Vampire Chronicles 7: Merrick

 

It was short, but I did not feel particularly effusive after this little misadventure. Also, I had the unpleasant sensation that Papa Legba was glaring at me from the violated shrine. In a fit of pique, I added a postscript.

 

"It was Aaron who gave me this pen!" Enough said.

 

Now, with considerable apprehension, I went back to the altar.

 

I spoke rapidly in Portuguese first, and then in Latin, once again greeting the spirit in the statue, the opener of the spiritual realm. Open my understanding, I prayed, and take no offense at what I do, for I want only knowledge, and mean no disrespect. Be assured of my understanding of your power. Be assured that I am a sincere soul. I dug deep into my memory now for sensation as well as fact. I told the spirit in the statue that I was dedicated to the orisha, or god, called Oxalá, lord of creation. I explained that I had been faithful in my own way always to that deity, though I had not done all the little things that others had prescribed to be done. Nevertheless, I loved this god, I loved his stories, and his personality, I loved all I could know of him.

 

A bad feeling crept over me. How could a blood drinker be faithful to the lord of creation? Was not every act of blood drinking a sin against Oxalá? I pondered this. But I didn't retreat. My emotions belonged to Oxalá, just as they had many many decades ago in Rio de Janeiro. Oxalá was mine, and I was his.

 

"Protect us in what we mean to do," I whispered.

 

Then, before I could lose heart, I snuffed out the candle, lifted the statue, and, retrieving the handkerchief, set the statue back with care. I said, "Goodbye Papa Legba" to the statue and prepared to leave the suite. I found myself quite motionless, my back to the altar, facing the door to the corridor outside. I couldn't move. Or rather it seemed I shouldn't move.

 

Very slowly, my mind became rather empty. Focused upon my physical senses, if anything, I turned and looked towards the bedroom doorway through which I'd only just come.

 

It was the old woman, of course, the wizened little Great Nananne, with her fingers on the doorjamb, staring at me, and her thin lipless mouth working as if she were whispering to herself or to someone unseen, her head tilted just a little to one side.

 

I sucked in my breath and stared at her. She showed no signs of weakening, this wee apparition, this tiny old woman who regarded me rather directly in spite of moving lips. She was clothed in a faintly flowered nightgown of flannel that was stained all over with coffee, perhaps, or long-faded blood. Indeed, I became intensely conscious that her image was becoming all the more solid and detailed.

 

Her feet were bare and her toenails the color of yellowed bone. Her gray hair was now quite visible and distinct, as if a light were being brightened upon her, and I saw the veins moving up the sides of her head, and the veins on the back of the one hand which dangled at her side. Only very old people looked as she looked. And of course this woman looked exactly as she had when I'd seen her ghost in the carriageway earlier this evening, and exactly as she had on the day of her death. Indeed, I remembered the nightgown. I remembered the stains upon it. I remembered that on her dying body it had been stained but fresh and clean.

 

I broke into a true sweat as I stared at her, and I could not move a muscle, except to speak.

 

"You think I'll harm her?" I whispered.

 

The figure did not change. The little mouth continued to work, but I could hear only a faint dry rustling noise, as from an old woman telling her rosary in church.

 

"You think I mean to do something wrong?" I said.

 

The figure was gone. It was gone past tense. I was talking to no one.

 

I turned on my heel and glared at the statue of the saint. It seemed to be material and nothing more. I seriously considered smashing it, but my mind was full of confusion as to my intentions and their implications, when quite suddenly there came a deafening knock on the hallway door.

 

Well, it seemed to be deafening. I suspect it was ordinary. I was violently startled. Regardless I opened the door and said crossly:

 

"What in hell do you want?"

 

To my astonishment and his astonishment also, I was addressing one of the ordinary and innocent attendants who worked in the hotel.

 

"Nothing, Sir, excuse me," he said in his slow southern manner, "just this for the lady." He lifted a small plain white envelope and I took it out of his hand.

 

"Oh, wait, please," I said, as I fumbled to retrieve a ten-dollar bill from my pocket. I had put several in my suit just for this purpose and gave one over to him, with which he seemed pleased.

 

I shut the door. The envelope contained the two-piece leather hair barrette which I had taken off Merrick so carelessly in the cab. There was an oval of leather, and then a long pin covered with leather with which she gathered and fixed her hair in place.

 

I was trembling all over. This was too dreadful.

 

How in the hell had this come to be here? It seemed quite impossible that the cabby had retrieved it. But then how was I to know? At the time, I'd been aware that I ought to pick it up and pocket it, but I'd fancied myself to be under duress. I went to the altar, laid the barrette in front of Papa Legba, avoiding his eyes as I did so, and I went straight out of the suite, down the stairs and out of the lobby, and out of the hotel.

 

This time, I vowed to observe nothing, to look for nothing, and I went directly to our home. If there were spirits along the way, I did not see them, keeping my eyes on the ground, moving as swiftly as I could safely move without causing a stir among mortals, and going directly through the carriageway, back to the courtyard, and then up the iron steps into the flat.

 

 

 

 

 

4

 

 

THE FLAT WAS DARK, which I hadn't expected, and I did not find Louis in either the front parlor or the back, or in his room. As for Lestat, the door of his room was closed, and the harpsichord music, very rapid and very beautiful, seemed to emanate from the very walls, as is so often the case with modern compact disc recordings. I lighted all the lamps in the front parlor and settled on the couch, with Aaron's pages in hand. I told myself I had important business.

 

It was no good thinking about Merrick and her charms and her spirits, and no good at all dwelling upon the old woman with her unintelligible whispers and her small wrinkled face.

