Beside me, Wrassler also pulled a weapon. It was a handgun—or a small canon; take your pick—the five-round Taurus Judge model .45/.410. It was capable of chambering both Colt .45 ammo and .410, two-and-a-half-inch shotshell ammo. The ammo would punch a hole through a pine tree. Wrassler’s gun had been fitted with a fiber-optic sight, and he held it steady as the doors opened to a storage room. His shoulders relaxed and he holstered his weapon as he repalmed his print, and hit the floor button. The doors closed.
I put away my weapons, analyzing the floor I’d seen. The room had been full of cardboard boxes and old metal-covered, hump-backed steamer chests, the kind that actually went on steamships, full of rich people’s clothes. Or maybe on sailing ships, long before steam. It also contained lots of old books on shelves. And paintings. One or two had been in Leo’s home before it burned to the ground. Or maybe in Grégoire’s clan home. I couldn’t remember, but they were familiar. In one painting, I recognized the spotted fur on the lapel of a man wearing tights and poufy drawers and buckled shoes. Sitting at his feet were three beautiful vamps. One was Grégoire; the other boy and girl were unfamiliar, though all three wore period clothing like the vamp who stood over them. They also wore jewelry, Grégoire a red-stoned ring, the girl a delicate bracelet, and the dark-haired boy a necklace of a bird in flight, set with blue stones.
In another painting was Leo and another vamp, Leo’s predecessor, his uncle Amaury Pellissier. And then there had been the painting of Adrianna and a female vamp in clothing from the eighteen hundreds. Adrianna had tried to kill me on several occasions. Next time I saw her, her head was mine.
“Wrassler? Why’d we draw our weapons on a storeroom?”
Wrassler didn’t look at me when he answered. “Elevator’s been acting up all week. Taking us to the wrong floors. And there’ve been stories. Tales. For years. About a dark floor. Boo stuff.” Which I translated as stuff that went boo and made you jump in fear.
“Okaaay.” The elevator was rising again, and his scent now smelled of relief and the breakdown products of adrenaline. “So we’re good?”
Wrassler nodded, still not meeting my eyes.
“You know . . . Really. I need to see all the lower levels and all the access stairwells to determine the security needs. And I need admittance to them in advance of the Euro vamps’ visit.”
Wrassler pursed his lips as if holding in a comment. We’d discussed this before, and Wrassler had orders from Leo to keep me on the upper floors and the gym level. Leo was being stubborn, which meant that Leo had things to hide. I shook my head and looked from the conflicted blood-servant to the doors with proper elevator etiquette.
“This is essential, Wrassler. You know it is.”
When the elevator stopped again, it opened to the correct floor and we stepped out. I flipped open my fancy cell phone in its upmarket, Kevlar-topped carrying case and hit the number for home. The Kid answered, “YS,” pronouncing it Wise Ass, which he could do without a head slap because of the distance between us.
“Funny. Can you dial in to the elevator system at vamp HQ?”
“It’s not on the communal system, but Eli wired it during the upgrades. Why?”
No one had mentioned wiring the elevator to me, but we could deal with that later. In private. “The main elevator’s been taking people to the wrong floor. Get in and take a look-see, digitally and any other way you can figure out. If you can’t find anything, we need to get the Otis people in here, pronto.”
“Otis?”
“The elevator repair company.”
“Will do.”
I closed the cell. If Eli’s unauthorized wiring had caused these problems, I might be in a world of hurt. Literally. But until I had proof that YS had caused the problems, I’d keep my worries to myself.
***
The small repast in Leo’s office was not small. By the time the waiters—wearing new liveries of black tuxedoes and white gloves—were done delivering food, setting it up to look pretty, and telling us what everything was, I was starving. There was a ten-pound bison roast on the center of the tea table, a copper tray of roasted, stuffed quail, a tray of cheeses, and one of fruit. There were also several bottles of wine—the dusty kind, with dry, curling labels that practically screamed expensive. Things were changing at vamp central and—with the exception of the varieties of meat—I wasn’t sure I liked all the hoity-toity alterations. Something about it set my dander up, as one of my housemothers used to say. “Why all the new duds?”