Shadowhunters and Downworlders

Blood’s tendency to call to blood may have a lot to do with Jace and Clary’s fast connection. Within the theory of genetic sexual attraction is the idea that the bond is further strengthened by a subconscious need to form a connection to the genetically similar person in a way that might have been formed during a shared childhood. On a subconscious level, the longing for the intimacy missed with this person who is so linked to you asserts itself. This is more evident in Jace than in Clary, possibly because he had an abusive childhood with no real bonds. When Jace meets Clary, although initially aloof, he quickly breaks down and tells her things about his childhood and his father that would seem out of character for such an untouchable guy, were the connection with Clary not already there, in his subconscious and in his blood.

So what? you say. So Jace and Clary are siblings in the eyes of the Angel. Aren’t all Shadowhunters essentially one big inbred clan? It probably helps their case as a couple, rather than hurts it, because Shadowhunters don’t breed with mundanes. They’re purists, preserving the blood, and while that might seem a bit exclusive, it certainly seems to be in their best interest. Undiluted angel blood is strong. Jace and Clary are the only two Shadowhunters to have it straight from the source, and they’re the strongest Shadowhunters of their generation. There is no such thing as pseudo-angel blood incest. The idea doesn’t bring up strong feelings of aversion, and there are no immediate psychological roadblocks to Jace and Clary’s relationship. It should all be roses and ponies from here.

But it won’t be.

The entirety of the Jace/Clary dynamic has been rooted in the incest theme. Their blood is what called them and bonded them together; the taboo is what forced them apart. Now that the taboo is gone, count on the other blood issues between them to contribute to significant problems.

At the conclusion of City of Fallen Angels, the blood of Jace and Jonathan Morgenstern mixed, and Jonathan speaks inside Jace’s mind. They are one, become more truly brothers. And Jonathan was the only one to truly violate the incest taboo, when he kissed Clary in City of Glass, posing as Sebastian Verlac but knowing full well that she was his sister. Even after his identity is revealed, many interactions between them are peppered with instances of him standing creepily close or finding excuses to touch her. Within the pages of City of Lost Souls he goes even further, to the point of sexual assault. For the purposes of this essay, the assault isn’t the issue. Rape is about power, about victimizing someone, not about forming a connection. And before he committed the assault, Jonathan Morgenstern wanted a connection. He wanted to see similarities between him and Clary, for her to be his true sister. He says: “When I first met you, in Idris, I had hopes—I had thought you would be like me. And when you were nothing like me, I hated you. And then, when I was brought back, and Jace told me [that you killed our father and didn’t care], I realized that I had been wrong. You are like me.”

It’s this sibling similarity that leads him to believe that Clary can be brought into the fold. It makes him believe that she’s worthy to be part of his cause.

The incest taboo between Jonathan and Clary doesn’t function in the same way as the taboo between Jace and Clary does. The reader is meant to be repulsed. But that is due more to the fact that Jonathan is a vile villain than it is to his desire to connect physically with Clary despite their shared parentage.

Blood, whether the blood of the angel that makes a Shadowhunter a Shadowhunter or the blood that ties you to your family, is important in the Mortal Instruments series. Jace and Clary’s blood has brought them together, united them, and then threatened to separate them forever. It has twisted them, turned them, and defined who they are. But now we know the truth of it, and we know where they stand. Or do we?

If you’ve been reading the Mortal Instruments for any length of time, you know that only two things are certain: Dead doesn’t necessarily mean dead, and you never know whose blood is going to wind up running through your veins.



Kendare Blake grew up in the small city of Cambridge, Minnesota. She studied finance at Ithaca College and Creative Writing at Middlesex University in London. Now she inhabits Washington State, along with her husband, Dylan, and two catsons: Tybalt and Mojo Jojo. There’s also a horsedaughter, but she’s all grown up now and lives on her own, obviously too busy to ever call or write. Kendare is the author of Sleepwalk Society, Anna Dressed in Blood, Girl of Nightmares, and the upcoming Antigoddess trilogy.





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