Merthin had woken up briefly when the bell rang for Matins and Caris slipped out of bed. As usual, he turned over and fell into a light doze, so that when she returned it seemed as if she had been away only for a minute or two. She was cold when she got back into bed, and he drew her to him and wrapped his arms around her. They often stayed awake for a while, talking, and usually made love before going to sleep. It was Merthin's favorite time.
She pressed up against him, her breasts squashed comfortably against his chest. He kissed her forehead. When she had warmed up, he reached between her legs and gently stroked the soft hair there.
But she was feeling talkative. 'Did you hear yesterday's rumor? Outlaws in the woods north of town.'
'It seems a bit unlikely,' he said.
'I don't know. The walls are decrepit on that side.'
'But what are they going to steal? Anything they want is theirs for the taking. If they need meat, there are thousands of sheep and cattle unguarded in the fields, with no one to claim ownership.'
'That's what makes it strange.'
'These days, stealing is like leaning over the fence to breathe your neighbor's air.'
She sighed. 'Three months ago I thought this terrible plague was over.'
'How many more people have we lost?'
'We've buried a thousand since Easter.'
That seemed about right to Merthin. 'I hear that other towns are similar.'
He felt her hair move against his shoulder as she nodded in the dark. She said: 'I believe something like a quarter of the population of England is gone already.'
'And more than half the priests.'
'That's because they make contact with so many people every time they hold a service. They can hardly escape.'
'So half the churches are closed.'
'A good thing, if you ask me. I'm sure crowds spread the plague faster than anything.'
'Anyway, most people have lost respect for religion.'
To Caris, that was no great tragedy. She said: 'Perhaps they'll stop believing in mumbo-jumbo medicine, and start thinking about what treatments actually make a difference.'
'You say that, but it's hard for ordinary people to know what is a genuine cure and what a false remedy.'
'I'll give you four rules.'
He smiled in the dark. She always had a list. 'All right.'
'One: If there are dozens of different remedies for a complaint, you can be sure none of them works.'
'Why?'
'Because if one worked, people would forget the rest.'
'Logical.'
'Two: Just because a remedy is unpleasant doesn't mean it's any good. Raw larks' brains do nothing for a sore throat, even though they make you heave; whereas a nice cup of hot water and honey will soothe you.'
'That's good to know.'
'Three: Human and animal dung never does anyone any good. It usually makes them worse.'
'I'm relieved to hear it.'
'Four: If the remedy looks like the disease - the spotted feathers of a thrush for the pox, say, or sheep's urine for yellow jaundice - it's probably imaginative rubbish.'
'You should write a book about this.'
She made a scornful noise. 'Universities prefer ancient Greek texts.'
'Not a book for university students. One for people like you - nuns and midwives and barbers and wise women.'
'Wise women and midwives can't read.'
'Some can, and others have people who can read for them.'
'I suppose people might like a little book that tells them what to do about the plague.'
She was thoughtful for a few moments.
In the silence, there was a scream.
'What was that?' Merthin said.
'It sounded like a shrew being caught by an owl,' she said.
'No, it didn't,' he said, and he got up.
One of the nuns stepped forward and addressed Ralph. She was young - they were nearly all young - with black hair and blue eyes. 'Please don't hurt Tilly,' she begged. 'I'm Sister Joan, the treasurer. We'll give you anything you want. Please don't do any more violence.'
'I am Tam Hiding,' Ralph said. 'Where are the keys to the nuns' treasury?'
'I have them here on my belt.'
'Take me there.'
Joan hesitated. Perhaps she sensed that Ralph did not know where the treasury was. On their reconnaissance trip, Alan had been able to scout the nunnery quite thoroughly before he was caught. He had plotted their way in, identified the kitchen as a good hiding place, and located the nuns' dormitory; but he had not been able to find the treasury. Clearly Joan did not want to reveal its location.
Ralph had no time to lose. He did not know who might have heard that scream. He pressed the point of his knife into Tilly's throat until it drew blood. 'I want to go to the treasury,' he said.
'All right, just don't hurt Tilly! I'll show you the way.'
'I thought you would,' Ralph said.
He left two of the hired men in the dormitory to keep the nuns quiet. He and Alan followed Joan down the steps to the cloisters, taking Tilly.
