I continued. “Next item is the brownouts. We’ve had people all over checking the HQ wiring and making replacements. It’s taking forever, because some of the wiring is decades old and not in use or hidden inside walls, which then have to be torn out and repaired. Frankly, we need all the wiring torn out and new wiring installed from top to bottom, but there’s not enough time between now and the Europeans’ arrival to do that, so we’re stuck with making jury-rigged repairs while looking for the causative factor for the events.
“The Otis repair people and the electrical wiring company people have been in and out. They’ll continue to be on the buddy system with our people. Let’s make sure the workers are always—and I mean always—with someone from security. You need to take a bathroom break, you call for backup. The workers need a break, you get someone to go in with them. Most of the repair people are related by blood-servant status, but any one of them could have hidden connections to one of the groups who hate nonhumans. No outsiders go alone at all, and if they have any kind of electronic devices on their person, they leave them in your hands when they go to restrooms. Understood?”
There were nods around the table, but I felt an itch between my shoulder blades. I had done deep background on all of these guys and gals. But it was very possible that I’d missed something. It only took one ticked-off human with a hand grenade or a pipe bomb.
“Del, our greatest concerns are rewiring security, food service, and emergency lighting, in that order.”
Del nodded and made a note to herself.
“Okay, folks. Let’s talk about the rainbow light-dragon. Leo called it a ‘Grand danger. L’esprit lumière. L’arcenciel.’” I stumbled over the French. “Anyone know what that is?” When no one volunteered, I said, “I’ll be finding out. Meeting adjourned.”
? ? ?
Wrassler led me to Grégoire’s boudoir. That was the only thing I could call it. Bedroom was too plain; suite was too businesslike; quarters was too military, though there were parts to all of those in the three small rooms. The woodwork at the ceiling was heavily carved, coated with gilt, and the walls had been painted in shades of blue that would complement the color of Grégoire’s eyes. I knew that because there was a life-sized painting of Grégoire just inside the door, his eyes matching his velvet clothes, gold lace at his wrists.
The entrance was wide with cabinets on either side of the door. I could smell steel and lemon oil, baby oil, lacquer or varnish—something to coat wood—and leather. The scents were different from the smells a gun cabinet would have held. These cabinets held swords. Metal weapons. Probably lots of different blades. My hands itched to open the doors and sniff through them. Wrassler led me on inside.
To the left of the door was a tiny room with one whole wall dedicated to wines, most with dusty labels. There was a narrow bar with crystal decanters and crystal glasses for decanting and drinking wine. The rest of the room was taken up by a delicate sofa, a tiny table, and two small chairs, all looking like something a French king might have used. And maybe had.
To the right was a closed door and I knew better than to open it uninvited, but I guessed it was a closet and dressing room. Grégoire was a dandy and his closet probably took up the biggest room in the boudoir suite.
Directly ahead was the bedroom, most of it blocked by Wrassler’s broad back. The room was like something out of a French castle. Silks and tapestries and rugs piled on top of rugs and art stacked several deep against the walls. In most of the artwork a female was front and center. Batildis. Batildis in velvets and silks and lace, posed in fields and libraries and fancy salons. And in others wearing nothing, posed on beds and horses and . . . with Grégoire.
This discussion was going to be harder than I had expected. He had been in love with Batildis. And if vamp emotions were anything to go on, he likely still was. Wrassler said something French that had my name in the middle, and Grégoire said something back. Wrassler nodded me to the chair by the bed and stepped out of the way, allowing me to see the rest of the room, which was filled with tables and chairs and knickknacks and art from centuries of living.