 

As for my thoughts on my orisha, Oxalá they were grim. The long ago years I had spent in Rio were ones of severe dedication. I had believed in Candomble insofar as I, David Talbot, could believe in anything. I had given myself over to the religion insofar as I could be abandoned to anything. And I had become Oxalá's follower and worshiper. I had been possessed by him many a time with little or no memory of the trance, and I had scrupulously followed his rules. But all that had been a detour in my life, an intermezzo. I was, after all, a British scholar, before and after. And once I had entered the Talamasca, the power of Oxalá or any orisha over me had been broken forever. Nevertheless, I felt confusion and guilt now. I had come to Merrick to discuss magic, imagining that I could control what happened! And the very first night had been chastening, indeed.

 

However, I had to get my mind clear. Indeed, I owed it to Aaron, my old friend, to pull myself together at once and look at his papers. Everything else could wait, I told myself.

 

However, I couldn't get the old woman out of my head. I longed for Louis to come. I wanted to discuss these matters. It was important that Louis understand things about Merrick, but where Louis might be at this hour, I had no idea. The harpsichord music was something of a comfort, as Mozart always is, with his merriment, no matter what the composition, but nevertheless, I felt restless and unsafe in these warm rooms where I was accustomed to spend many hours in comfort alone or with Louis or Louis and Lestat.

 

I determined to shrug it off.

 

Indeed, it was absolutely the best time to read Aaron's pages.

 

I took off my jacket, seated myself at the large writing desk which faced into the room quite conveniently (as none of us liked to work with our back to the room), and opened the envelope and drew out the pages that I meant to read. There wasn't very much at all, and a quick perusal indicated that Merrick had given me a complete picture of Aaron's thoughts at the end. Nevertheless, I owed it to Aaron to read these writings, word by word. It took me only a few moments to forget everything about me, as I found myself hearing Aaron's familiar voice in English in spite of the fact that all he'd written was in Latin. It was as if he were there, reviewing it all with me, or reading me his report so that I might comment before he sent it on to the Elders.

 

Aaron described how he had come to meet me in Florida, where he had found the aged body of his friend David Talbot dead and in need of proper burial, while the soul of David was firmly ensconced in the body of an anonymous young man. The young man was Anglo-Indian in background, six feet four in height, had wavy dark-brown hair, bronze skin, and extremely large sympathetic dark-brown eyes. The young man was in excellent health and physical condition. The young man had very acute hearing and a good sense of balance. The young man seemed devoid of any spirit whatsoever save that of David Talbot.

 

Aaron went on to describe our days together in Miami, during which time I had frequently projected my spirit out of the host body, only to recapture the body perfectly with no unseen resistance from any known or unknown realm. Finally, after a month or so of such experiments, I'd been convinced that I could remain in the youthful body and I had set about gathering what information I could about the soul which had previously reigned within it. Those particulars I will not relate here insofar as they have to do with persons in no way connected with this narrative. It is sufficient to say that Aaron and I were satisfied that the soul which had once governed my new body was gone beyond reprieve. Hospital records pertaining to the last months of that soul's life on earth made it more than clear that "the mind" of the individual had been destroyed by psychological disasters and the bizarre chemistry of certain drugs which the man had ingested, though there had been no damage to the cells of the brain.

 

I, David Talbot, in full possession of the body, sensed no damage to the brain.

 

Aaron had been very full in his descriptions of things, explaining how clumsy I'd been with my new height for the first few days, and how he had watched this "strange body" gradually "become" his old friend David, as I took to sitting in chairs with my legs crossed, or to folding my arms across my chest, or to hunching over my writing or reading materials in familiar fashion.

 

Aaron remarked that the improved vision of the new eyes had been a great blessing to David Talbot, as David had suffered poor vision in his last years. Ah, that was so true, and I hadn't even thought of it. And now of course, I saw as a vampire and could not even remember those key gradations of mortal vision in my brief Faustian youth. Aaron then laid down his feelings that the full report on this incident must not be placed in the Files of the Talamasca, which were open to all.

 

"It is plain to see from David's transformation," he wrote in so many words, "that body switching is entirely possible when one is dealing with skilled individuals, and what arouses my horror is not David's present occupation of this splendid young body, but the manner in which the body was stolen from its original owner by that one whom we shall call the Body Thief, for sinister purposes of the thief's own."

 

Aaron went on to explain that he would endeavor to put these pages directly into the hands of the Elders of the Talamasca.

 

But for tragic reasons, obviously, this had never been done.

 

There came a final series of paragraphs comprising about three pages, handwritten a little more formally than what had gone before.

 

David's Disappearance was written at the top. Lestat was referred to merely as TVL. And this time, Aaron's phrasing reflected considerably more caution and some sadness.

 

He described how I had vanished on the island of Barbados, without leaving any message for anyone, abandoning my suitcases, typewriter, books, and pages, which he, Aaron, had gone to retrieve.

 

How dreadful that must have been for Aaron, picking up the trash of my life, with no word of apology from me.

 

"Were I not so busy with the matters of the Mayfair Witches," he wrote, "perhaps this disappearance would never have occurred. I might have been more attentive to D. during his time of transition. I might have held him more firmly in my affections and thereby earned more surely his complete trust. As it is, I can only surmise what has become of him, and I fear that he has met with spiritual catastrophe quite against his will.

 

"Undoubtedly he will contact me. I know him too well to think otherwise. He will come to me. He will—whatever his state of mind, and I cannot possibly imagine it—come to me to give me some solace, if nothing else." It hurt me so deeply to read this that I stopped and put the pages aside. For a moment, I was aware only of my own failing, my own terrible failing, my own cruel failing.

 

But there were two more pages, and I had to read them. Finally I picked them up and read Aaron's last notes.

 

 

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