At the foot of the stairs, the other two hired men were detaining at knifepoint three more nuns. Ralph guessed that those on duty in the hospital had come to investigate the scream. He was pleased: another threat had been neutralized. But where were the monks?
He sent the extra nuns up into the dormitory. He left one hired man on guard at the foot of the stairs and took the other with him.
Joan led them into the refectory, which was at ground level directly under the dorm. Her flickering lamp revealed trestle tables, benches, a lectern, and a wall painting of Jesus at a wedding feast.
At the far end of the room Joan moved a table to reveal a trapdoor in the floor. It had a keyhole just like a normal upright door. She turned a key in the lock and lifted the trapdoor. It gave onto a narrow spiral of stone steps. She descended the stairs. Ralph left the hired man on guard and went down, awkwardly carrying Tilly, and Alan followed him.
Ralph reached the bottom of the staircase and looked around him with a satisfied air. This was the holy of holies, the nuns' secret treasury. It was a cramped underground room like a dungeon, but better built: the walls were of ashlar, smoothly squared-off stones as used in the cathedral, and the floor was paved with closely set flagstones. The air felt cool and dry. Ralph put Tilly, trussed like a chicken, on the floor.
Most of the room was taken up by a huge lidded box, like a coffin for a giant, chained to a ring in the wall. There was not much else: two stools, a writing desk, and a shelf bearing a stack of parchment rolls, presumably the nunnery's account books. On a hook on the wall hung two heavy wool coats, and Ralph guessed they were for the treasurer and her assistant to wear when working down here in the coldest months of the winter.
The box was far too large to have come down the staircase. It must have been brought here in pieces and assembled in situ. Ralph pointed to the clasp, and Joan unlocked it with another of the keys on her belt.
Ralph looked inside. There were scores more parchment rolls, obviously all the charters and title deeds that proved the nunnery's ownership of its property and rights; a pile of leather and wool bags that undoubtedly held jeweled ornaments; and another, smaller chest that probably contained money.
At this point he had to be subtle. His object was those charters, but he did not want that to be apparent. He had to steal them, but appear not to have done so.
He ordered Joan to open the small chest. It contained a few gold coins. Ralph was puzzled by how little money there was. Perhaps more was hidden somewhere in this room, possibly behind stones in the wall. However, he did not stop to ponder: he was only pretending to be interested in the money. He poured the coins into the purse at his belt. Meanwhile, Alan unrolled a capacious sack and began filling it with cathedral ornaments.
Having let Joan see that, Ralph ordered her back up the stairs.
Tilly was still here, watching with wide, terrified eyes, but it did not matter what she saw. She would never have a chance to tell.
Ralph unrolled another sack and began loading the parchment rolls into it as fast as he could.
When they had bagged everything, Ralph told Alan to break up the wooden chests with his hammer and chisel. He took the wool coats from the hook, bundled them up, and held the tip of his candle flame to the bundle. The wool caught fire immediately. He piled wood from the chests on top of the burning wool. Soon there was a merry bonfire, and the smoke caught in his throat.
He looked at Tilly, lying helpless on the floor. He drew his knife. Then, once again, he hesitated.
From the prior's palace, a small door led directly into the chapter house, which itself communicated with the north transept of the cathedral. Merthin and Caris took this route in their search for the source of the scream. The chapter house was empty, and they went into the church. Their single candle was too dim to illuminate the vast interior, but they stood in the center of the crossing and listened hard.
They heard the click of a latch.
Merthin said: 'Who's there?' and was ashamed of the fear that made his voice tremble.
'Brother Thomas,' they heard.
The voice came from the south transept. A moment later Thomas moved into the light of their candle. 'I thought I heard someone scream,' he said.
'So did we. But there's no one here in the church.'
'Let's look around.'
'What about the novices, and the boys?'
'I told them to go back to sleep.'
They passed through the south transept into the monks' cloisters. Once again they saw no one and heard nothing. From here, they followed a passage through the kitchen stores to the hospital. The patients lay in their beds as normal, some sleeping and some moving and groaning in pain - but, Merthin realized after a moment, there were no nuns in the room.
'This is strange,' said Caris.
The scream might have come from here, but there was no sign of emergency, or of any kind of disturbance.
They went into the kitchen, which was deserted, as they would have expected.
Thomas sniffed deeply, as if trying to pick up a scent.
Merthin said: 'What is it?' He found himself whispering.
