Black Arts: A Jane Yellowrock Novel

I had a truly panic-worthy thought. Was Adrianna involved with Molly’s disappearance? Terror rose in me, but I shoved it down, hard. Fear wouldn’t help Mol. I needed to save the energy for when I found her, for the fight to get her free. I brought myself back to the concerns at hand.

 

Wrassler handed me his cell and I studied the video. The time stamp was just what he’d said—assuming no one had tampered with the electronics. The humans were asleep on twin beds, breathing smoothly. Both were fully clothed, if a little pale. One was drooling, the other was smiling. Blood-drunk for real. “Okay. Whatever. Let’s go over the final security arrangements. Who’s on electronic monitoring?”

 

“Angel Tit.”

 

The rest was boring logistics.

 

? ? ?

 

Ninety minutes before the festivities, Eli arrived and sent my clothes to the ladies’ locker room where I had showered before. He was already dressed in night camo, and together we did a final run-through of the house and the grounds. Everything was in place. Derek and his men had shown up at the same time as NOPD’s bomb sniffer dog, and Eli and the former Marines had secured the premises. It wasn’t exactly a lockdown, but it was close. Every car would pull through the gate out back, pause for the bomb-sniffing dog—who was a cute Jack Russell, black Lab mix—then motor up, beneath the little drive-through-roofed area that Wrassler called a port kashar, but spelled it porte cochere on my notes. French, probably. The passengers would get out and receive a good crotch-sniffing by the dog. Well, not really, but I could hope. The mental image of a two-hundred-year-old vamp with a dog nose in his crotch was giggle-worthy, but not something I could share under the circumstances.

 

And then the guests would be escorted to the elevator and the ballroom, where Wrassler and I would be. Not that planning and security measures would make the ballroom safe. The last big par-tay had ended in werewolves shape-changing and attacking through the stained glass windows. It had been a bloody mess. At least this time Leo hadn’t invited the press to the event.

 

Before changing clothes, I checked the ballroom one last time. It was fancy, a sort of colonial Moorish mix, with pointed arches and domed ceilings, held up with fluted gilt-painted columns. There were stained glass insets in some domes, illuminated by artificial lights.

 

The floor was pink marble and the matching rugs were so rich my feet sank into them. Narrow, rectangular linen-draped tables were lined up in the middle of the room, and side chairs had been placed along the walls, all expensive museum-quality furniture. Also along the walls were curio cabinets filled with objets d’art, historical and archaeological items donated by vamps, and a bunch of macabre stuff. My favorites were the handmade items of tribal life from Africa, South America, and the U.S.: stone hammers, pottery that had been shaped without a potter’s wheel and fired in open fires, spear points, and knapped weapons—not that I had time tonight to examine them.

 

Bouquets of aromatic flowers were everywhere, some standing tall in vases with water and some in little pots. The honey fragrance of sweet alyssum and the more intense scent of stock drifted in the air. The flower color scheme was a little of everything, pink, purple, white, and yellow, very springlike.

 

On the serving tables were gold-plated serving ware and utensils, nothing silver to harm the vamps. Platters for the humans were laden with cheeses, fish, meats, and a carved watermelon full of tropical fruit. A cute blood-servant bartender dressed in black tux pants and a black halter top was icing drinks at the alcohol bar and a blood-servant in similar garb, but far skimpier, stood guard in front of the blood bar, a small alcove off the main room. All the servers were loyal blood-servants, not hired, though Leo’s usual catering service had provided and set up the food.

 

Satisfied, I went to the elevator and down to the locker room assigned for me to change clothes. My locker was on the end, in the corner, a tall, narrow one, from floor to ceiling, my name on the front, Jane Yellowrock, and beneath it, the word Enforcer. I opened the locker, to see shelves at the top, and hanging space in the middle with a shoe space at the bottom. But my slacks and shirt weren’t there. Instead there was a designer dress on a padded satin hanger. I shoulda known. Leo had a thing about dressing me. He said it was part of my job description. I thought it was more that he liked being in control.

 

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