MirrorWorld

He was dead.

Reality collided with her, knocking her back. She slammed into the fridge. Sharp pain drew her eyes to her hand. A long shard of glass, covered in blood, poked her palm. She loosened her grip and glanced from the clear triangular dagger to her son’s punctured body.

The phone rang. It rang and rang and rang, playing backup to her anguished screams.

Her insides quivered, fear returning, gently molding her actions. She lifted the glass still in her hand. Placed it against her wrist. And pulled.

Somewhere, a door slammed open. A voice shouted her name. And then, it too joined the pained chorus of despair and parental loss.





1.

I want to tell you a joke. The punch line might elude me for a time, but we’ll get there. I tend to ramble. Details make humor more robust, I think, though some would prefer I skip right to the end. Too bad for them; I don’t give a fuck.

A guy and a girl walk into a bar. He’s a philistine. The build suggests ex–football player. The high-and-tight haircut screams military, but the cocksure way he carries himself tells me he was too chickenshit to handle war and is boosting his ego by intimidating the folks of this small town.

I don’t know the name of the town. It was dark when I strolled past the WELCOME TO sign. The bar’s sign was well lit, though, THE HUNGRY HORSE. I’m not sure if that’s some kind of reference to something. Maybe there are a lot of horses in the fields around town. I don’t know. Like I said, it was dark. Maybe the bar’s owner just likes horses? I’m not sure if I do. Can’t remember if I’ve ever been on one.

Can’t remember much beyond an hour ago, which should concern me, but it doesn’t.

I think I’ll remember the girl hanging on the philistine’s arm, though. Just a quick glance is enough to etch the curves of her body in the permanent record of my short memory. It’s not that she’s beautiful. She’s caked in so much makeup that her true self, and worth, are impossible to see. Anyone with that much to hide is either the victim of unfortunate parentage or concealing their guilty conscience.

I never wear makeup. At least, I don’t think I would.

The woman’s voluptuousness is as artificial as her face, and thrice-dyed hair. Something tight hugs her waist. Probably her thighs, too. She’s a too-full sausage, ready to burst. And while her breasts are prodigious, they’re held aloft by an underwire bra capable of holding a child. Nothing about her is honest, except for her eyes—desperate and pleading for attention.

I don’t give it to her.

Anyone who does is a fool.

And there is a fool in every bar.

The man sitting across the room from me, on the far side of the worn pool table, beneath a neon-pink Budweiser sign and a mounted largemouth bass, watches the giggly entrance with wide-eyed fascination. She might as well be a peacock, strutting about, flashing her wares, entrancing the susceptible. That’s a poor metaphor. She’s not a male peacock, and she’s not simply entrancing.

She’s luring. Like an anglerfish, she dangles her quick meal, summoning her prey. Much better.

The fool hasn’t looked away yet. He’s hooked. And he’s been spotted. While the bait takes a barstool, the philistine glares at the fool until noticed. Then he grins, whispers to the woman, and heads for the fool, who is now staring down into his amber drink, wishing he wasn’t himself, or perhaps that he was just someone stronger.

The philistine stands above the fool, reading from a script everyone knows. “You looking at my girl?”

The fool shakes his head and offers a polite, “No, sir.”

The big man chuckles. He knows how easy this is going to be. He glances back at the woman, making sure she’s watching. And smiling. This is for her as much as him. Bruised egos seeking validation through the pain of idiots.

“You don’t think she’s worth looking at?” The philistine has him trapped now. To say she isn’t worth looking at is to call her ugly, but the opposite confirms that he was looking, and the lie will be enough.

The establishment is mostly empty. There’s the tender behind the bar, who just looks annoyed by the proceedings. No doubt, he’s seen this charade before and knows how it ends. He confirms this by saying, “Charley. Outside, please.”