'Monks are clean,' Thomas murmured in reply. 'Someone dirty has been here.'
Merthin could not smell anything unusual.
Thomas picked up a cleaver, the kind a cook would use to chop through meat and bones.
They went to the kitchen door. Thomas held up the stump of his left arm in a warning gesture and they halted. There was a faint light in the nuns' cloisters. It seemed to be coming from the recess at the near end. It was the reflected gleam of a distant candle, Merthin guessed. It might be coming from the nuns' refectory, or from the flight of stone steps that led up to their dormitory; or both.
Thomas stepped out of his sandals and went forward, his bare feet making no sound on the flagstones. He melted into the shadows of the cloister. Merthin could just about make him out as he edged toward the recess.
A faint but pungent aroma came to Merthin's nose. It was not the smell of dirty bodies that Thomas had detected in the kitchen, but something quite different and new. A moment later Merthin identified it as smoke.
Thomas must have picked it up, too, for he froze in place up against the wall.
Someone unseen gave a grunt of surprise, then a figure stepped out from the recess into the cloister walk, faintly but clearly visible, the weak light outlining the silhouette of a man with some kind of hood covering his entire head and face. The man turned toward the refectory door.
Thomas struck.
The cleaver glinted briefly in the dark, then there was a sickening thud as it sank into the man's body. He gave a shout of terror and pain. As he fell Thomas swung again, and the man's cry turned into a sickening gurgle then stopped. He hit the stone pavement with a lifeless thump.
Beside Merthin, Caris gasped with horror.
Merthin ran forward. 'What's going on?' he cried.
Thomas turned to him, making go-back motions with the cleaver. 'Quiet!' he hissed.
The light changed in a heartbeat. Suddenly the cloisters were illuminated with the bright glow of a flame.
Someone came running out of the refectory with a heavy tread. It was a big man carrying a sack in one hand and a blazing torch in the other. He looked like a ghost, until Merthin realized he was wearing a crude hood with holes for the eyes and mouth.
Thomas stepped in front of the running man and raised his cleaver. But he was a moment too late. Before he could strike, the man cannoned into him, sending him flying.
Thomas crashed into a pillar, and there was a crack that sounded like his head hitting the stone. He slumped to the ground, out cold. The running man lost his balance and fell to his knees.
Caris pushed past Merthin and knelt beside Thomas.
Several more men appeared, all hooded, some carrying torches. It seemed to Merthin that some emerged from the refectory and others came down the stairs from the dorm. At the same time he heard the sound of women screaming and wailing. For a moment the scene was chaos.
Merthin rushed to Caris's side and tried to protect her, with his body, from the stampede.
The intruders saw their fallen comrade and they all paused in their rush, suddenly shocked into stillness. By the light of their torches they could see that he was unquestionably dead, his neck sliced almost all the way through, his blood spilled copiously over the stone floor of the cloisters. They looked around, moving their heads from side to side, peering through the holes in their hoods, looking like fish in a stream.
One of them spotted Thomas's cleaver, red with blood, lying on the ground next to Thomas and Caris, and pointed at it to show the others. With a grunt of anger, he drew a sword.
Merthin was terrified for Caris. He stepped forward, attracting the swordsman's attention. The man moved toward Merthin and raised his weapon. Merthin retreated, drawing the man away from Caris. As the danger to her receded, he felt more frightened for himself. Walking backward, shaking with fear, he slipped on the dead man's blood. His feet flew from under him and he fell flat on his back.
The swordsman stood over him, weapon raised high to kill him.
Then one of the others intervened. He was the tallest of the intruders, and moved with surprising speed. With his left hand, he grabbed the upraised arm of Merthin's assailant. He must have had authority, for without speaking he simply shook his hooded head from side to side in negation, and the swordsman lowered his weapon obediently.
Merthin noticed that his savior wore a mitten on his left hand, but nothing on the right.
The interaction lasted only as long as it might take a man to count to ten, and ended as suddenly as it had begun. One of the hooded men turned toward the kitchen and broke into a run, and the others followed. They must have planned to escape that way, Merthin realized: the kitchen had a door that gave onto the cathedral green, and that was the quickest way out. They disappeared, and without the blaze of their torches the cloisters went dark.
Merthin stood still, unsure what to do. Should he run after the intruders, go up to the dormitory and find out why the nuns were screaming, or find out where the fire was?
