“And this was in 1976?”
“No, it was in 1974.” The professor was very glad to offer the correction. Then a new thought seemed to strike him. He looked at Pendergast afresh. “It wasn’t homicide . . . was it?”
“Really, Professor, unless you can get the permission of a family member to release this information—you do know someone in his family, I daresay?”
The professor’s face fell. “No. No one.”
Pendergast arched his eyebrows in surprise.
“He wasn’t close to his family. I can’t recall him ever mentioning them.”
“Pity. And so you say that Beckmann left for Europe in 1974, right after graduation, and that was the last you heard of him?”
“No. I got a note from Scotland at the end of August of that year. He was preparing to leave some farming commune he’d joined and head to Italy. I felt it was just some stage he had to go through. To tell you the truth, these past dozen years I’d been half expecting to see his name turn up in one of the journals, or perhaps to hear of an art opening of his. I’ve often thought of him over the years. Really, Mr. Pendergast, I would appreciate hearing anything you might be able to tell me about him.”
Pendergast paused. “It would be highly irregular . . .” He let his voice trail off.
D’Agosta had to smile. Flattery hadn’t worked, so Pendergast had taken another tack. And now he had the professor begging him for information.
“Surely you can at least tell me how he died.”
His pipe had gone out, and Pendergast waited while the professor drew out another match. As Ponsonby struck it, Pendergast spoke. “He died an alcoholic in a flophouse in Yonkers and was buried in the local potter’s field.”
The professor dropped the burning match, his face a mask of horror. “Good God. I had no idea.”
“Very tragic.”
The professor tried to cover up his shock by opening the matchbox again, but his shaking hands spilled them over the bench.
Pendergast helped pick them up. The professor poked them back one by one into the trembling box. He put his pipe away, unlit. D’Agosta was surprised to see the old man’s eyes film over. “Such a fine student,” he said, almost to himself.
Pendergast let the silence grow. Then he slipped Beckmann’s copy of Lives of the Painters out from his suit coat and held it out to Ponsonby.
For a moment, the old man didn’t appear to recognize it. Then he started violently. “Where did you get this?” he asked, grasping it quickly.
“It was with Mr. Beckmann’s effects.”
“This is the book I gave him.” As he opened the flyleaf to the dedication page, the photograph slipped out. “What’s this?” he asked as he picked it up.
Pendergast said nothing, asked no questions.
“There he is,” Ponsonby said, pointing at the photo. “That’s just how I remember him. This must have been taken in Florence in the fall.”
“Florence?” said Pendergast. “It could have been taken anywhere in Italy.”
“No, I recognize that fountain behind them. It’s the one in Piazza Santo Spirito. Always a big hangout for students. And there, behind, you can just see the portone of the Palazzo Guadagni, which is a shabby student pensione. I say the fall because they’re dressed that way, although I suppose it could have also been in spring.”
Pendergast retrieved the picture, then asked offhandedly, “The other students in the photograph were also from Princeton?”
“I’ve never seen any of them before. He must have met them in Florence. Like I said, the Piazza Santo Spirito was a gathering place for foreign students. Still is.” He closed the book. His face looked very tired and his voice cracked. “Ranier . . . Ranier had such promise.”
“We are all born with promise, Professor.” Pendergast stood up, then hesitated. “You may keep the book, if you wish.”
But Ponsonby didn’t seem to hear. His shoulders were bent, and he caressed the spine with a trembling hand.
As they drove back to New York in the gathering dusk, D’Agosta stirred restlessly in the front passenger seat. “Amazing how you extracted all that information from the professor without his even knowing it.” And it was amazing, though also a little sad: despite the professor’s arrogance and high-handedness, he’d seemed terribly moved by the death of a favorite student, even one not seen for three decades.
Pendergast nodded. “One rule, Vincent: the more unwilling the subject is to release information, the better the information is, once released. And Dr. Ponsonby’s information was as good as gold.” His eyes gleamed in the dark.
“It looks like they met up in Florence in the fall of ’74.”
“Exactly. Something happened to them there, something so extraordinary it resulted in at least two murders, thirty years later.” He turned to D’Agosta. “Do you know the saying, Vincent, ‘All roads lead to Rome’?”