“De nada.”
In the garage of Jose Villalobos, Dance clicked off the digital recorder and began to pack away the cables and the microphones. She’d spent the day not as a law enforcement agent but as a recording engineer and producer, and Los Trabajadores had just finished the last tune—a son huasteco, in the traditional style of music from northeastern Mexico, featuring a resonant eight-stringed instrument like a guitar, a jarana, and a fiddle. The violinist, a wiry forty-year-old originally from Juarez, had played up a storm, even slipping into Stéphane Grappelli Hot Club de France improvs.
Dance had been delighted at the bizarre, captivating journey of the music and had to force herself to keep from clapping time to the speedy, infectious tunes.
Now, just after 5:00 P.M., she shared Tecates with the band and then wandered back to the Pathfinder. Her phone hummed and she saw Madigan’s text, asking if she would come in and review the transcript of her report about the Peter Simesky–Myra Babbage case, which she’d dictated last night.
She debated a moment—she was exhausted—but decided to get it over with. Scrolling through her iPhone she saw a missed call too.
Jon Boling.
She debated again about the “San Diego Situation,” as she’d taken to calling it. And the first thing in her thoughts was the kiss with Michael O’Neil.
I can’t call Jon, her mind told her.
As her finger hit REDIAL.
A trill of numbers. Then … voicemail.
Disappointed, angry and relieved, she disconnected without leaving a message, thinking that would be a good title for a Kayleigh Towne song: “Straight to Voicemail.”
A half hour later she arrived at the sheriff’s office. She was now an official honorary deputy and she strode past the desk sergeant and security without any challenges. Several law enforcers she hadn’t met waved friendly greetings to her.
She stepped into Madigan’s office. The chief detective had been officially reinstated; Edwin had dropped the charges.
“Don’t you ever do sprinkles?” she asked, sitting down on the battered couch, eyeing the cardboard cup he was enthusiastically excavating.
“What?” Madigan asked.
“On your ice cream? Or whipped cream or syrup?”
“Naw, it’s a waste of taste. Calories too. Like cones. I’ll give you my theory of ice cream sometime. It’s philosophical. You ever make it?”
“Make ice cream?”
“Right.”
She said, “The world is divided into people who make ice cream and yogurt and pasta and bread. And those who buy it. I’m a buyer.”
“I’m with you there. This’s yours.”
He produced another cup. Chocolate chip. A metal spoon too.
“No, I—”
“You say no too quick, Deputy,” Madigan grumbled. “You want some ice cream. I know you do.”
True. She took it and ate several big mouthfuls. It was nice and melty. “Good.”
“Course it’s good. It’s ice cream. There’s the statement, you want to take a look-see and let me know what you think.” He slid the papers toward her and she read.
Crystal Stanning had transcribed it from Dance’s tape and it was pretty accurate. She expanded on a thought or two. Then slid it back.
Even at this hour the San Joaquin Valley heat permeated the building. Hell, I’m going to Macy’s, pick up a one-piece and float in the Mountain View pool until I wrinkle. Dance stretched and stood up, about to say good night to the detective when his desk phone rang and he hit SPEAKER. “Yeah?”
Dance finished the ice cream. Thought about asking for some more, but decided against it.
Course it’s good. It’s ice cream….
“Hey, Chief, it’s Miguel. Lopez.”
“You worked for me for four years. I know your voice,” the man snapped, examining the volcano core of his own cup, maybe tallying up how many bites he had left. “What?”
“Something kind of funny.”
“You gonna tell me what or just let that hang?”
“You listen to KDHT?”
“The radio? Sometimes. Get to the point. What’s your point?”
The deputy said, “Well, okay. I was listening on my way home and there’s a call-in show. ‘Bevo in the Evening.’”
“Lopez!”
“Okay, so he’s the DJ and they do requests. What happens about five minutes ago is some listener requests a song. I mean, part of a song. One of Kayleigh’s.”
Dance froze. She sat down. Madigan barked, “And?”
“The request was in an email. Signed, ‘A Kayleigh fan.’ It was for ‘Your Shadow.’ The last verse only. The DJ thought it was kind of funny, just the one verse, and played the whole song. But I got to thinking—”
“Oh, Christ,” Dance whispered. “Nobody ever played the fourth verse—to announce Congressman Davis’s killing!” She thought of Lincoln Rhyme’s comment: And he’s smart, right? He started with phones to keep you busy, then switched to other ways to play the song, like radio call-in requests? …
“Shit.” Madigan was nodding. He asked Lopez if the email had said anything else.
“No. Just that.”
Madigan disconnected without saying good-bye. He immediately called the station and got put through to the studio, told Bevo it was police business and asked that the email be forwarded to him. As they waited, he muttered, “And, hell, you know, we’re still looking for the connection between Simesky and Myra Babbage and the other killings—Bobby and Blanton, that file sharer, the attack on Sheri Towne. But nobody’s found anything yet.”
A moment later a flag popped up on his computer screen. The email request to the studio from a cryptic account, of random letters and numbers, was nothing more than what Lopez had already told them. Madigan called the Computer Crimes Division and forwarded it. A few minutes later they learned that it was an anonymous free email account and had been sent from a hotel in the Tower District.