- The Wondrous and the Wicked
- The Lovely and the Lost
- The Dead Lands
- Aunt Dimity and the Deep Blue Sea
- Aunt Dimity and the Wishing Well
- Aunt Dimity and the Duke
- Aunt Dimity and the Summer King
- End of Days (Penryn and the End of Day #3)
- Jimmy The Hand (Legends of the Riftwar Book 3)
- Hollowland
- Sisters Grimm 05 Magic and Other Misdemeanors
- A Book of Spirits and Thieves
- BRANDED BY FIRE
- The Moon and the Sun
- The Pandora Principle
- Artemis Fowl and the Eternity Code
- Land of Shadows
- The Sword And The Dragon