Begin Reading
Kami Garcia & Margaret Stohl
For our mothers
Susan Racca,
who raises baby squirrels and
feeds them with an eyedropper,
&
Marilyn Ross Stohl,
who could drive a tractor before
she could drive a car.
They are true Gatlin Peaches.
Tumult and peace, the darkness and the light—
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree;
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first, and last, and midst, and without end.
—WILLIAM WORDSWORTH, The Prelude: Book Sixth
BEFORE
Sugar and Salt
In Gatlin, it’s funny how the good things are all tied up with the bad. Sometimes it’s hard to tell which is which. But either way, you end up taking your sugar with your salt and your kicks with your kisses, as Amma would say.
I don’t know if it’s like that everywhere. I only know Gatlin, and this is what I know: By the time I got back to my usual seat at church with the Sisters, the only news being passed along with the collection plate was that the Bluebird Café had stopped serving up hamburger soup, peach pie season was winding down, and some hooligans had stolen the tire swing from the old oak near the General’s Green. Half the congregation was still shuffling down the carpeted aisles in what my mom used to call Red Cross shoes. With all the purple knees puffing up where the knee-highs ended, it felt like a whole sea of legs was holding its breath. At least I was.
But the Sisters still propped their hymnals open to the wrong pages with their curled knuckles, wadded up handkerchiefs buried in the spotted roses of their hands. Nothing kept them from singing the melody, loud and shrill, as they tried to drown one another out. Except Aunt Prue. She accidentally hit on a real harmony about three notes out of three hundred, but nobody minded. Some things didn’t have to change, and maybe they shouldn’t. Some things, like Aunt Prue, were meant to be off-key.
It was as if this summer had never happened, and we were safe within these walls. Like nothing but the thick, colored sunlight streaming through the stained-glass windows could force its way in here. Not Abraham Ravenwood or Hunting and his Blood Pack. Not Lena’s mother Sarafine or the Devil himself. Nobody else could get past the fierce hospitality of the ushers handing out programs. And even if they did, the preacher would keep on preaching and the choir would keep on singing, because nothing short of the apocalypse could keep folks in Gatlin out of church or each other’s business.
But outside these walls, this summer had changed everything, in both the Caster and Mortal worlds, even if the folks in Gatlin didn’t know it. Lena had Claimed herself both Light and Dark and split the Seventeenth Moon. A battle between Demons and Casters had ended in death on both sides and opened a crack in the Order of Things the size of the Grand Canyon. What Lena had done was the Caster equivalent of smashing the Ten Commandments. I wondered what the folks in Gatlin would think about that, if they’d ever know. I hoped they wouldn’t.
This town used to make me feel claustrophobic, and I hated it. Now it felt more like something expected, something I would miss someday. And that day was coming. No one knew that better than I did.
Sugar and salt and kicks and kisses. The girl I loved had come back to me and broken the world. That’s what actually happened this summer.
We’d seen the last of hamburger soup and peach pie and tire swings. But we’d seen the start of something, too.
The beginning of the End of Days.
9.07
Linkubus
I was standing on the top of the white water tower, with my back to the sun. My headless shadow fell across the warm painted metal, disappearing off the edge and into the sky. I could see Summerville stretching out before me, all the way to the lake, from Route 9 to Gatlin. This had been our happy place, mine and Lena’s. One of them, at least. But I wasn’t feeling happy. I felt like I was going to throw up.
My eyes were watering, but I didn’t know why. Maybe it was the light.
Come on, already. It’s time.
I clenched and unclenched my fists—staring out at the tiny houses, the tiny cars, and the tiny people—waiting for it to happen. The dread churned in my stomach, heavy and wrong. Then the familiar arms slammed into my waist, knocking the air out of me and dragging me down to the metal ladder. My jaw hit the side of the railing, and I stumbled. I lurched forward, trying to throw him off.
Who are you?
But the harder I swung, the harder he hit me. The next punch landed in my stomach, and I doubled over. That’s when I saw them.
His black Chucks. They were so old and beat-up, they could have been mine.
What do you want?
I didn’t wait for an answer. I lunged for his throat, and he went for mine. That’s when I caught a look at his face, and I saw the truth.