He knelt beside Caris. 'Is Thomas alive?' he said.
'I think he's banged his head, and he's unconscious, but he's breathing, and there's no blood.'
Behind him, Merthin heard the familiar voice of Sister Joan. 'Help me, please!' He turned. She stood in the doorway of the refectory, her face lit up grotesquely by the candle lamp in her hand, her head wreathed in smoke like a fashionable hat. 'For God's sake, come quickly!'
He stood up. Joan disappeared back into the refectory, and Merthin ran after her.
Her lamp threw confusing shadows, but he managed to avoid falling over the furniture as he followed her to the end of the room. Smoke was pouring from a hole in the floor. Merthin saw immediately that the hole was the work of a careful builder: it was perfectly square, with neat edges and a well-made trapdoor. He guessed this was the nuns' hidden treasury, built in secrecy by Jeremiah. But tonight's thieves had found it.
He got a lungful of smoke, and coughed. He wondered what was burning down there, and why, but he had no intention of finding out - it looked too dangerous.
Then Joan screamed at him: 'Tilly is in there!'
'Dear God,' Merthin said despairingly; and he went down the steps.
He had to hold his breath. He peered through the smoke. Despite his fear, his builder's eye noticed that the spiral stone staircase was well made, each step exactly the same size and shape, and each set at precisely the same angle to the next; so that he was able to go down with confidence even when he could not see what was underfoot.
In a second he reached the underground chamber. He could see flames near the middle of the room. The heat was intense, and he knew he would not be able to stand it for more than a few instants. The smoke was thick. He was still holding his breath, but now his eyes began to water, and his vision blurred. He wiped his eyes with his sleeve and peered into the murk. Where was Tilly? He could not see the floor.
He dropped to his knees. Visibility improved slightly: the smoke was less dense lower down. He moved around on all fours, staring into the corners of the room, sweeping with his hands where he could not see. 'Tilly!' he shouted. 'Tilly, where are you?' The smoke caught in his throat, and he suffered a coughing fit that would have drowned any reply she made.
He could not last any longer. He was coughing convulsively, but every breath seemed to choke him with more smoke. His eyes watered copiously and he was nearly blind. In desperation, he went so close to the fire that the flames began to singe his sleeve. If he collapsed and lost consciousness, he would die for certain.
Then his hand touched flesh.
He grabbed. It was a human leg, a small leg, a girl's leg. He pulled her toward him. Her clothes were smoldering. He could hardly see her face and could not tell whether she was conscious, but she was tied hand and foot with leather thongs, so she could not move of her own accord. Striving to stop coughing, he got his arms under her and picked her up.
As soon as he stood upright the smoke became blindingly thick. Suddenly he could not remember which way the stairs were. He staggered away from the flames and crashed into the wall, almost dropping Tilly. Left or right? He went left and came to a corner. Changing his mind, he retraced his steps.
He felt as if he was drowning. His strength gone, he dropped to his knees. That saved him. Once again he found he could see better close to the floor, and a stone step appeared, like a vision from Heaven, right in front of him.
Desperately holding on to the limp form of Tilly, he moved forward on his knees and made it to the staircase. With a last effort, he got to his feet. He put one foot on the lowest step and hauled himself up; then he managed the next step. Coughing uncontrollably, he forced himself upward until there were no more steps. He staggered, fell to his knees, dropped Tilly, and collapsed on the refectory floor.
Someone bent over him. He spluttered: 'Close the trapdoor - stop the fire!' A moment later he heard a bang as the wooden door slammed shut.
He was grabbed under the arms. He opened his eyes for a moment and saw Caris's face, upside-down; then his vision blurred. She dragged him across the floor. The smoke thinned and he began to suck air into his lungs. He sensed the transition from indoors to out, and tasted clean night air. Caris put him down and he heard her footsteps run back inside.
He gasped, coughed, gasped, and coughed. Slowly he began to breathe more normally. His eyes stopped watering, and he saw that dawn was breaking. The faint light showed him a crowd of nuns standing around him.
He sat upright. Caris and another nun dragged Tilly out of the refectory and put her beside him. Caris bent over her. Merthin tried to speak, coughed, and tried again. 'How is she?'
'She's been stabbed through the heart,' Caris said. She began to cry. 'She was dead before you got to her.'