Then there is the man sitting at the bar. He’s at least ten years my senior. Maybe fifty or an early gray late forties. Like me, he’s no fool, not even now that the target has been chosen. He just sips his beer, ignoring, which is ironic because out of everyone here, it’s his job to step in. The bulge beneath the man’s sport coat reveals a holstered gun. While a lot of people in this neck of the woods—New Hampshire—might carry weapons, the piece strapped to his ankle, which I can see clear as day, thanks to his too-short pants, says he’s a cop. Off-duty but, still, an officer of the law.
And then there is the fool, who is damn near to weeping. He’s scrawny and physically weak but has nice clothes, shiny shoes, and a laptop bag. He probably makes four times as much money as the philistine, has a 401(k); stock options, and a hedge fund, details that fuel the philistine’s insecure rage. The fool’s just passing through. On his way to Boston. Or New York. Maybe visiting family. Just happened to stop for a drink, like me.
Well, not exactly like me. I’m here because I had nowhere else to go and hoped a little alcohol might help my lost memory return. I’ve got fifty dollars in my pocket. No ID. No keys. No clue about who I am other than the clothes I’m wearing and a name that isn’t a name.
The fool says nothing. It’s the first right thing he’s done since the bimbo opened the door. But it’s too little too late.
“Answer me, or I swear to God, I will—”
“She’s worth looking at,” the fool says, biting hard on the hook, believing incorrectly that insulting the woman would be worse than admiring her body, which is now bouncing like an inflatable fun house full of sugar-doped kids. She’s getting off on this, smiling broadly, nearly clapping.
The cop does nothing. The bar man sighs.
The philistine, lost in anger, has nothing more to say. He lifts the fool by his expensive, salmon-colored shirt, cocks back his fist, and grins. The fight—if you can call it that—will be over in one punch.
Except, it won’t be.
The philistine’s fist never reaches the fool’s face. It finds my hand instead. Without fully realizing it, I’ve crossed the room. Part of me feels confused, like I’m not sure how my proximity to the philistine changed, but the rest of me understands that everything about this situation is wrong. And that is something I cannot abide.
The punch stings my hand, but the pain only serves to focus me. And in that moment of clarity, I realize I’ve picked up a pool stick, which I swing with gusto. I’m no fool. Nor do I believe in a fair fight.
The pool stick breaks over the man’s broad back, pitching him forward with an embarrassingly loud, high-pitched shout. Despite the man’s penchant for drama on the scale of an injury-faking soccer player, he’s far from out of the fight. I have about a second before he swings one of his meaty arms at me. He’ll miss, but the time it takes me to dodge the blow will allow him to recover, and then this could drag on. None of that happens, of course. The cue ball is now in my right hand. I drive it into the man’s forehead. He crumples to the floor, upturning the fool’s table as he descends. Beer and peanuts mix with the blood flowing from his forehead.
The fool looks up at me with the same wide-eyed admiration he’d given the bimbo, who, I might add, is no longer bouncing or giggling. Her barbarian king has been dethroned by a transient with a two-week beard, messy hair, and a worn leather jacket.
“Th-thank you,” the fool says.
I respond to his gratitude by slapping him hard across the face. The resounding clap of his clean-shaven skin sounds like a snapping carrot. I lean in close while the man rubs his reddening cheek, tears in his eyes. “It is better to keep your mouth closed and let people think you are a fool than to open it and remove all doubt.”
The man’s brow furrows. “Mark Twain?”
I have no idea whom I’m quoting, but I don’t let him know that. I stand up and turn away.
The police officer has spun around in his chair, watching the scene with indifference. I head back to my table, chug what’s left of my beer, and walk toward the bar with my empty glass.
I stop in front of the woman, a condescending eyebrow lifted. My eyes tell her that it is she who is ultimately responsible for this mess. She brought the trap. She set the bait. Without her, the philistine would be home watching television. The fool would be finishing his drink and on his way. And I … well, I’m not sure what I’d be doing beyond sitting alone at a table.
She gets the message, loud and clear, and responds with vehemence, reading from the same script the philistine had been reciting since high school. “Fuck you, pri—”
Her words are silenced by the sound of breaking glass. She falls to the floor, wrapped around her stool, as unconscious as her boyfriend, or whatever he is. As I put the remnants of my beer stein on the bar, the officer takes action. Apparently, striking a woman is an actionable offense, whereas assaulting a philistine or fool is acceptable behavior.
Before the gun is fully raised, I clasp my hand atop it, twist, and free it from the officer’s grasp. He’s had a few drinks but is still pretty quick. Just not quick enough. He tries to lift his foot, going for the weapon on his ankle, but I’ve already stepped on his shoe.
I turn the gun around on him.
MirrorWorld
Jeremy Robinson's books
- Herculean (Cerberus Group #1)
- Island 731 (Kaiju 0)
- Project 731 (Kaiju #3)
- Project Hyperion (Kaiju #4)
- Project Maigo (Kaiju #2)
- Callsign: Queen (Zelda Baker) (Chess Team, #2)
- Callsign: Knight (Shin Dae-jung) (Chess Team, #6)
- Callsign: Deep Blue (Tom Duncan) (Chess Team, #7)
- Callsign: Rook (Stan Tremblay) (Chess Team, #3)
- Prime (Chess Team Adventure, #0.5)
- Callsign: King (Jack Sigler) (Chesspocalypse #1)
- Callsign: Bishop (Erik Somers) (Chesspocalypse #5)